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Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.
Examines the challenges of fashion from the nineteenth-century to the present day, from decolonisation to sustainability.
The first in a four-volume set, The Cambridge World History of Violence, Volume 1 provides a comprehensive examination of violence in prehistory and the ancient world. Covering the Palaeolithic through to the end of classical antiquity, the chapters take a global perspective spanning sub-Saharan Africa, the Near East, Europe, India, China, Japan and Central America. Unlike many previous works, this book does not focus only on warfare but examines violence as a broader phenomenon. The historical approach complements, and in some cases critiques, previous research on the anthropology and psychology of violence in the human story. Written by a team of contributors who are experts in each of their respective fields, Volume 1 will be of particular interest to anyone fascinated by archaeology and the ancient world.
The third volume of The Cambridge History of America and the World covers the volatile period between 1900 and 1945 when the United States emerged as a world power and American engagements abroad flourished in new and consequential ways. Showcasing the most innovative approaches to both traditional topics and emerging themes, leading scholars chart the complex ways in which Americans projected their growing influence across the globe; how others interpreted and constrained those efforts; how Americans disagreed with each other, often fiercely, about foreign relations; and how race, religion, gender, and other factors shaped their worldviews. During the early twentieth century, accelerating forces of global interdependence presented Americans, like others, with a set of urgent challenges from managing borders, humanitarian crises, economic depression, and modern warfare to confronting the radical, new political movements of communism, fascism, and anticolonial nationalism. This volume will set the standard for new understandings of this pivotal moment in the history of America and the world.
The era from 1400 to 1800 saw intense biological, commercial, and cultural exchanges, and the creation of global connections on an unprecedented scale. Divided into two books, Volume 6 of the Cambridge World History series considers these critical transformations. The first book examines the material and political foundations of the era, including global considerations of the environment, disease, technology, and cities, along with regional studies of empires in the eastern and western hemispheres, crossroads areas such as the Indian Ocean, Central Asia, and the Caribbean, and sites of competition and conflict, including Southeast Asia, Africa, and the Mediterranean. The second book focuses on patterns of change, examining the expansion of Christianity and Islam, migrations, warfare, and other topics on a global scale, and offering insightful detailed analyses of the Columbian exchange, slavery, silver, trade, entrepreneurs, Asian religions, legal encounters, plantation economies, early industrialism, and the writing of history.
This is the first global history of dress regulation and its place in broader debates around how human life and societies should be visualised and materialised. Sumptuary laws were a tool on the part of states to regulate not only manufacturing systems and moral economies via the medium of expenditure and consumption of clothing but also banquets, festivities and funerals. Leading scholars on Asian, Latin American, Ottoman and European history shed new light on how and why items of dress became key aspirational goods across society, how they were lobbied for and marketed, and whether or not sumptuary laws were implemented by cities, states and empires to restrict or channel trade and consumption. Their findings reveal the significance of sumptuary laws in medieval and early modern societies as a site of contestation between individuals and states and how dress as an expression of identity developed as a modern 'human right'.
"Over the twentieth century multi-disciplinary academic studies addressed dress practice and bodily adornment from a variety of perspectives, assessing the question of fashion, though few communities outside the West were awarded this term until the past generation. Anthropologists took an ethnographic stance, with works that from the late 1980s became more attentive to the lived significance of clothing that reflected 'agency, practice and performance' with local and global impact.1 Anthropological studies revealed how clothing resisted and critiqued imperial perspectives, including choices of bodily adornment, integral to community coherence, transforming priorities and social dynamism. These examinations, across world terrains, became richly nuanced with vital studies of evolving clothing systems, including those entangled with decolonization, political changes, and material challenges. The significance of this scholarship affected other disciplinary fields, from history and art history, to cultural and museum studies, with modes of close looking and analysis, as increasing numbers of scholars explored the important matter of 'the social skin'. As Terence Turner observed: 'Decorating, covering, uncovering or otherwise altering the human form in accordance with social notions of everyday propriety or sacred dress, beauty or solemnity, status or changes in status, or on occasion of the violation and inversion of such notions, seems to have been a concern of every human society of which we have knowledge. ... the symbolic stage upon which the drama of socialization is enacted'.2 Studies of clothing revealed its variable efficacy as a tool to discipline colonized peoples, as well as a tool of resistance; while gender practices and the critical resistance of norms were also lively fields of study. Critical analyses of clothing modes opened wideranging, cross-cultural studies on the subject of dress and fashion, attentive to the dialogic relationship between colonies and metropoles and other societal forms"--
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
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