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The Cambridge Edition of Early Christian Writings provides the definitive anthology of early Christian texts from ca. 100 CE to ca. 650 CE. Its volumes reflect the cultural, intellectual, and linguistic diversity of early Christianity, and are organized thematically on the topics of God, Practice, Christ, Community, Reading, and Creation. The series expands the pool of source material to include not only Greek and Latin writings, but also Syriac and Coptic texts. Additionally, the series rejects a theologically normative view by juxtaposing texts that were important in antiquity but later deemed 'heretical' with orthodox texts. The translations are accompanied by introductions, notes, suggestions for further reading, and scriptural indices. The fourth volume focuses on early Christian reflection on Christ as God incarnate from ca. 450 CE to the eighth century. It will be an invaluable resource for students and academic researchers in early Christian studies, history of Christianity, theology and religious studies, and late antique Roman history.
The Cambridge Edition of Early Christian Writings provides the definitive anthology of early Christian texts from ca. 100 CE to ca. 650 CE. Its volumes reflect the cultural, intellectual, and linguistic diversity of early Christianity, and are organized thematically on the topics of God, Practice, Christ, Community, Reading, and Creation. The series expands the pool of source material to include not only Greek and Latin writings, but also Syriac and Coptic texts. Additionally, the series rejects a theologically normative view by juxtaposing texts that were important in antiquity but later deemed 'heretical' with orthodox texts. The translations are accompanied by introductions, notes, suggestions for further reading, and scriptural indices. The fourth volume focuses on early Christian reflection on Christ as God incarnate from ca. 450 CE to the eighth century. It will be an invaluable resource for students and academic researchers in early Christian studies, history of Christianity, theology and religious studies, and late antique Roman history.
The Cambridge Edition of Early Christian Writings provides the definitive anthology of early Christian texts from ca. 100 CE to ca. 650 CE. Its volumes reflect the cultural, intellectual, and linguistic diversity of early Christianity, and are organized thematically on the topics of God, Practice, Christ, Community, Reading, and Creation. The series expands the pool of source material to include not only Greek and Latin writings, but also Syriac and Coptic texts. Additionally, the series rejects a theologically normative view by juxtaposing texts that were important in antiquity but later deemed 'heretical' with orthodox texts. The translations are accompanied by introductions, notes, suggestions for further reading, and scriptural indices. The third volume focuses on early Christian reflection on Christ as God incarnate from the first century to ca. 450 CE. It will be an invaluable resource for students and academic researchers in early Christian studies, history of Christianity, theology and religious studies, and late antique Roman history.
For the past hundred years, much has been written about the early editions of Christian texts discovered in the region that was once Roman Egypt. Scholars have cited these papyrus manuscripts--containing the Bible and other Christian works--as evidence of Christianity's presence in that historic area during the first three centuries AD. In Early Christian Books in Egypt, distinguished papyrologist Roger Bagnall shows that a great deal of this discussion and scholarship has been misdirected, biased, and at odds with the realities of the ancient world. Providing a detailed picture of the social, economic, and intellectual climate in which these manuscripts were written and circulated, he reveals that the number of Christian books from this period is likely fewer than previously believed. Bagnall explains why papyrus manuscripts have routinely been dated too early, how the role of Christians in the history of the codex has been misrepresented, and how the place of books in ancient society has been misunderstood. The author offers a realistic reappraisal of the number of Christians in Egypt during early Christianity, and provides a thorough picture of the economics of book production during the period in order to determine the number of Christian papyri likely to have existed. Supporting a more conservative approach to dating surviving papyri, Bagnall examines the dramatic consequences of these findings for the historical understanding of the Christian church in Egypt.
Focuses on early Christian reflection on Christ as God incarnate from ca. 450 CE to the eighth century.
The Cambridge Edition of Early Christian Writings provides definitive anthology of early Christian texts, from c.100 to 650 CE. Its six volumes reflect the cultural, intellectual and linguistic diversity of early Christianity and are organized thematically on the topics of God, practice, Christ, community, reading and creation. The series expands the pool of source material to include not only Greek and Latin writings, but also Syriac and Coptic texts. Additionally, the series rejects a theologically normative view by juxtaposing texts that were important in antiquity but later deemed 'heretical', with orthodox texts. The translations are accompanied by introductions, notes, suggestions for further reading and scriptural indices. The second volume is focused on the topic of practice, including texts on education, advice, forming communities and instructing congregations. It will be an invaluable resource for students, academic researchers in early Christian studies, history of Christianity, theology, religious studies and late antique Roman history.
At present, there is no scholarly consensus on the ecclesiastical organization in the Roman province of Scythia (4th-7th centuries). This volume proposes a new interpretation of some of the historical evidence concerning the evolution of the see of Tomi: a great metropolis, first with suffragan bishoprics outside Roman Scythia and then inside it, and later an autocephalous archbishopric. Though there are also many unclear aspects regarding the evolution of monastic life in the province, this book reveals that, in contrast with the development of the monastic infrastructure in Roman Scythia, a spiritual decline began in the mid-5th century.
Moss begins by tracing the theme of imitating Jesus through suffering in the literature of the Jesus movement and early church and its application in martyrdom literature. She demonstrates the importance of imitating the sufferings of Christ as a practice and ethos in the Jesus movement. She then proceeds to the interpretations of the martyr's death and afterlife, arguing against the dominant theory that the martyr's death was viewed as a sacrifice, and finding that in their post-mortem existence martyrs continue to be assimilated to Christ, closely resembling the exalted Christ as intercessors, judges, enthroned monarchs and banqueters.
An international roster of scholars highlights the place of Stoic teaching in early Christian thought.
The field of 'art and religion' is fast becoming one of the most dynamic areas of religious studies. Uniquely, "The Art of the Sacred" explores the relationship between religion and the visual arts - and vice versa - within Christianity and other major religious traditions. It identifies and describes the main historical, theological, sociological and aesthetic dimensions of 'religious' art, with particular attention to 'popular' as well as 'high' culture, and within societies of the developing world. It also attempts to locate, and predict, the forms and functions of such art in a changing contemporary context of obligation, modernity, secularism and fundamentalism. The author concentrates on four chief dimensions where religious art and religious belief converge: the iconographic; the didactic; the institutional; and the aesthetic. This clear, well-organised and imaginative treatment of the subject should prove especially attractive to students of religion and visual culture, as well as to artists and art historians.