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I'm pleased to have been asked to write the forward to this collection of splendid and heretofore mostly unseen short stories, all of which were written from roughly the mid-1980s to the mid-2000s by my longstanding friend and constant teacher Dave Sims. Mostly the stories transpire in what might reasonably be called working-class settings. They're inhabited by a range of peculiar characters, many of them troubled and distressed, some of them near death, all of them ingenuously sprung from Sims' singularly rich and fertile imagination. These are stories that deserve to be read, pondered and, of course, enjoyed. While recently re-reading them, I was struck, as happened often when I first encountered them years ago, by how strange and real and fully alive the characters seemed. I marveled once again at the details and contours of the stories themselves, their beautiful and inventive architecture, the snap and rhythm of the sentences and the keen, restless intelligence from whence they sprang.
The first collection of Fonseca's short stories to appear in English, ranging across his oeuvre, exploring the sights and sounds of Rio de Janeiro. Fonseca's Rio is a city at war, where vast disparities, in wealth, social standing and prestige are untenable. Rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order and violence and deception are the essential tools of survival. From the tale of the businessman who rans over pedestrians to let off steam to a serial killer being pushed to kill more by his lover, this collection is a true gem.
These thirteen stories reflect different dimensions of the human spirit. Hugh in “The Moonshiner,” Maggie in “The Fight,” and George in “The Drunkard” show remarkable courage when facing physical danger. Myra Lu in “Dyin’ on Time” and John in “The Lost Summer” reveal admirable endurance when facing adversity. In “Talking to the Dead” and “The Strange Requests,” the Reverends Calahan and Hester struggle against superstition and disbelief. Zack in “The Chicken Thieves” discovers that crime doesn’t pay. And characters in “Grandma Excie’s Exit,” “Summer Porch Talk,” “The Prayers” and other stories confront life’s complexities of sadness, joy, humor, pain and death. The setting for these stories: southeastern North Carolina. The time: the depression decade of the thirties.
Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem's intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.
Jesus the Carcass and the Wicked God is the book with the message of the time. It reveals to you what you have never thought of or imagined. It helps open up your mind and eyes to see what it means to have a rotten system, a decaying living humanity, a stinking church, and a general untrustworthiness of man. In this book, there’s nothing hidden in parables, proverbs, metaphors, or such likes. Things are straightforward and in simple language. Have you ever thought of Jesus being a carcass yet you know he lives forever or of God being wicked yet you know how good he is all the times? Can you, at any time, challenge God, your creator, and term the holy books as rubbish? Just imagine Judas Iscariot being your savior, yet you have a good background on how he betrayed Christ. Just explore what you have never seen before!
In a land of wind and willows, two canoeists encounter some other-worldly wind turbines. From The Sentinels: Dunn: He said that he was taking the way of the wind and the sky, and that he was going in—to Them—by which I presume he meant going into the tower and scaling the ladder. And he said other things: That our thoughts made patterns in their world—left ‘prints,’ as it were—as did theirs in ours; and that that was how they’d found us, by listening to our thoughts, zeroing in on our patterns. And he said that Bobby was merely a bundle of sensory organs wrapped in a skin of decaying matter and so wasn’t important, wasn’t needed. That only they mattered—they, the beings attached to and inhabiting the turbines. And that … that … Detective Shaw: What, Mrs. Dunn? Say it. Dunn: But … don’t you see? It doesn’t matter what he said, because it wasn’t him speaking, not really. Bobby would never have described a human being as just a bundle of sensory organs; he truly believed, with every fiber of his being, that we were more than that—more than just the sum of our parts—it was what inspired him to become a doctor in the first place. And knowing what I knew, knowing what kind of man he was, I pressed him, telling him that Bobby did matter—that he mattered to his patients and that he mattered to me—more than I would ever be able to describe. And then I approached him and embraced him and told him I loved him—feeling, for the briefest of moments, the spirals beginning to close on his back—and he smiled, his eyes returning to normal, after which he said, or started to say, “I love …” (room tone) Detective Shaw: (inaudible) He—he told you he loved you? Dunn: No. He … his eyes rolled back … and then his face, it … it simply imploded. In a spiral. Like someone had flushed a toilet full of blood and brains.
Enter the captivating realm of "The Black Bitch and Other Stories" by the talented author P. Raja, where a tapestry of tales unfolds, each one brimming with intrigue, emotion, and the complexities of the human experience. Prepare to be transported to the vibrant landscapes of India as P. Raja weaves a collection of stories that captivate the imagination and touch the heart. From bustling city streets to serene countryside vistas, each narrative invites readers on a journey through the rich tapestry of Indian culture and society. Through his insightful storytelling, Raja delves into the depths of human nature, exploring themes of love, loss, betrayal, and redemption with depth and nuance. From the poignant tale of "The Black Bitch" to the haunting mysteries of "Lost Souls," each story resonates with emotional depth and raw authenticity. Character analysis reveals a diverse cast of protagonists, each grappling with their own demons and desires as they navigate the complexities of life in India. From young lovers torn apart by societal expectations to seasoned veterans haunted by the ghosts of their past, Raja's characters are as multifaceted as they are compelling. The overall tone and mood of "The Black Bitch and Other Stories" are imbued with a sense of melancholy and introspection, as Raja invites readers to ponder life's greatest mysteries and the human condition. With his lyrical prose and evocative imagery, he paints a vivid portrait of a society in flux, grappling with tradition and modernity. Critically acclaimed for its literary merit and emotional resonance, "The Black Bitch and Other Stories" has earned praise from readers and critics alike for its poignant portrayal of the human experience. Its enduring relevance and universal themes make it a must-read for anyone with an appreciation for great storytelling. Designed to appeal to readers of all backgrounds and interests, "The Black Bitch and Other Stories" offers a glimpse into a world rich in culture, tradition, and humanity. Whether you're a fan of literary fiction or simply love a good story, this collection is sure to captivate and inspire. So don't miss your chance to experience the magic of "The Black Bitch and Other Stories" by P. Raja. Let its pages transport you to a world of beauty, mystery, and wonder, where every tale is a journey unto itself. Secure your copy today and embark on an unforgettable literary adventure.
In 1851, at the age of twenty-two, Tolstoy joined the Russian army and travelled to the Caucasus as a soldier. The four years that followed were among the most significant in his life, and deeply influenced the stories collected here. Begun in 1852 but unfinished for a decade, The Cossacks describes the experiences of Olenin, a young cultured Russian who comes to despise civilization after spending time with the wild Cossack people. Sevastopol Sketches, based on Tolstoy's own experiences of the siege of Sevastopol in 1854-55, is a compelling consideration of the nature of war, while Hadji Murat, written towards the end of his life, returns to the Caucasus of Tolstoy's youth to explore the life of a great leader torn apart by a conflict of loyalties. Written at the end of the nineteenth century, it is amongst the last and greatest of Tolstoy's shorter works.
So back he went to Mulifanua. The boat voyage from Apia down the coast inside the reef is not a long one, but the Samoan crew were frightened to have such a man free; so they tied him hand and foot and then lashed him down tightly under the midship thwart with strips of green fau bark. Not that they did so with unnecessary cruelty, but ex-Lieutenant Schwartzkoff, the foreman, was looking on, and then, besides that, this big-boned, light-skinned man was a foreigner, and a Samoan hates a foreigner of his own colour if he is poor and friendless. And then he was an aitu a devil, and could speak neither Samoan, nor Fijian, nor Tokelau, nor yet any English or German....FROM THE BOOKS.