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In the fourth volume of 'A Collection of Old English Plays,' various exemplary plays from the early modern English period are showcased, including works from prominent playwrights such as Thomas Dekker and George Chapman. These plays provide a window into the social, political, and cultural landscape of the time, exploring themes of morality, power, and societal norms. The language and style of the plays are characteristic of the Elizabethan and Jacobean eras, offering insights into the development of English drama. The inclusion of a variety of plays ensures a comprehensive look at the theatrical practices of the period. Through detailed textual analysis, readers can gain a deeper understanding of the plays and their significance in the literary canon. The collection is compiled by various scholars and editors who specialize in early modern English literature, ensuring a comprehensive and scholarly approach to the selection and presentation of the plays. The diverse range of contributors highlights the importance of these plays in the study of English literature and theater history. Their expertise and passion for the subject matter are evident in the thorough annotations and introductions provided for each play. I highly recommend 'A Collection of Old English Plays, Volume 4' to readers interested in early modern English drama, literary history, and cultural studies. This collection offers an invaluable opportunity to engage with classic works of English literature in their original form, providing a rich and rewarding reading experience.
The fifteenth-century discovery of Plautus’s lost comedies brought him, for the first time since antiquity, the status of a major author both on stage and page. It also led to a reinvention of comedy and to new thinking about its art and potential. This book aims to define the unique contribution of Plautus, detached from his fellow Roman dramatist Terence, and seen in the context of that European revival, first as it took shape on the Continent. The heart of the book, with special focus on English comedy ca. 1560 to 1640, analyzes elements of Plautine technique during the period, as differentiated from native and Terentian, considering such points of comparison as dialogue, asides, metadrama, observation scenes, characterization, and atmosphere. This is the first book to cover this ground, raising such questions as: How did comedy rather suddenly progress from the interludes and brief plays of the early sixteenth century to longer, more complex plays? What did “Plautus” mean to playwrights and readers of the time? Plays by Shakespeare, Jonson, and Middleton are foregrounded, but many other comedies provide illustration and support.