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After a century of trial-and-error in the task of defining itself, the discipline of musicology had gradually gained a hard-won place on American university campuses. Now the musicological curriculum is being challenged by such phenomena as political correctness, questioning the canon, and ethnomusicological expansions or contractions of the traditional boundaries of historical musicology. These challenges are caused, says the author of this book, by the most powerful social force of our time-namely, the ambition to foster or restore individual cultural, ethnic, and political identities. Step by step, Professor Helm has shown the importance of upgrading undergraduate music programs. Graduate training in musicology would make a quantum leap ahead if `undergraduate' curricula in music were properly overhauled to make room for that rare undergraduate who is gifted as both musician and scholar.... If the current E-mail of American musicologists is any indication, the topic of the musical canon is hotter than ever.
Allan Blooms’ book, The Closing of the American Mind, reopened the debate on the value of a classic learning curriculum. In recent years the Classic Learning Core and the College of Arts and Sciences at the University of North Texas have sponsored national conferences on the core and the curriculum. The articles which appear here are among the papers presented to those conferences. The Classic Learning Core is a distinguished curriculum for integrating the humanities requirements into a coherent sequence, a program which has been cited by the former Secretary of Education as one of four programs in the country leading to renewal in general education. It emphasizes the underlying units of knowledge, the study of class and classical books and documents, critical and creative thinking, and a thorough mastery of reading, writing, and speaking skills. This curriculum forms a coherent background in the greatest traditions of Western civilization. Topics covered include the history and development of the liberal arts, pros and cons of the core curriculum, advantages and disadvantages of teaching the great books, the role of the liberal arts in a pluralist society, the contents of the core curriculum and pedagogy.
A New Canon is the first book to provide a framework for designing and utilizing rigorous, standards-aligned curriculum to address the lack of representation for marginalized communities in formal education. Grounded in literature around cultural relevance and responsive teaching practice, the book provides step-by-step guidance for curriculum development that connects students to the intellectual traditions of their communities. Evan C. Gutierrez outlines a design process that makes asset-based pedagogy actionable and curriculum development equitable. Inspired by the College, Career and Civic Life Framework for Social Studies, the process is currently in use across the country with educators creating new projects around authentic questions relevant to Black, Latinx, LGBTQ, or other marginalized communities. Modular and interdisciplinary in nature, these units can be used as part of an existing course or in combination to create new courses in English language arts, social studies and the humanities. Educators using this process nationally report observing students engage deeply with authentic questions and take more ownership over their own learning. A New Canon provides a powerful call to action for educators to ensure that all students will have an opportunity to learn about the intellectual traditions of their communities and, together, build a new foundation for learning in the humanities.
Language and literature teaching are a keystone in the age of STEM, especially when dealing with minority communities. Practical methodologies for language learning are essential for bridging the cultural gap. Teaching Language and Literature On and Off-Canon is a critical research publication that provides a multidisciplinary, multimodal, and heterogenous perspectives on the applications of language learning and teaching practices for commonly studied languages, such as Spanish, English, and French, and less-studied languages, such as Latin, Gaelic, and ancient Semitic languages. Highlighting topics such as language acquisition, artistic literature, and minority languages, this book is essential for language teachers, linguists, academicians, curriculum designers, policymakers, administrators, researchers, and students.
Four friends from wildly different backgrounds have bonded over Dungeons & Dragons since the sixth grade. Now they're facing senior year and a major shift in their own universes. Math whiz Archie is struggling with his parents' divorce after his dad comes out as gay. Mari is terrified of her adoptive mother's life-altering news. Dante is carrying around a huge secret that is proving impossible to keep hidden. And when Sam gets dumped by the love of his life, everyone is ready to join him on a cross-country quest to win her back. The four quickly discover that the road is not forgiving, and that real life is no game. They must face a test of friendship where the stakes are more than just a roll of the dice--they are life and death.
"Everyone is so busy giving the classical education to the students that I'm not sure people have taken the time to actually tell them why it matters..." Rebekah Merkle knows which high school classes you like and which you roll your eyes at, which books you enjoy and which you kinda skim. That's because she went through this whole thing called classical education, too: She was a guinea pig in one of the very first classical Christian schools in the country. Written for students by a (former) student, Classical Me, Classical Thee is lighthearted and--most importantly for you busy high-schoolers--very short. It has a simple goal: to explain why you students are doing what you do in class. (SPOILER: Grades aren't the point--you won't use your knowledge of the Iliad Book 5 every year until you die.) What you do in class is a drill -- and nobody drills for the sake of the drill. You do drills so that you can win the game. The real tragedy, though, would be if you didn't know you were doing drills... or didn't know there was a game at all. Grades aren't the point. So drill to win.
Debate about teaching the great books of the Western canon has galvanized American higher education in recent years. The Great Canon Controversy provides an overview of the debate, summarizing the position for the canon and the position against it. Casement supports continued teaching of the canon and respect for it, while calling for revising reading lists to include nontraditional works. Part I describes how the canon was taught from ancient Greece to the present, noting key arguments for this form of pedagogy that are still with us today, specific books that were taught at different times over the centuries, and controversies the canon has been subject to in the past. Part II deals with anticanonism, epistemological and political dimensions of the theory underlying it. Casement then shows concrete examples of anticanonism in operation, at Stanford University and St. Lawrence University. Casement argues that, while much of what anticanonists say is hyperbolic or mistaken, we should listen to their demand to give fair treatment to works by marginalized authors and to great non-Western works. This means re-reviewing works worthy of canonization that may have been obscured by prejudice, but still requiring that they make it on their own merits and not out of sympathy for their authors. The Great Canon Controversy will be of great interest to educators and students alike, as well as those interested in the future of higher education in the United States.
Trekkie popular culture sees Star Trek as a unifying myth. Dr Anijar explores this phenomenon in light of the influences of television in children's lives, and the effects of utopian interpretations of Star Trek on teaching practice.