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Mike Shayne battles blackmailers to recover a valuable missing bracelet The picture in the paper shows one of the most beautiful women in Miami wearing nothing more than a negligee. She’s in her boudoir, posing for police photographers, pointing to where her emerald bracelet used to be. The bauble is worth $110,000, and whoever took it is either brave, crazy, or stupid, because Laura Peralta’s husband is the second most dangerous man in Miami. The most dangerous, of course, is Miami’s toughest private detective, Mike Shayne. After 3 weeks, the police have gotten nowhere, and Julio Peralta turns to Shayne. But there’s more at stake than a missing bracelet. And for the sake of the lovely Laura, Shayne will have to brave blackmailers, burglars, and a killer with a sense of style. The Careless Corpse is the 40th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.
When an author finds his friend murdered, he calls on hardboiled cop Jerry Burke to track down the killer In a lonely canyon high above El Paso, a ruthless millionaire and a hardline socialist live side by side. Raymond Dwight makes money mercilessly and Leslie Young hates the rich with a passion, but the men have coexisted peacefully—so far. But when Western novelist Asa Baker escapes to Young’s cabin for a weekend of writing, he can sense tension in the air. His friend has always muttered about tossing a few bombs at Dwight’s estate, but his jokes have stopped being funny. Baker has seen enough bloodshed to know that there is murder on the horizon. When he finds Young dead on the floor, a strange mark on his cheek, Baker calls the only man who can help: Jerry Burke, the toughest cop in El Paso. In the shadowy corners of this Texas canyon lie secrets that someone will kill to protect—and Burke is the only man daring enough to uncover the truth.
His fans include Stephen King, Michael Connelly, Tess Gerritsen, Ian Rankin, and Louise Penney. He has won acclaim and numerous international prizes and awards, including the Edgar. Now celebrated New York Times bestselling author Peter Robinson, one of the greatest suspense writers of our time, demonstrates his mastery once again in this powerful mystery in which legendary detective superintendent Alan Banks is confronted with a pair of perplexing crimes. Two suspicious deaths challenge DS Alan Banks and his crack investigative team. The body of an attractive young woman dressed in evening attire is found in an abandoned car on a country road. The death looks like suicide, but there are too many open questions for Banks and his team to rule out foul play. The car didn’t belong to her—it was badly damaged in an accident involving the vehicle’s owner a week earlier in the same spot. So how did the dead girl get inside the car? Did someone place her there, and if so, why? Where—and when—did she die? While Banks attends the postmortem, DI Annie Cabot is at the scene of another death. A well-dressed man in his sixties has been found in a gully high up on the wild moorland. His injuries were fatal and consistent with those sustained in a fall. Was it an accident—did the man get too close to the edge and slip? Was he pushed? The man was wearing an expensive suit. What was he doing in a rocky spot popular with hikers? There are no signs of a vehicle near where he fell. How did he get there? Banks’s and Cabot’s cases share a few curious similarities. Both of the dead were found in the same area of the moorlands. Both were elegantly dressed. The timing of their deaths coincided. And neither carried identification. As the police uncover who these people were and begin to look into their lives, inconsistencies multiply and the mysteries surrounding the two cases proliferate. Then a source close to Annie reveals a piece of information that rocks the Eastvale detectives working both investigations. An old enemy has returned in a new guise—a nefarious foe who will stop at nothing, not even murder, to get what he wants. With the stakes raised, the hunt is on. But will Banks and his crack squad be able to find the evidence to stop him in time?
This is a reading of physical obsession in O'Connor through linguistic and literary techniques. central struggle between spirit and matter in O'Connor through a close quantitative examination of the interactions of grammatical voice and physical bodies in her texts. Bridging literary theory and linguistics, Hardy demonstrates that the many constructions in which the body parts of O'Connor's characters are foregrounded, either as subjects or objects, are grammatical manipulations of semantic variations on what linguists deem the middle voice - roughly indicating that the subject is acting upon himself or herself. productive approach to understanding O'Connor's use of the body and its parts in her explorations of the sacramental and the grotesque. Linguistic analysis of grammatical middle voice is coupled with quantitative analysis of body-part words and the collocations in which they appear to present a new point of entrance to understanding O'Connor's stylistic manipulations of the body as central to the rift between spirit and matter. Through this method of reading O'Connor, Hardy makes a valuable contribution to the growing body of work that is introducing linguistic terminology and concepts into literary studies.
