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Now in paperback. In this book, the compilers have brought together more than 1,800 references to literature relating to the Blackfoot. About one third of the citations are annotated, and an author index and a general index simplify the utilization of this valuable resource tool.
Russell's colorful narrative takes us from the earliest days of the Spanish vaqueros, the ranches of Old Mexico and the great cattle drives across Texas. Along the way meet historical and legendary characters, including Howard Eaton, Charlie Russell, Pat Burns and John Ware--men who helped shape the West and our perceptions of it.
In 1939, a troupe of eight rodeo riders, accompanied by an RCMP officer, travelled to Sydney, Australia to compete in the Royal Easter Show. The men were expected to compete in various rodeo events, as well as to sell handicrafts at the fair's "Indian village," where they also camped. International competition in rodeo was very rare at the time, and the team proved to be a popular draw for Australian audiences. This little-known moment in Canadian history is explored in Canadian Indian Cowboys in Australia.
A lavishly illustrated tribute to the heritage of the Canadian cowboy and his adventures on the Western frontier, The Golden Age of the Canadian Cowboy celebrates the irresistible spirit of the Old West and its inhabitants. Hugh Dempsey relates the history of prairie ranch life and provides colorful accounts of roundups, stampedes, blizzards, clashes with wolves and grizzly bears, and the losing battle against barbed wire, which ultimately put an end to the free range. Outstanding cowboys, women ranchers, gunfighters and outlaws, horse thieves, and cattle rustlers are all part of the huge cast of characters whose stories make up this collection. Filled with history, stories, archival photographs, and personal accounts, The Golden Age of the Canadian Cowboy is a classic in Canadian cowboy literature.
Annotation Before Owen Wister's publication of The Virginian in 1902, the image of the cowboy was essentially that of the dime novel. This title details the evidence that Everett Johnson a cowboy from Virginia who had been a friend of Wister's in Wyoming in the 1880s, was the initial and prime inspiration for Wister's cowboy.
An easily accessible and comprehensive summary of current studies on the Canadian ranching frontier. This collection of essays provides an excellent perspective on the latest developments in the historiography of the range, drawing from topics such as Wild West shows, artistic depictions of the cowboy, and the economic and practical aspects of early cattle ranching. The essays anthologized here fall into three general areas: the working cowboy, the performing cowboy and the imaginary cowboy, and the academics, ranchers, poets and cowboys who authored them hail from backgrounds as diverse as history, geography, political science, and literature. This book makes an important contribution to the study of the ranching frontier, and will continue to be of value to researchers and readers of western history, plains studies and historical geography.
This book explores wanderlust, the price of gritty, hard work and the simple beauty of working outdoors and with horses. Hagen pulls readers into his poignant realisation of his dreams of being a cowboy, at a time when the frontiers of BC and the West were still in their infancy and the rodeo was an extension of the daily life of the cowhand. This portrait of a Canadian cowboy is a window into the one of the last of the living ranch hands in this country. The myth of the cowboy is revealed by a real person who lived, struggled and helped to build the West one herd, one fence, one horse at a time.
Shooting Cowboys traces the transformation of the cowboy image in Canada over a ninety-year period. An extensive selection of historical photographs from the Canadian west examines the photographer's role in creating and influencing the cultural myth of the cowboy. Brock Silversides has assembled some of the most fascinating and surprising images. The text and photographs reveal how and why the archetypical cowboy images evolved, and how these images were used for postcards, tourist literature and souvenirs, magazine and book illustrations, and even for selling cattle. Included here are examples of documentary, promotional, and journalistic photography- some honest, some idealized, some fabricated, but all extremely interesting.
Spanning a period from the late 1800s to the mid-1900s, To Be a Cowboy recounts the dreams and realities of Otto Christensen, a Denmark immigrant and his son Oliver.
Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.