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A collection of essays by international writers on the evolution of ballet.
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
A convenient and accessible guide to Levinas, first published in 2002, which emphasises the interdisciplinary significance of his work.
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.
A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
Presents biographical sketches of 66 underappreciated ballet composers of the 19th and 20th centuries, plus briefer entries on 20 choreographers, and an introductory overview of the history of ballet. Entries encompass composers' contributions to ballet music as well as other aspects of their lives, and include plot summaries and excerpts from reviews of ballets. For ballet aficionados, music librarians, and musicians. Annotation copyrighted by Book News, Inc., Portland, OR
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.
This is a comprehensive history of the American dance troupe, the Joffrey Ballet, and a portrait of Robert Joffrey, the creative personality who inspired it. Written in anecdotal style, the book probes the complex relationship which exists between a culture and its artists.
Traces the development of allegory in the European and American tradition from antiquity to the modern era.