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The authors of the cultural phenomenon Bar Mitzvah Disco pick up the story of their generation's coming of age where that tome left off, painstakingly retelling tall tales of golden summers from the 1970s to the early 1990s. Full-color photos throughout.
A rousing coming-of-age story from Disney CEO Michael Eisner about his time in camp and the indispensable lessons he learned there that continue to influence him. Over the years, as a camper and a counselor, Disney CEO Michael Eisner absorbed the life lessons that come from sitting in the stern of a canoe or meeting around a campfire at night. With anecdotes from his time spent at Keewaydin and stories from his life in the upper echelons of American business that illustrate the camp's continued influence, Eisner creates a touching and insightful portrait of his own coming-of-age, as well as a resounding declaration of summer camp as an invaluable national institution.
For fans of Smile and Real Friends comes a graphic novel about venturing off to summer camp for the first time and stepping out of one's comfort zone.
Seeing the camp as a persistent political instrument in Israel–Palestine and beyond The Common Camp underscores the role of the camp as a spatial instrument employed for reshaping, controlling, and struggling over specific territories and populations. Focusing on the geopolitical complexity of Israel–Palestine and the dramatic changes it has experienced during the past century, this book explores the region’s extensive networks of camps and their existence as both a tool of colonial power and a makeshift space of resistance. Examining various forms of camps devised by and for Zionist settlers, Palestinian refugees, asylum seekers, and other groups, Irit Katz demonstrates how the camp serves as a common thread in shaping lands and lives of subjects from across the political spectrum. Analyzing the architectural and political evolution of the camp as a modern instrument engaged by colonial and national powers (as well as those opposing them), Katz offers a unique perspective on the dynamics of Israel–Palestine, highlighting how spatial transience has become permanent in the ongoing story of this contested territory. The Common Camp presents a novel approach to the concept of the camp, detailing its varied history as an apparatus used for population containment and territorial expansion as well as a space of everyday life and subversive political action. Bringing together a broad range of historical and ethnographic materials within the context of this singular yet versatile entity, the book locates the camp at the core of modern societies and how they change and transform.
This title documents the history of Taylor Camp, a clothing-optional, pot-friendly, tree house village set up in 1969 on Kauai, Hawaii by Howard Taylor, brother of Elizabeth. The book features photographs accompanied by moving texts and interviews with the principal protagonists (and antagonists).
For fans of Smile and Real Friends comes a debut graphic novel about friendship and finding where you "click" in middle school.
One line straight down. One line to the right. One line to the left, then a circle. That was all—just three lines in a circle. This bold picture book tells the story of the peace symbol—designed in 1958 by a London activist protesting nuclear weapons—and how it inspired people all over the world. Depicting the symbol's travels from peace marches and liberation movements to the end of apartheid and the fall of the Berlin Wall, Three Lines in a Circle offers a message of inspiration to today's children and adults who are working to create social change. An author’s note provides historical background and a time line of late twentieth-century peace movements.
The letters went out in mid-February. Each letter invited its recipient to spend a week at Camp So-and-So, a lakeside retreat for girls nestled high in the Starveling Mountains. Each letter came with a glossy brochure with photographs of young women climbing rocks, performing Shakespearean theatre under the stars, and spiking volleyballs. Each letter was signed in ink by the famed and reclusive businessman and philanthropist, Inge F. Yancey IV. By the end of the month, twenty-five applications had been completed, signed, and mailed to a post office box in an obscure Appalachian town. Had any of these girls tried to follow the directions in the brochure and visit the camp for themselves on that day in February, they would have discovered that there was no such town and no such mountain and that no one within a fifty-mile radius had ever heard of Camp So-and-So. "The DNA of this singular book winds strands of M. C. Escher, Joss Whedon, and Heathers—Mary McCoy has created something wonderful, wild, and weird. Don't miss it."—Martha Brockenbrough, author of The Game of Love and Death
Meet Homer, a dog who heads to camp to live like a wolf! Here’s the perfect book for the legions of kids out there who love dogs and funny books. Homer is a dog . . . but he also secretly fancies himself part wolf. So when an invitation to attend WOLF CAMP (“Where every dog can live as a wolf for a week”) falls out of his kibble bag one morning, he’s determined to go. After his people finally agree, Homer boards the bus bound for Wolf Camp, along with fellow campers Trixie and Rex. They’re greeted on the other end by wolf counselors Fang and Grrr (“they seem nice”), and what follows is an array of wolf activities, including learning to howl, mark, and hunt. Of course, Homer’s a little homesick at times, and the food isn’t very good, but that just makes heading home all the sweeter. Perfect for all those kids anticipating camp themselves, Zuill’s debut introduces a charmer of a dog and puts him in some laugh-out-loud scenarios.
Set in a summer camp, this sweet and sharp screwball comedy set in a summer camp for queer teens examines the nature of toxic masculinity and self-acceptance. Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim—who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists. This year, however, it's going to be different. Randy has reinvented himself as 'Del'—buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he's determined to get Hudson to fall for him. But as he and Hudson grow closer, Randy has to ask himself: How much is he willing to change for love? And is it really love anyway, if Hudson doesn't know who he truly is?