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Excerpt from The Canadian Album, Vol. 1: Men of Canada, or Success by Example in Religion, Patriotism, Business, Law, Medicine, Education and Agriculture This work proposes to answer these questions brie y, but accurately, in sober prose, and in cold type, like any other condensed biography. But it does not end here by any means. It brings to its aid the poetry of the artist, with the skill of the engraver, thus transferring the very image of the man to the printed page, so that he may, as it were, speak for himself and answer all our queries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Canadian fiddle music receives the credit and recognition it deserves in this lively collection of tunes from virtually every province and ethnic group in Canada. Originally published in 1990, this project is the result of generous donations by numerous fiddlers and fans of fiddle music. In addition to the preservation and popularization of this folk music form, the contributors shared these common goals in this endeavor: composer recognition, folk music revitalization in Canada and abroad, acknowledgement of the violin and its own origins in the development of fiddle music and its place in Canadian society, note reading and chording, and to pay tribute to many great fiddlers. This revised edition features contributions of 200 of the best tunes from the first printing as well as 200 new tunes. They consist of hornpipes, strathspeys, polkas, waltzes, calypsos, reels, clogs, two-steps, jigs, airs, breakdowns, schottishes, marches, rags, and laments. A bibliography and the background of each composer is included.
(Fake Book). This follow-up to the popular Your First Fake Book includes over 100 more great songs that even beginning-level musicians can enjoy playing! It features the same larger notation with simplified harmonies and melodies, all songs in the key of C, and introductions for each song, to add a more finished sound to the arrangements. The songs are in many musical styles and include: Alfie * All I Ask of You * All My Loving * Always on My Mind * Autumn in New York * Blue Skies * Cabaret * Crazy * Fields of Gold * Go the Distance * God Bless' the Child * Great Balls of Fire * Hey, Good Lookin' * How Deep Is Your Love * I'll Be There * If * Imagine * Jailhouse Rock * Kansas City * Memory * Michelle * Misty * My Girl * My Heart Will Go On * People * Stand by Me * Star Dust * Tangerine * Tears in Heaven * Tennessee Waltz * Unchained Melody * What a Wonderful World * What'll I Do? * You've Got a Friend * and more.
How can we know where we’re going if we don’t know where we are coming from? This question applies as much to nations as it does to travellers, and it rings especially loudly in the ears of Canadians. Canada: A People’s History doesn’t tell us where we are going, but it shows us where we have come from This richly illustrated book, the first of two volumes, tells the epic story of Canada from its earliest days to the arrival of the industrial age in the 1870s. Here is the story of the people who created this vast nation. The courageous explorers who tracked the vast wilderness; the adventurous settlers, many of them exiles from their homelands; the native peoples, crucial allies in the Europeans’ wars for possession of this land; the visionary politicians, and the shortsighted ones; but most of all the ordinary people who rose to the extraordinary challenge of building Canada. These people are all given voice here, their stories blending with accounts of the major events of the day. This is the story of Canada for the new millennium, one that draws on solid scholarship and presents the human drama and excitement of days gone by, one that makes past times memorable.
In a compelling and comprehensive treatment of the nineteenth-century voluntary association movement, Darren Ferry situates these organizations within the much larger framework of the construction of collective liberal identities. He shows that by attempting to transcend the political, religious, class, and ethnic divisions of their constituencies, voluntary societies acted as cultural mediators in the reproduction, transmission, and contestation of liberal values throughout central Canadian society. Ferry examines a wide selection of voluntary societies - mechanics' institutes, mutual benefit organizations, agricultural associations, temperance societies, and literary and scientific associations. He reinterprets the history of these organizations in terms of their own internal tensions over liberal doctrines and the effect of social, cultural, and economic change and compares the effects of liberalism on rural and urban associations and on societies in both English and French Canada. Anchored with an array of archival documentation - minute books, lectures, associational periodicals, personal papers, pamphlets, and tracts - Uniting in Measures of Common Good illuminates the experience of ordinary Canadians withi the voluntary association movement and as well as the relations of the movement with the larger liberal society.
"臺勢教會 The Taiwanese Making of the Canada Presbyterian Mission" explores the Canadian Presbyterian Mission to Northern Taiwan, 1872-1915. The Canada Presbyterian Mission has often been portrayed as one of the nineteenth- century’s most successful missions, and its founder, George Leslie Mackay, has been called the most successful Protestant Missionary of all time. Mark Dodge challenges the heroic narrative by exploring the motives and actions of the Taiwanese actors who supported and established the mission. Religious leaders, teachers, doctors, and businessmen from Northern Taiwan collaborated to build a strong and vital mission, whose phenomenal success brought fame and status to Mackay and their cause. In turn, this status provided a protective space in which these Taiwanese patrons were able to exert significant economic and political autonomy in spite of pressures from competing colonial interests. This book will be of particular interest to students and historians of nineteenth-century East Asia as well as scholars of comparative colonialism, with a focus on missionary history and cultural colonialism.
Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.