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This book sets out to solve by statistics the problems of disputed authorship that surround the work of Jacobean dramatist Thomas Middleton. Among other things, Dr Lake shows that there is 99 per cent statistical confidence for the conclusion that The Puritan and The Revenger's Tragedy were written by Middleton rather than by anyone else alive in the early seventeenth century.
A comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.
"This edition, newly collated and edited, features complete explanations of the play's often bawdy exchanges and the complex stage action of the gulling and secondary plots. It will be invaluable for advanced students of the Middleton canon as well as all those interested in early modern London and its vibrant theatrical culture, especially the tradition of boy choristers as professional actors."--BOOK JACKET.
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
This New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
A comprehensive companion to 'The Collected Works of Thomas Middleton', providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.
The Jacobean playwright Thomas Middleton stands with John Fletcher and Ben Jonson as one of the most successful and prolific playwrights of his time. Middleton achieved equal success in comedy and tragedy, producing a diverse range of dramatic and poetic works. This comprehensive eBook presents Middleton’s complete plays and poetry, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Middleton’s life and works * Concise introductions to the famous plays * All 32 plays, with individual contents tables * Includes rare attributions, available in no other collection * Images of how the plays were first printed, giving your eReader a taste of the original texts * Excellent formatting of the play texts * Features Middleton’s complete poetry – available in no other collection * Easily locate the poems you want to read * Includes a special ‘Glossary of Elizabethan Language’, helping your comprehension of rare words and phrases * Features two biographies - discover Middleton’s medieval life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays THE PHOENIX BLURT, MASTER CONSTABLE THE HONEST WHORE, PART I MICHAELMAS TERM A TRICK TO CATCH THE OLD ONE A MAD WORLD, MY MASTERS A YORKSHIRE TRAGEDY TIMON OF ATHENS THE FAMILY OF LOVE THE PURITAN THE REVENGER’S TRAGEDY YOUR FIVE GALLANTS ALL’S WELL THAT ENDS WELL THE BLOODY BANQUET THE ROARING GIRL NO WIT, NO HELP LIKE A WOMAN’S THE SECOND MAIDEN’S TRAGEDY A CHASTE MAID IN CHEAPSIDE WIT AT SEVERAL WEAPONS MORE DISSEMBLERS BESIDES WOMEN THE WIDOW THE WITCH A FAIR QUARREL THE OLD LAW HENGIST, KING OF KENT WOMEN BEWARE WOMEN MEASURE FOR MEASURE ANYTHING FOR A QUIET LIFE THE CHANGELING THE NICE VALOUR THE SPANISH GYPSY A GAME AT CHESS The Poetry THOMAS MIDDLETON’S POEMS The Biographies THOMAS MIDDLETON by Algernon Charles Swinburne INTRODUCTION TO THOMAS MIDDLETON by A. H. Bullen Glossary of Elizabethan Language Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.
Thomas Middleton is one of the few playwrights in English whose range and brilliance comes close to Shakespeare's. This handsome edition makes all Middleton's work accessible in a single volume, for the first time. It will generate excitement and controversy among all readers of Shakespeare and the English classics.
Thomas Middleton (1580-1627) - 'our other Shakespeare' - is the only other Renaissance playwright who created lasting masterpieces of both comedy and tragedy; he also wrote the greatest box-office hit of early modern London (the unique history play A Game at Chess). His range extends beyond these traditional genres to tragicomedies, masques, pageants, pamphlets, epigrams, and Biblical and political commentaries, written alone or in collaboration with Shakespeare, Webster, Dekker, Ford, Heywood, Rowley, and others. Compared by critics to Aristophanes and Ibsen, Racine and Joe Orton, he has influenced writers as diverse as Aphra Behn and T. S. Eliot. Though repeatedly censored in his own time, he has since come to be particularly admired for his representations of the intertwined pursuits of sex, money, power, and God. The Oxford Middleton, prepared by more than sixty scholars from a dozen countries, follows the precedent of The Oxford Shakespeare in being published in two volumes, an innovative but accessible Collected Works and a comprehensive scholarly Companion. Though closely connected, each volume can be used independently of the other. The Collected Works brings together for the first time in a single volume all the works currently attributed to Middleton. It is the first edition of Middleton's works since 1886. The texts are printed in modern spelling and punctuation, with critical introductions and foot-of-the-page commentaries; they are arranged in chronological order, with a special section of Juvenilia. The volume is introduced by essays on Middleton's life and reputation, on early modern London, and on the varied theatres of the English Renaissance. Extensively illustrated, it incorporates much new information on Middleton's life, canon, texts, and contexts. A self-consciously 'federal edition', The Collected Works applies contemporary theories about the nature of literature and the history of the book to editorial practice.