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In the days of the dinosaurs lived a mother crocodile that had laid 40 eggs in a nest. She always tried to protect the eggs from danger so they would hatch.
The reading of a story is interrupted by a crocodile falling into the book.
Early science reader, mother crocodile protects her babies as they grow.
Explore an informative, playfully illustrated story about one of the world’s most dangerous animals: the crocodile. You probably know a little about crocodiles already. They’re reptiles, they have an awful lot of teeth, and they’re pretty scary — at least, the big ones are! They’re not very fussy about what they eat, and when it comes to hunting down dinner, crocodiles are very determined . . . and very cunning. But there’s more to crocodiles than just their appetites. They love to nap on warm sandbanks and cool off in calm waters, and crocodile mothers are very gentle with their babies. This fascinating look at one of Earth’s most infamous creatures is full of information for amateur scientists, with back matter that includes an index, notes on species, and suggestions for further reading.
The Enormous Crocodile is hungry and ready to use cunning plans and clever tricks to snap up a snack. Just be careful that he doesn't snap up . . . YOU! A finger puppet book that really bites, this is a laugh-out-loud book for adults and chiddlers to read together
The nightmare's gone, but what about that alligator? You have to be so careful getting in and out of bed! Maybe a midnight snack to lure him into the garage will do the trick. In this funny and beloved follow-up, Mercer Mayer faces another nighttime fear head-on.
Down by the river in the heat of the day the crocodile sleeps and awaits his prey. Zzzzzzzzzz Zzzzzzzzzz Zzzzzzzzzz Zzzzzzzzzz Watch out, animals! Mean crocs about! And hes got one thing on his mind - DINNER!
All the animals are frightened of Snip Snap Croc. She could gobble them up in one big bite. But who do these eggs belong to? The animals are about to learn that even fierce Snip Snap Croc has a softer side.
Full-time philosopher and occasional sleuth Isabel Dalhousie, now the mother of a baby boy, is getting used to the new rhythms of her life, caring for little Charlie with the sometimes unsettling aid of her forthright housekeeper, Grace, having dinners with Charlie’s father, Jamie, and tending as usual to submissions to the Review of Applied Ethics. But Isabel is deeply unsettled when she receives a letter telling her that she is soon to be replaced as editor of the Review by Christopher Dove, an ambitious academic at a London university, and she considers a variety of ways of dealing with this unwelcome news. And her niece, Cat, who a couple of years before had rejected Jamie and broken his heart, is now furious at Isabel for having stolen him away. Isabel’s insatiable curiosity—or what Jamie sees as her tendency toward meddling—is peaked when she learns some odd details regarding two paintings by a Scottish artist that have come onto the auction market, and she begins to think that the paintings might be forgeries. Her investigation takes her to the beautiful Isle of Jura, where she finds some recent traces of the painter and learns of his apparent suicide in the fabled whirlpool called the Corryvreckan. A visit to the painter’s widow brings a surprising realization, one that contributes to her musings throughout the story on mothers, fathers, and sons.
Val Plumwood was an eminent environmental philosopher and activist who was prominent in the development of radical ecophilosophy from the early 1970s until her death in 2008. Her book Feminism and the Mastery of Nature (1992) has become a classic. In 1985 she was attacked by a crocodile while kayaking alone in the Kakadu national park in the Northern Territory. She was death rolled three times before being released from the crocodile’s jaws. She crawled for hours through swamp with appalling injuries before being rescued. The experience made her well placed to write about cultural responses to death and predation. The first section of The Eye of the Crocodile consists of chapters intended for a book on crocodiles that remained unfinished at the time of Val’s death. The remaining chapters are previously published papers brought together to form an overview of Val’s ideas on death, predation and nature.