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When fifth-graders Nate, Summer, Trevor, and Pigeon meet the new candy store owner Mrs. White, she gives them magical candy that endows them with super powers, but soon they find that along with these benefits are dangerous consequences.
This beautifully quirky volume pays tribute to the legendary candy-store-turned-art-gallery of California and its amazing roster of artists. Adeliza McHugh helped put the whimsical, funky, and irreverent aesthetic of California's Central Valley on the art-historical map at her legendary Candy Store Gallery, which she opened in Folsom, California, in 1962. The business began as a candy store, but after the store closed, McHugh converted the space into an art gallery. There, she featured ceramists and painters who would become nationally and even internationally significant, including Robert Arneson, Roy De Forest, David Gilhooly, Irving Marcus, Gladys Nilsson, Jim Nutt, Jack Ogden, Don Reich, Sandra Shannonhouse, Peter VandenBerge, and Maija Peeples-Bright. Their work, along with that of many other artists, delighted visitors to the gallery for thirty years. This catalogue, published on the sixtieth anniversary of the gallery's founding, is the most significant publication to-date on the Candy Store. It celebrates, as McHugh liked to say, art with a "kick."
Nate and his friends think the new Arcadeland, where tickets can earn jets, tanks, subs, and race cars, is totally cool, until they learn that the arcade owner is hiding a secret.
On the verge of losing her candy store, Callie decides to blot out her troubles with a handsome stranger. Derek isn't about to turn down a cute, curvy woman who offers sizzling-hot sex at his best friend's wedding reception. The next day, they discover he's the consultant she has hired to save her store. "A really sweet treat." ~ Sensual Reads
Anonymous is back with the intoxicating, darkly dangerous, and wildly addictive sequel to his New York Times bestselling debut novel Diary of an Oxygen Thief. Picking up the story where it left off, the controversial protagonist of cult classic Diary of an Oxygen Thief retools his advertising skills to seduce women online. It’s a pursuit that quickly becomes a dangerous fixation, often requiring even more creativity and deception than his award-winning ad campaigns. Dazzling, daunting, and darkly hilarious, this spellbinding sequel is a spectacular indictment of a modern love twisted beyond recognition. This title was previously published as Chameleon on a Kaleidoscope.
When a boy and his aunt find that a bigot has written hurtful words on the sidewalk just outside the candy shop owned by "Miz Chu", a new immigrant from Taiwan, they set out to comfort her.
In a rhythmic picture book illustrated by the genius behind Cinder Edna, the hip, hot proprietor of a corner candy store dispenses a variety of treats, from ice cream and lollipops to jellybeans and jawbreakers.
When a new candy store opens in GOTHAM, TIM DRAKE and his friends can't resist the terribly sweet treats. However, the shop's evil owner, Granny Glee, wants more than their money. Her lollipops lure little ones into a life of crime. Luckily, the BOY WONDER'S pet, ROBIN ROBIN, has a bird's-eye view of the sugary scheme. But the hairy truth behind Granny's grand plan will surprise even this early bird.
A NEW YORK TIMES BESTSELLER ONE of the TOP 10 BOOKS OF THE YEAR by THE NEW YORK TIMES * ENTERTAINMENT WEEKLY * SLATE* THE PHILADELPHIA INQUIRER * Also named one of the BEST BOOKS OF THE YEAR by Vanity Fair, Time, NPR, The Guardian, Oprah Daily, Self, Vogue, The New Yorker, BBC, Vulture, and many more! OLIVIA WILDE to direct A24's TV adaptation of THE CANDY HOUSE and A VISIT FROM THE GOON SQUAD! From one of the most celebrated writers of our time comes an “inventive, effervescent” (Oprah Daily) novel about the memory and quest for authenticity and human connection. The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes. In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and there are “eluders,” those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles—from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving testament to the tenacity and transcendence of human longing for connection, family, privacy, and love. “A beautiful exploration of loss, memory, and history” (San Francisco Chronicle), “this is minimalist maximalism. It’s as if Egan compressed a big 19th-century novel onto a flash drive” (The New York Times).
Pop's candy store is just a few doors down from the West Street School and is a favorite place for children to visit. When the school closes down for good, Pop is sad and doesn't know what to do until the Popples appear and help him decide