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For readers with Chinese, proper names and terms are identified with their characters in the glossary, and full references to Chinese, Japanese and other works are given in the bibliographies. Numerous maps illustrate the text, and there are bibliographical essay decribing the source materials on which each author?s account is based.
Volume 9, Part 2 of The Cambridge History of China is the second of two volumes which together explore the political, social and economic developments of the Ch'ing Empire during the seventeenth and eighteenth centuries prior to the arrival of Western military power. Across fifteen chapters, a team of leading historians explore how the eighteenth century's greatest contiguous empire in terms of geographical size, population, wealth, cultural production, political order and military domination peaked and then began to unravel. The book sheds new light on the changing systems deployed under the Ch'ing dynasty to govern its large, multi-ethnic Empire and surveys the dynasty's complex relations with neighbouring states and Europe. In this compelling and authoritative account of a significant era of early modern Chinese history, the volume illustrates the ever-changing nature of the Ch'ing Empire, and provides context for the unforeseeable challenges that the nineteenth century would bring.
This clear and engaging book provides a concise overview of the Ming-Qing epoch (1368–1912), China’s last imperial age. Beginning with the end of the Mongol domination of China in 1368, this five-century period was remarkable for its continuity and stability until its downfall in the Revolution of 1911. Viewing the Ming and Qing dynasties as a coherent era characterized by the fruition of diverse developments from earliest times, Jonathan Porter traces the growth of imperial autocracy, the role of the educated Confucian elite as custodians of cultural authority, the significance of ritual as the grounding of political and social order, the tension between monarchy and bureaucracy in political discourse, the evolution of Chinese cultural identity, and the perception of the “barbarian” and other views of the world beyond China. As the climax of traditional Chinese history and the harbinger of modern China in the twentieth century, Porter argues that imperial China must be explored for its own sake as well as for the essential foundation it provides in understanding contemporary China, and indeed world history writ large.
Revolution and Its Past is a comprehensive study of China from the last quarter of the eighteenth century through to 2018. A fascinating and dramatic narrative, the book compels interest both as a history of an ancient civilization developing into a modern nation-state and as an account of how the Chinese as a people have struggled and continue to work to find their identity in the modern world. Beginning in the last two decades of the reign of the Qianlong emperor (1736–1795), the book provides a baseline that allows readers to understand China’s rapid decline in the nineteenth and part of the twentieth century, and extends into the present day, a time when China has the second largest economy in the world and aims to become a leading global power by 2050. The vast changes that have swept over China between these times are probed through the lens of the broad and important theme of "identities." This fourth edition has been updated throughout, providing a more thorough examination of recent history since 1960, and increasing coverage of such topics as "new Qing history," frontier and ethnicity, women and their roles, environmental concerns and issues, and globalization. Supported by maps, images, tables, online eResources and suggestions for further reading, and written in an engaging, concise, and authoritative style, Revolution and Its Past is the ideal textbook for all students of the history of modern China.
The figure of the New Woman, soon to become a major signpost of Chinese modernity, was in the process of being formed at the turn of the 20th century. This book shows how the construction of the New Woman was influenced by the fictional and translational representation of a range of Western female icons, including the French Revolutionary figure Madame Roland and Dumas's "Dame aux camelias.""
The many instances of regional insurgency and unrest that erupted on China’s borderlands at the turn of the nineteenth century are often regarded by scholars as evidence of government disability and the incipient decline of the imperial Qing dynasty. This book, based on extensive original research, argues that, on the contrary, the response of the imperial government went well beyond pacification and reconstruction, and demonstrates that the imperial political culture was dynamic, innovative and capable of confronting contemporary challenges. The author highlights in particular the Jiaqing Reforms of 1799, which enabled national reformist ideology, activist-oriented administrative education, the development of specialised frontier officials, comprehensive borderland rehabilitation, and the sharing of borderland administration best practice between different regions. Overall, the book shows that the Qing regime had sustained vigour, albeit in difficult and changing circumstances.
New Qing Imperial History uses the Manchu summer capital of Chengde and associated architecture, art and ritual activity as the focus for an exploration of the importance of Inner Asia and Tibet to the Qing Empire (1636-1911). Well-known contributors argue that the Qing was not simply another Chinese dynasty, but was deeply engaged in Inner Asia not only militarily, but culturally, politically and ideologically. Emphasizing the diverse range of peoples in the Qing empire, this book analyzes the importance to Chinese history of Manchu relations with Tibetan prelates, Mongolian chieftains, and the Turkic elites of Xinjiang. In offering a new appreciation of a culturally and politically complex period, the authors discuss the nature and representation of emperorship, especially under Qianlong (r. 1736-1795), and examine the role of ritual in relations with Inner Asia, including the vaunted (but overrated) tribute system. By using a specific artifact or text as a starting point for analysis in each chapter, the contributors not only include material previously unavailable in English but allow the reader an intimate knowledge of life at Chengde and its significance to the Qing period as a whole.