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The son of a bookseller, Jacques Anatole Francois Thibault (1844-1924) spent most of his life around books. His father's bookstore was called the Librairie de France, and from this name he took his nom-de plume, Anatole France."
CHAPTER I. "I NEED LOVE" She gave a glance at the armchairs placed before the chimney, at the tea-table, which shone in the shade, and at the tall, pale stems of flowers ascending above Chinese vases. She thrust her hand among the flowery branches of the guelder roses to make their silvery balls quiver. Then she looked at herself in a mirror with serious attention. She held herself sidewise, her neck turned over her shoulder, to follow with her eyes the spring of her fine form in its sheath-like black satin gown, around which floated a light tunic studded with pearls wherein sombre lights scintillated. She went nearer, curious to know her face of that day. The mirror returned her look with tranquillity, as if this amiable woman whom she examined, and who was not unpleasing to her, lived without either acute joy or profound sadness. On the walls of the large drawing-room, empty and silent, the figures of the tapestries, vague as shadows, showed pallid among their antique games and dying graces. Like them, the terra-cotta statuettes on slender columns, the groups of old Saxony, and the paintings of Sevres, spoke of past glories. On a pedestal ornamented with precious bronzes, the marble bust of some princess royal disguised as Diana appeared about to fly out of her turbulent drapery, while on the ceiling a figure of Night, powdered like a marquise and surrounded by cupids, sowed flowers. Everything was asleep, and only the crackling of the logs and the light rattle of Therese's pearls could be heard.

The Works of Anatole France in an English Translation: The red lily. A translation by Winifred Stephens. [6th ed.] 1921. [v. 2.] Mother of pearl. A translation by Frederic Chapman. [3d ed.] 1922. [v. 3] The garden of Epicurus. A translation by Alfred Allinson. [2d ed.] 1920. [v. 4] The crime of Sylvestre Bonnard. A translation by Lafcadio Hearn. [5th impression] 1920. [v. 5] My friend's book. A translation by J. Lewis May. 1923. [v. 6] Pierre Noziere. A translation by J. Lewis May. [2d ed.] 1922. [v. 7] Little Pierre. A translation by J. Lewis May. 1920. [v. 8] The bloom of life. A translation by J. Lewis May. [1923?] [v. 9] The elm-tree on the Mall. A translation by M. P. Willcocks. 1910. [v. 10] The wicker-work woman. A translation by M. P. Willcocks. 1910. [v. 11] The amethyst ring. A translation by B. Drillien. 1909. [v. 12] Monsieur Bergeret in Paris. A translation by B. Drillien. 1921. [v. 13] The well of Saint Clare. A translation by Alfred Allinson. 1909. [v. 14] Thais. A translation by Robert B. Douglas. [1930] [v. 15] The opinions of Jerome Coignard. A translation by Mrs. Wilfrid Jackson. 1922. [v. 16] Jocasta & The famished cat. A translation by Agnes Farley. 1922. [v. 17] Balthasar. A translation by Mrs. John Lane. [1924] [v. 18] The aspirations of Jean Servien. A translation by Alfred Allinson. 1912. [v. 19] At the sign of the Reine Pedauque. A translation by Mrs. Wilfrid Jackson. [192 ?] [v. 20] The white stone. A translation by Charles E. Roche. 1910

Anatole France

Published: 1921

Total Pages: 342


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Tyree Daye’s Cardinal is a generous atlas that serves as a poetic “Green Book”— the travel-cum-survival guide for black motorists negotiating racist America in the mid-twentieth century. Interspersed with images of Daye’s family and upbringing, which have been deliberately blurred, it also serves as an imperfect family album. Cardinal traces the South’s burdened interiors and the interiors of a black male protagonist attempting to navigate his many departures and returns home —a place that could both lovingly rear him and coolly annihilate him. With the language of elegy and praise, intoning regional dialect and a deliberately disruptive cadence, Daye carries the voices of ancestors and blues poets, while stretching the established zones of the black American vernacular. In tones at once laden and magically transforming, he self-consciously plots his own Great Migration: “if you see me dancing a twos step/I’m sending a starless code/we’re escaping everywhere.” These are poems to be read aloud.
"The Red Lily — Complete" is a literary masterpiece penned with the aid of Anatole France. This novel, set in opposition to the backdrop of the French Revolution, intricately weaves collectively elements of romance, politics, and social upheaval. The narrative unfolds inside the past due 18th century, following the intertwined lives of characters navigating the tumultuous duration of progressive fervor. At the heart of the story is the character of Thérèse Martin, a passionate and independent lady whose existence turns into entangled with the political upheavals of the time. As the revolution unfolds, Thérèse grapples with love, loss, and the complexities of societal change. France skillfully explores the impact of political unrest on private destinies, presenting a nuanced portrayal of characters grappling with their convictions and dreams. Anatole France, a Nobel Prize-prevailing French writer, is celebrated for his literary craftsmanship and eager social observation. "The Red Lily — Complete" showcases France's capacity to mixture ancient events with wealthy man or woman improvement, imparting readers with a compelling and concept-upsetting exploration of the human experience amidst a backdrop of revolution and societal transformation. The novel stays a testament to France's enduring contribution to literature.
Laura Willowes endures a lonely and mostly isolated childhood in her family’s Somerset mansion. Her mother dies when she is a teenager. To the disappointment of her relatives, she shows no interest in marriage as she nears adulthood, preferring instead to read from her parents’ library and to pursue her interest in plants. When her father also dies, she moves into the London home of her brother and his family, where she’s to help with household tasks and the care of her nieces and nephews. Her life consists of this for many years, interrupted only by the First World War. One day after the war, the middle-aged Laura is suddenly inspired to move away on her own, buying a guidebook and settling upon a small village in the Chiltern Hills called Great Mop. Her decision shocks and outrages most of her relatives, especially her brother, who has until this point controlled Laura’s yearly inheritance income. In Great Mop Laura finally experiences the freedom and independence that she could never find among her family, but she also quickly realizes that all is not what it seems in the quiet village. Moreover, escaping her condescending relatives and their narrow conception of her as “Aunt Lolly” won’t prove as simple as she had hoped. Lolly Willowes was well received on its publication in 1926, especially in France and North America. In depicting an unmarried and childless woman who seeks independence in middle age, it was unusual in its time and anticipated feminist concerns of later decades, well encapsulated by Laura’s passionately stated ambition “to have a life of one’s own, not an existence doled out to you by others.” The notion that a middle-aged spinster who abjures a life of service is likely to be a witch indentured to Satan may strike modern readers as a derisive joke. However, Townsend Warner’s satire can also be interpreted as raising serious questions about the stereotypes and social norms, perhaps especially those influenced by religion, that curtail women’s freedom. This book is part of the Standard Ebooks project, which produces free public domain ebooks.