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This text will provoke a discussion about the future of horseracing and is written in an accessible and scholarly style.
People have been racing horses for thousands of years, all over the world. Yet horseracing is often presented as an English creation that was exported, unaltered, to the colonies. This Companion investigates the intersection of racing and literature, art, history and finance, casting the sport as the product of cross-class, cosmopolitan and international influences. Chapters on racing history and the origins of the thoroughbred demonstrate how the gift of a fast horse could forge alliances between nations, and the extent to which international power dynamics can be traced back to racetracks and breeding sheds. Leading scholars and journalists draw on original research and firsthand experience to create portraits of the racetracks of Newmarket, Kentucky, the Curragh, and Hunter Valley, exposing readers to new racing frontiers in China and Dubai as well. A unique resource for fans and scholars alike, reopening essential questions regarding the legacy and importance of horseracing today.
This book presents an authoritative and comprehensive survey of human practice in relation to other animals, together with a Christian ethical analysis building on the theological account of animals which David Clough developed in On Animals Volume I: Systematic Theology (2012). It argues that a Christian understanding of other animals has radical implications for their treatment by humans, with the human use and abuse of non-human animals for food the most urgent immediate priority. Following an introduction examining the task of theological ethics in relation to non-human animals and the way it relates to other accounts of animal ethics, this book surveys and assess the use humans make of other animals for food, for clothing, for labour, as research subjects, for sport and entertainment, as pets or companions, and human impacts on wild animals. The result is both a state-of-the-art account of what humans are doing to other animals, and a persuasive argument that Christians in particular have strong faith-based reasons to acknowledge the significance of the issues raised and change their practice in response.
This book surveys the practice of horse racing from antiquity to the modern period, and in this way offers a selective global history. Unlike previous histories of horse racing, which generally make claims about the exclusiveness of modern sport and therefore diminish the importance of premodern physical contests, the contributors to this book approach racing as a deep history of diachronically comparable practices, discourses, and perceptions centered around the competitive staging of equine speed. In order to compare horse racing cultures from completely different epochs and regions, the authors respond to a series of core issues which serve as structural comparative parameters. These key issues include the spatial and architectural framework of races; their organization; victory prizes; symbolic representations of victories and victors; and the social range and identities of the participants. The evidence of these competitions is interpreted in its distinct historical contexts and with regard to specific cultural conditions that shaped the respective relationship between owners, riders, and horses on the global racetracks of pre-modernity and modernity. The chapters in this book were originally published as a special issue of The International Journal of the History of Sport.
This edited volume demonstrates the broader socio-cultural context for individual human-horse relations and equestrian practices by documenting the international value of equines; socially, culturally, as subjects of academic study and as drivers of public policy. It broadens our understanding of the importance of horses to humans by providing case studies from an unprecedented diversity of cultures. The volume is grounded in the contention that the changing status of equines reveals - and moves us to reflect on - important material and symbolic societal transformations ushered in by (post)modernity which affect local and global contexts alike. Through a detailed consideration of the social relations and cultural dimensions of equestrian practices across several continents, this volume provides readers with an understanding of the ways in which interactions with horses provide global connectivity with localized identities, and vice versa. It further discusses new frontiers in the research on and practice of equestrianism, framed against global megatrends and local micro-trends.
This volume argues for a more quantitative, economic and theoretical approach to sports history. The author notes that sport can have peculiar economics as in no other industry do rival businesses have to cooperate to produce a sellable output. He also demonstrates, via a case study of early gate-money football in Scotland, that sports producers were not always seeking profits, and often put winning games and trophies ahead of making money. Another analysis examines how industrialisation affected sport, how sport became an industry in its own right and how the workplace became a major provider of sports facilities. A look at third sector economics highlights how the popularity of football provided an ideal vehicle for charity fundraising. The book observes that most sports participants are amateurs but at the elite level the paid player has a key role, and this is assessed through case studies of the jockey and the golf professional. Finally, the author discusses and evaluates various theories relating to the historical development of the sports club. This book was originally published as a special issue of Sport in Society: Cultures, Commerce, Media, Politics.
An engaging and at times sobering look at the coexistence of humans and animals in the 21st century and how their sometimes disparate needs affect environments, politics, economies, and culture worldwide. There is an urgent need to understand human-animal interactions and relations as we become increasingly aware of our devastating impact on the natural resources needed for the survival of all animal species. This timely reference explores such topics as climate change and biodiversity, the impact of animal domestication and industrial farming on local and global ecosystems, and the impact of human consumption of wild species for food, entertainment, medicine, and social status. This volume also explores the role of pets in our lives, advocacy movements on behalf of animals, and the role of animals in art and media culture. Authors Julie Urbanik and Connie L. Johnston introduce the concept of animal geography, present different aspects of human-animal relationships worldwide, and highlight the importance of examining these interconnections. Alphabetical entries illustrate key relationships, concepts, practices, and animal species. The book concludes with a comprehensive appendix of select excerpts from key primary source documents relating to animals and a glossary.
The Meaning of Horses: Biosocial Encounters examines some of the engagements or entanglements that link the lived experiences of human and non-human animals. The contributors discuss horse-human relationships in multiple contexts, times and places, highlighting variations in the meaning of horses as well as universals of ‘horsiness’. They consider how horses are unlike other animals, and cover topics such as commodification, identity, communication and performance. This collection emphasises the agency of the horse and a need to move beyond anthropocentric studies, with a theoretical approach that features naturecultures, co-being and biosocial encounters as interactive forms of becoming. Rooted in anthropology and multispecies ethnography, this book introduces new questions and areas for consideration in the field of animals and society.
A “superb” account of the enduring connection between humans and horses—“Full of the sort of details that get edited out of more traditional histories” (The Economist). Fifty-six million years ago, the earliest equid walked the earth—and beginning with the first-known horse-keepers of the Copper Age, the horse has played an integral part in human history. It has sustained us as a source of food, an industrial and agricultural machine, a comrade in arms, a symbol of wealth, power, and the wild. Combining fascinating anthropological detail and incisive personal anecdote, equestrian expert Susanna Forrest draws from an immense range of archival documents as well as literature and art to illustrate how our evolution has coincided with that of horses. In paintings and poems (such as Byron’s famous “Mazeppa”), in theater and classical music (including works by Liszt and Tchaikovsky), representations of the horse have changed over centuries, portraying the crucial impact that we’ve had on each other. Forrest combines this history with her own experience in the field, and travels the world to offer a comprehensive look at the horse in our lives today: from Mongolia where she observes the endangered takhi, to a show-horse performance at the Palace of Versailles; from a polo club in Beijing to Arlington, Virginia, where veterans with PTSD are rehabilitated through interaction with horses. “For the horse-addicted, a book can get no better than this . . . original, cerebral and from the heart.” —The Times (London)
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.