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A comprehensive guide to theater with two main emphases, on international theater and on performance in its widest sence, which is a rich source of information for students, professionals, theatergoers and the general reader and also acts as a stimulus to further exploration of areas of world theaters often neglected in many contemporary works of reference. Entries are arranged alphabetically and provide factual information on important traditions, theories, companies, playwrights, practioners, venues and events, with over 250 informative illustrations.
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Provides information on the history and present practice of theater in the world.
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.
This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars.
New and updated encyclopedic guide to American theatre, from its earliest history to the present.
The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.