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The magnificent collection of "Shelley and His Circle" manuscripts in the Carl H. Pforzheimer Library is one of our finest sources for the English Romantic movement. This edition presents the more than 450 manuscripts from 1772 to 1822, over half of them by Percy Bysshe Shelley. Volumes I and II include a first accurate printing of Shelley's letters to Thomas Hogg during a crucial period of his life; another series of letters records a struggle between Forman and Silsbee for acquisition of Shelley's papers that was the background for Henry James's Aspern Papers; Thomas Love Peacock, William Godwin, Leigh Hunt, Mary Wollstonecraft, and others are represented by materials (most of them previously unpublished) that throw much new light on their lives and times. The Peacock and part of the Wollstonecraft manuscripts were edited by Eleanor L. Nicholes, and The Diary of Harriet Grove (Shelley's boyhood sweetheart) by Frederick L. Jones. New and effective editorial, bibliographical and typographical methods were devised to deal with special problems.
The story of how book piracy in pre-Revolutionary France expanded the reach of the works that would inspire momentous change.
In reproducing sixty-six letters in the Carl H. Pforzheimer Library, plus eight letters or portions of letters previously published, this book offers one of the best sources available for the last fourteen years of Browning's life. Written to a dear friend who was also a "learned lady," the letters deal with Browning's poetry, his social life, and his friendships. They also give some of his views on the nature of poetry, of art, and of religion. The editor's introduction offers the reader a view of Mrs. Fitzgerald and her family, of the social background with which many of the letters are concerned, and of Browning, his sister, and his son. Notes clarify the many allusions that appear in the letters. An appendix by Marcelle Thiébaux includes careful bibliographical descriptions of the manuscripts and a classified list of the writing paper Browning used, information which should enable future editors to assign at least approximate dates to some of the letters Browning himself left undated.
Published to high praise--"groundbreaking . . . a landmark" (Poets and Writers)--this was the first anthology to celebrate the diversity of women who write.
The female husband: or, the surprising history of Mrs. Mary, alias Mr George Hamilton, who was convicted of having married a young woman of Wells and from her own mouth since her confinement. by Henry Fielding The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
"Splendid…[Darnton gives] us vivid, hard-won detail, illuminating narrative, and subtle, original insight." —Timothy Garton Ash, New York Review of Books With his uncanny ability to spark life in the past, Robert Darnton re-creates three historical worlds in which censorship shaped literary expression in distinctive ways. In eighteenth-century France, censors, authors, and booksellers collaborated in making literature by navigating the intricate culture of royal privilege. Even as the king's censors outlawed works by Voltaire, Rousseau, and other celebrated Enlightenment writers, the head censor himself incubated Diderot’s great Encyclopedie by hiding the banned project’s papers in his Paris townhouse. Relationships at court trumped principle in the Old Regime. Shaken by the Sepoy uprising in 1857, the British Raj undertook a vast surveillance of every aspect of Indian life, including its literary output. Years later the outrage stirred by the British partition of Bengal led the Raj to put this knowledge to use. Seeking to suppress Indian publications that it deemed seditious, the British held hearings in which literary criticism led to prison sentences. Their efforts to meld imperial power and liberal principle fed a growing Indian opposition. In Communist East Germany, censorship was a component of the party program to engineer society. Behind the unmarked office doors of Ninety Clara-Zetkin Street in East Berlin, censors developed annual plans for literature in negotiation with high party officials and prominent writers. A system so pervasive that it lodged inside the authors’ heads as self-censorship, it left visible scars in the nation’s literature. By rooting censorship in the particulars of history, Darnton's revealing study enables us to think more clearly about efforts to control expression past and present.
The landmark history of France and French culture in the eighteenth-century, a winner of the Los Angeles Times Book Prize When the apprentices of a Paris printing shop in the 1730s held a series of mock trials and then hanged all the cats they could lay their hands on, why did they find it so hilariously funny that they choked with laughter when they reenacted it in pantomime some twenty times? Why in the eighteenth-century version of Little Red Riding Hood did the wolf eat the child at the end? What did the anonymous townsman of Montpelier have in mind when he kept an exhaustive dossier on all the activities of his native city? These are some of the provocative questions the distinguished Harvard historian Robert Darnton answers The Great Cat Massacre, a kaleidoscopic view of European culture during in what we like to call "The Age of Enlightenment." A classic of European history, it is an essential starting point for understanding Enlightenment France.