Mike Shayne finds strange secrets hidden beneath the cover of a grisly double suicide It’s 10:30 pm, and Mike Shayne is sipping cognac, ruminating on the perfection of Lucy Hamilton’s fried chicken, when a shotgun fires upstairs. Following the acrid stench of gunpowder to a locked door halfway down the hall, Shayne has no choice but to batter it down, tumbling face first into the scene of a particularly ugly double suicide. The woman lies on the floor in the middle of the sitting room, her face twisted by the deadly kiss of cyanide. A few feet beyond her body is what remains of a man, his head obliterated by the shotgun’s blast. The woman’s father is one of Miami’s power brokers, and he refuses to believe that his daughter would end her life over a silly affair. Isn’t it possible, he asks, that she was murdered? Convinced or not, Shayne is the only man ruthless enough to find out. The Corpse That Never Was is the 45th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.
Mike Shayne is accused of homicide after a dying man stumbles into his office When an old friend calls begging to see him immediately, Mike Shayne is surprised to say the least. He hasn’t set eyes on Jim Lacy in ten years, and time has not been kind. Jim’s face is deeply wrinkled, and his eyes are glazed. His skin is gray—and there is blood seeping through his shirt. Jim mutters a few last words as he collapses on Shayne’s office floor. His stomach is filled with lead and he is dead before he hits the ground. Shayne reaches into Lacy’s pocket and pulls out his wallet. Emptying it, he finds $200—enough for a retainer fee. Mike Shayne has never let a client’s murder go unpunished, and he will not rest until he catches the men who shot Jim Lacy and sent him to die. But first he will have to convince the police that he was not the man who pulled the trigger. The Corpse Came Calling is the 6th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.
The origins of literature’s finest crime fighters, told by their creators themselves Their names ring out like gunshots in the dark of a back alley, crime fighters of a lost era whose heroic deeds will never be forgotten. They are men like Lew Archer, Pierre Chambrun, Flash Casey, and the Shadow. They are women like Mrs. North and the immortal Nancy Drew. These are detectives, and they are some of the only true heroes the twentieth century ever knew. In this classic volume, Otto Penzler presents essays written by the authors who created these famous characters. We learn how Ed McBain killed—and resurrected—the hero of the 87th Precinct, how international agent Quiller wrote his will, and how Dick Tracy first announced that “crime does not pay.” Some of these heroes may be more famous than others, but there is not one whom you wouldn’t like on your side in a courtroom, a shootout, or an old-fashioned barroom brawl.
Meticulously detailed indexes to the Eerie Publications horror comics, the dreadful bad-boys of black and white horror mags! THERE ARE NO STORIES REPRINTED HERE!!! Just hard-core, pure information.
In this classic crime novel from the creator of Mike Shayne, a writer and an El Paso cop chase a serial killer who taunts them with ads in the local paper. Action Western novelist Asa Baker is in bad need of a good story when he gets a call from his old friend, Jerry Burke. One of El Paso’s top cops, Burke is about to drag Baker into a plot more dangerous—and outrageous—than anything the Old West has to offer. A troubling personal ad has appeared in the local paper. Addressed to Burke, it warns that someone will die tonight at 11:41 p.m. And as promised, the body appears at 11:41 sharp—setting Burke and Baker on the hunt for an ingenious serial killer who advertises murder, always delivers on time, and never leaves a trail. Praise for Brett Halliday’s Mike Shayne Mysteries “[Mike Shayne is] one of the best of the tough sleuths.” —The New York Times “Unlike anything else in the genre.” —L. J. Washburn, author of For Whom the Funeral Bell Tolls “Raw, ingenious storytelling . . . Pure pleasure.” —Shane Black, creator of Lethal Weapon and writer/director of Kiss Kiss Bang Bang, on Murder Is My Business