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A six-hundred-mile canoe trip in the Canadian wilderness is a seventeen-year-old's dream adventure, but after he is mauled by a grizzly bear, it's all about staying alive. This true-life wilderness survival epic recounts seventeen-year-old Alex Messenger's near-lethal encounter with a grizzly bear during a canoe trip in the Canadian tundra. The story follows Alex and his five companions as they paddle north through harrowing rapids and stunning terrain. Twenty-nine days into the trip, while out hiking alone, Alex is attacked by a barren-ground grizzly. Left for dead, he wakes to find that his summer adventure has become a struggle to stay alive. Over the next hours and days, Alex and his companions tend his wounds and use their resilience, ingenuity, and dogged perseverance to reach help at a remote village a thousand miles north of the US-Canadian border. The Twenty-Ninth Day is a coming-of-age story like no other, filled with inspiring subarctic landscapes, thrilling riverine paddling, and a trial by fire of the human spirit.
The Canadian Writer's Handbook, Third Essentials Edition is a streamlined version of the successful Concise Canadian Writer's Handbook. The Essentials Edition uses the accessible, well-organized, and classroom-tested structure of the full volume, and continues to feature descriptions and examples of the entire writing process, from basic grammar, to constructing sentences and paragraphs, to pre-writing, composing, proofreading, and editing. This new edition includes more coverage of how to quote and paraphrase to avoid plagiarism, and has updated coverage of MLA, APA, Chicago, CSE, and IEEE styles, and a new MLA student research paper.
Texas singer-songwriter Hayes Carll declared, “Ray would be at the top of the list if I were gonna read about somebody’s life.” In The Messenger: The Songwriting Legacy of Ray Wylie Hubbard, author, journalist, and music producer Brian T. Atkinson demonstrates why Carll and so many others hold Ray Wylie Hubbard in such high regard. Atkinson takes readers into and beyond the seedy bar in Red River, New Mexico, where the incident occurred that inspired Hubbard’s most famous song, “Redneck Mother.” Hubbard tells the stories, and Atkinson enlists other musicians to expound on the nature of his abiding influence as songwriter, musician, and unflinching teller of uncomfortable truths. Featuring interviews with well-known artists such as Eric Church, Steve Earle, Kinky Friedman, Chris Robinson, and Jerry Jeff Walker, and also mining the insights of up-and-comers such as Elizabeth Cook, Jaren Johnston, Ben Kweller, Aaron Lee Tasjan, and Paul Thorn, The Messenger makes clear why so many musicians across a wide spectrum admire Ray Wylie Hubbard. Readers will also learn why “Redneck Mother,” the song that put Hubbard on the map for most listeners, is also a curse, of sorts, in its diminution of both his spiritual depth as a lyricist and his multidimensional musical reach. As Hubbard himself says, “The song probably should have never been written, let alone recorded, let alone recorded again.. . . the most important part of songwriting is right after you write a song, ask yourself, ‘Can I sing this for twenty-five years?’” Atkinson’s work makes a convincing case that Ray Wylie Hubbard’s truest and most lasting contributions will long outlive him. And, with a couple of good breaks, they may even outlive “Redneck Mother.”