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The brutal murder of Emily Elizabeth 'Phyllis' Dimmock in her Camden Town bedroom during September 1907 and the subsequent police investigation - culminating in the arrest, trial and acquittal of graphic designer, Robert Wood - shocked and fascinated Edwardian England in equal measure. Many writers have attempted to tell the story of this famous unsolved crime but none have managed to do so without misunderstanding, or missing, important clues. Taking a fresh look at the evidence, David Barrat considers documents from the Metropolitan Police file in the National Archives, as well as contemporary newspaper accounts, genealogical records and other sources, to put together the most detailed and accurate account of the case ever published. In doing so, he reveals, for the first time, the astonishing truth about one of the key prosecution witnesses and introduces both new and long-forgotten suspects. He also uncovers hitherto hidden connections between the murder of Emily Dimmock and two other famous unsolved murders of the period. This book is a must-read for anyone interested in historical true crime as the author enables the reader to form their own conclusion as to who might have committed the murder.
November 1940. As dawn begins to break, blackout regulations are rendered pointless by a car burning fiercely near the Regent's Canal in Camden Town, north London. In the burnt-out vehicle police find the charred remains of a body. The victim is Les Latham, a commercial traveller for the Baring and Sons confectionery company. He liked to be known as Lucky Les, but it seems his luck has finally run out. Detective Inspector John Jago discovers a mysterious photograph and some suspicious-looking petrol ration books among Latham's belongings. These lead him off on a murky trail of deceit, corruption and murder. It seems that the Blitz Detective will have to make his own luck to bring to light an unexpected killer.
This publication is devoted to Walter Sickert's remarkable group of paintings of female nudes produced in and around Camden Town between 1905 and 1912 and now considered to be among his most important and provocative works.
In the small coastal town of Oyster Bay, North Carolina, you'll find plenty of characters, ne'er-do-wells, and even a few celebs trying to duck the paparazzi. But when murder joins this curious community, the Bayside Book Writers are there to get the story... Olivia Limoges is the subject of constant gossip. Ever since she came back to town-a return as mysterious as her departure-Olivia has kept to herself, her dog, and her unfinished novel. With a little cajoling from the eminently charming writer Camden Ford, she agrees to join the Bayside Book Writers, break her writer's block, and even make a few friends... But when townspeople start turning up dead with haiku poems left by the bodies, anyone with a flair for language is suddenly suspect. And it's up to Olivia to catch the killer before she meets her own surprise ending. Watch a Video
First Published as Fifth Column.September, 1940. As the Blitz takes its nightly toll on London and Hitler prepares his invasion fleet just across the Channel in occupied France, Britain is full of talk about enemy agents. Suspicion is at an all time high and no one is sure who can be trusted.In Canning Town, rescue workers are unsettled when they return to a damaged street and discover a body that shouldn't be there. When closer examination of the corpse reveals death by strangling, Detective Inspector John Jago is called upon to investigate. But few seem to really care about the woman's death - not even her family. As Jago digs deeper he starts to uncover a trail of deception, betrayal, and romantic entanglements.
When an army officer's wife is found dead in the front hall of her home in Islington during the evening of Tuesday 23 March 1915, the police initially believe it to be a tragic accident. Then a bullet is discovered lodged in Annie Wootten's spine and the authorities belatedly realise they have a murder on their hands. The story becomes a national sensation when detectives dramatically arrest their prime suspect in a Central London bar. The case has all the ingredients of a classic murder mystery: a strange voice at the scene of the crime, a smouldering blouse, an anonymous telegram, a veiled lady, a missing revolver and even a dog which fails to bark in the night. Somewhat overshadowed in its day by reports of the trial of the 'Brides in the Bath' serial killer, George Joseph Smith, which took place in the Old Bailey at the same time as the trial of the accused murderer, it is surprisingly little known today but David Barrat uses unpublished documents held in the National Archives to bring the story back to life as he attempts to solve the riddle of who did it and how.
This is the story of the victim; along with an account of the times in which she lived, and the circumstances surrounding her death. Is this another crime of the imagination? Recent books have seen parallels between The Camden Town Murder, and the Whitechapel killings of Jack the Ripper, and The Peasenhall Mystery of 1902. Analogies have been made between Walter Sickert and the Ripper crimes, and The Camden Town Murder; both cases said to be crimes of the imagination, with particular suspects being artists, with a penchant for the seamier side of life. John Barber presents the reader with a modern day investigation, analysing and retracing the events with the story's protagonists; as well as bringing to light vital clues which, back then had escaped the judges' attention . This is a social history and an account of the human condition of the people living in the Victorian and Edwardian eras, the upper classes and their domestic servants, the 'fallen women', the music-halls, the artists, and the demi-monde. All these moving against alternating backgrounds of greys, black and crimson, and enraptured with the vapours of wormwood.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
For fans of Tess Gerritsen, Patricia Cornwell and Kathy Reichs comes a gripping debut thriller introducing Camden's most exciting new forensic investigator. **DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!** 'SPELLBINDING STORYTELLING' VAL MCDERMID 'A FIRST-RATE CRIME NOVEL ... I LOVED IT' ELLY GRIFFITHS 'LIKE SILENT WITNESS BUT MUCH MORE BELIEVABLE' SUSI HOLLIDAY When the dead are silent, she will be their voice Mortuary technician Cassie Raven feels a special bond with the bodies in her care, but when somebody she loved turns up on her autopsy table, her job suddenly gets personal. Cassie's instincts are screaming foul play, but the police say it was an accident - and uptight detective Phyllida Flyte has no time for a tattooed morgue girl with attitude. But when Cassie is proved right, she and Flyte must work together to find a murderer - before Cassie ends up on the mortuary slab herself. Praise for Body Language: 'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine 'Ingenious and sardonically written' Financial Times '[A] gritty novel with an engaging heroine' Sunday Times 'A terrific, well-placed plot' Spectator 'Cassie Raven is a lot of fun to spend time with' Big Issue 'Excellent fun, compulsive and Cassie Raven is a protagonist I want to meet again soon' James Oswald 'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary 'Move over Silent Witness - Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey 'A fresh and exciting new series' Claire McGowan 'One of the best series openers I've read in years' Jane Casey
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...