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A girl's friendship with a lonely black hole leads her to face her own sadness in this original, funny, and touching middle grade novel for fans of Crenshaw and Flora & Ulysses. When eleven-year-old Stella Rodriguez shows up at NASA to request that her recording be included in Carl Sagan's Golden Record, something unexpected happens: A black hole follows her home, and sets out to live in her house as a pet. The black hole swallows everything he touches, which is challenging to say the least—but also turns out to be a convenient way to get rid of those items that Stella doesn't want around. Soon the ugly sweaters her aunt has made for her all disappear within the black hole, as does the smelly class hamster she's taking care of, and most important, all the reminders of her dead father that are just too painful to have around. It's not until Stella, her younger brother, Cosmo, the family puppy, and even the bathroom tub all get swallowed up by the black hole that Stella comes to realize she has been letting her own grief consume her. And that's not the only thing she realizes as she attempts to get back home. This is an astonishingly original and funny adventure with a great big heart.
The #1 National Bestseller In her most provocative book yet, America's top radio talk show host, Dr. Laura Schlessinger, urgently reminds women that to take proper care of their husbands is to ensure themselves the happiness and satisfaction they deserve in marriage. Women want to be in love, get married and live happily ever after, yet countless women call Dr. Laura, unhappy in their marriages and seemingly at a loss to understand the incredible power they have over their men to create the kind of home life they yearn for. In the Proper Care and Feeding of Husbands, Dr. Laura provides real-life examples and real-life solutions on how to wield that power to attain all the sexual pleasure, intimacy, love, joy, and peace desired in life. Dr. Laura's simple principles have changed the lives of millions. Now they can change yours.
In January 1969, just months before the Stonewall Riots, Ted Shawn (1891-1972) wanted to tell a story about how his life, writings, and dances contributed to the rapidly evolving gay liberation movement around him. Shawn died before he was able to put forth a candid account about how he, the "Father of American Dance," was homosexual, but he scrupulously archived his correspondence, diaries, photographs, and motion pictures of his dances, anticipating that the full significance of his choreography would reveal itself in time. Ted Shawn: His Life, Writings, and Dances tells that story.
A guide from the International Sprite League on how to recognize true sprites, how to catch them, and how to care for them and keep them happy.
THE RAY S. ANDERSON COLLECTION by WIPF & STOCK PUBLISHERS Ray Sherman Anderson (1925-2009) worked the soil and tended the animals of a South Dakota farm, planted and pastored a church in Southern California, and completed a PhD degree in theology with Thomas F. Torrance in New College Edinburgh. He began his professional teaching career at Westmont College, and then taught and served in various administrative capacities at Fuller Theological Seminary for thirty-three years (retiring as Professor Emeritus of Theology and Ministry). While teaching at Fuller, he served as a parish pastor, always insisting that theology and ministry go hand-in-hand. The pastoral theologian who began his teaching career in middle age penned twenty-seven books. Like Karl Barth, Prof. Anderson articulated a theology of and for the church based on God's own ministry of revelation and reconciliation in the world. As professor and pastor, he modeled an incarnational, evangelical passion for the healing of humanity by Jesus Christ, who is both God's self- revelation to us and the reconciliation of our broken humanity to the triune God. His gift of relating suffering and alienated humans to Christ existing as community (Dietrich Bonhoeffer) is a recurrent motif throughout his life, ministry, and works. The Ray S. Anderson Collection comprises books by Ray Anderson, an introductory text to his theology by Christian D. Kettler, two edited volumes that celebrate his distinguished academic career (��ncarnational ��inistr�� The Presence of Christ in Church, Society, and Family and On Being Christian . . . and Human), and a reprint of an E��ification volume that focuses on Ray Anderson's contributions to the field of Christian Psychology. A word of gratitude is due to The Society of Christian Psychology and its parent organization, The American Association for Christian Counselors, for their permission to make the E��ification issue available in book form. Jim Tedrick of Wipf and Stock Publishers deserves a special word of thanks for publishing many of Ray Anderson's books and commissioning this collection of works to continue his legacy. Todd H. Speidell, General Editor
Breastfeeding and child feeding at the center of nurturing practices, yet the work of nurture has escaped the scrutiny of medical and social scientists. Anthropology offers a powerful biocultural approach that examines how custom and culture interact to support nurturing practices. Our framework shows how the unique constitutions of mothers and infants regulate each other. The Dance of Nurture integrates ethnography, biology and the political economy of infant feeding into a holistic framework guided by the metaphor of dance. It includes a critique of efforts to improve infant feeding practices globally by UN agencies and advocacy groups concerned with solving global nutrition and health problems.
Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen with illustrations by visual artist Liz Brent-Maldonado, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.
Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.
2016 Christian Book Award finalist (Bibles category) Stories of Scripture are often portrayed two-dimensionally, making people in the Bible seem familiar, predictable, even flat. We don’t always read their stories with much awareness of the pressures they faced, the doubts they had, the assumptions they made, or the alternatives they have chosen. The Dancing in the Desert Devotional Bible in the New Living Translation encourages readers to take an honest look at the people in the Bible. Chris Tiegreen, author of many popular devotionals for both men and women, has written 270 devotionals that explore the lives of people in the Bible and how they faced their own life’s wilderness and found meaning, significance, and purpose with God. When we keep our gaze fixed on a story bigger than our own lives, we, too, can learn to dance in even the driest of our deserts.