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"The Canadian Brothers: Or, The Prophecy Fulfilled: A Tale of the Late American War Vol. I" by using Major Richardson is a historical novel that unfolds against the backdrop of the War of 1812, a struggle among america and the British Empire. The novel is a part of an extent collection that weaves collectively a captivating narrative of courage, sacrifice, and the complexities of struggle. The tale follows the stories of two Canadian brothers, Percival and Ernest de Haldimar, who locate themselves entangled in the tumultuous activities of the struggle. As the battle unfolds, the brothers navigate the demanding situations of loyalty, honor, and responsibility, with their paths crossing the turbulent landscapes of affection and conflict. Major Richardson, a British army officer and novelist, draws upon his firsthand information of navy life to infuse authenticity into the narrative. The novel offers readers with a shiny portrayal of the historic occasions and the characters' personal struggles inside the large context of the battle. Through rich prose and detailed storytelling, Richardson invites readers to witness the intricacies of the War of 1812, presenting a blend of adventure, romance, and ancient insight.
The Canadian Brothers or the Prophecy Fulfilled is a fictionalized narrative of events, people and places from the author's childhood and adolescence in Amherstburg, Upper Canada, that reflects foundation myths about Ontario and Canada and reveals their differences from those of the United States.
Richardson (1796-1852) born in Newark, Upper Canada and dying in New York City, laid the foundations of Canadian literature. The author of Wacousta and The Canadian Brothers had an adventurous, energetic life, as this standard biography so well reveals. “Beasley’s whole work teems with such careful, loving research and this makes his biography of Richardson not only a good read but the fulfillment of what's usually called 'an aching void. ’”— James Reaney, poet and playwright. “... whose life was so filled with dramatic events, whose career brought him in contact with important historical figures and episodes, and who first showed that Canadian history was interesting enough to be matter for literature.” —George Woodcock, The Globe and Ma
In 1837, a small group of rebels proclaimed the short-lived Republic of Canada. Between then and the Act of Confederation of 1867, colonial Canadians tried to imagine the future of their communities in North America. The choice between monarchy and republicanism shaped both colonial self-images and images of the United States; it also drove the political deliberations that eventually united the colonies of British North America into a self-governing Dominion under the British Crown. Between Empire and Republic is a thematic exploration of the political discourse embedded in the literary output of the period. Colonial authors Susanna Moodie, Th. Ch. Haliburton, and John Richardson enjoyed transatlantic popularity and explained colonial realities to their British, Canadian, and American readership. Collectively, their writings serve as the lens into colonial Canadian perceptions of American and British political ideas and institutions. Between Empire and Republic discusses North America as a literary contact zone where British principles of constitutional monarchy competed with American ideas of republicanism and democratic self-government. The author argues that political ideas in pre-Confederation Canada filtered into the literary works of the time, creating two settler-colonial communities whose recognizable cultural characteristics echoed public attitudes towards the political projects underpinning them.
The first collection of critical essays devoted to the study of English-Canadian literary anthologies brings together the work of thirteen prominent critics to investigate anthology formation in Canada and answer these key questions: Why are there so many literary anthologies in Canada, and how can we trace their history? What role have anthologies played in the formation of Canadian literary taste? How have anthologies influenced the training of students from generation to generation? What literary values do the editors of various anthologies tend to support, and how do these values affect canon formation in Canada? How have different genres fared in the creation of literary anthologies? How do Canadian anthologies transmit ideas about gender, region, ideology, and nation? Specific essays focus on anthologies as national metaphors, the controversies surrounding early literary collections, representations of First Nations peoples in anthologies, and the ways in which various editors have understood exploration narratives. In addition, the collection examines the representation of women in Canadian anthologies, the use of anthologies as teaching tools, and the creation of some very odd Canadian anthologies along the way.
A History of Canadian Fiction is the first one-volume history to chart its development from earliest times to the present day. Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history. Highlighting the people who have shaped and are shaping Canadian literary culture, the book examines such major figures as Mavis Gallant, Mordecai Richler, Alice Munro, Margaret Atwood, Michael Ondaatje, and Thomas King, concluding with young authors of today whose major successes reflect their indebtedness to their Canadian forbearers.
Carl Klinck's autobiography is combined with a history of the development of Canadian literature as a