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Connecting writing to everyday life, the fifth edition of THE CALL TO WRITE continues its long tradition of breaking new ground in composition. Organized by genres, including letters, memoirs, public documents, profiles, reports, commentaries, proposals, and reviews, this innovative rhetoric gives students the practice they need to write both in college and in the public sphere. An emphasis on public writing promotes civic involvement, while relevant, provocative readings help students understand the concept of being "called to write" in response to a personal, community, or societal need.
Unleash the Power of Your Creative Potential...with this New, Expanded Edition of an Award-Winning Classic! • Learn practical, fun techniques guaranteed to get your stories on paper • Weave worlds of wonder beyond your conscious imagining • Discover how to write naturally, eloquently and powerfully without struggle Whether you’re a seasoned writer or just starting out, whatever your form or genre, Mark David Gerson’s The Voice of the Muse will awaken you to new skills, new stories and a renewed confidence in your innate gifts. You’ll Never Feel the Same About Writing Again! “The words lie within you. They hover in the shadows, longing to be noticed, yearning to be heard. Together, through this book, you and I will give them voice.” The Ultimate Writer’s Guide from the Ultimate Writing Coach! "A highly recommended guide from one of the most creative people around." – William C. Reichard, author of This Album Full of Angles "Whenever I feel blocked, I open this book, read a couple of pages and feel inspired again." – Anna Blagoslavova, Moscow, Russia "Mark David Gerson's The Voice of the Muse saved my languishing novel!" – Katie Thomas, Lynchburg, VA "Mark David Gerson is the best friend a writer ever had!" – Luke Yankee, author, playwright, screenwriter; Los Angeles, CA Works well in conjunction with The Voice of the Muse Companion: Guided Meditations for Writers, a recording that includes the author's recording of ten of the guided meditations in the book. Download it today from Google Play.
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success. Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
All students and professors need to write, and many struggle to finish their stalled dissertations, journal articles, book chapters, or grant proposals. Writing is hard work and can be difficult to wedge into a frenetic academic schedule. In this practical, light-hearted, and encouraging book, Paul Silvia explains that writing productively does not require innate skills or special traits but specific tactics and actions. Drawing examples from his own field of psychology, he shows readers how to overcome motivational roadblocks and become prolific without sacrificing evenings, weekends, and vacations. After describing strategies for writing productively, the author gives detailed advice from the trenches on how to write, submit, revise, and resubmit articles, how to improve writing quality, and how to write and publish academic work.
Continually revised and reinvented, the Jewish Mother archetype becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.
An important challenge to what currently masquerades as conventional wisdom regarding the teaching of writing. There seems to be widespread agreement that—when it comes to the writing skills of college students—we are in the midst of a crisis. In Why They Can't Write, John Warner, who taught writing at the college level for two decades, argues that the problem isn't caused by a lack of rigor, or smartphones, or some generational character defect. Instead, he asserts, we're teaching writing wrong. Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn't prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules—such as the five-paragraph essay—designed to help them pass these high-stakes assessments. In Why They Can't Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.
“A beautiful, daring, challenging novel” of a young Muslim immigrant—from the author of the New York Times Notable Book, The Translator (The Guardian). Leila Aboulela’s American debut is a provocative, timely, and engaging novel about a young Muslim woman—once privileged and secular in her native land and now impoverished in London—gradually embracing her orthodox faith. With her Muslim hijab and down-turned gaze, Najwa is invisible to most eyes, especially to the rich families whose houses she cleans in London. Twenty years ago, Najwa, then at university in Khartoum, would never have imagined that one day she would be a maid. An upperclass Westernized Sudanese, her dreams were to marry well and raise a family. But a coup forces the young woman and her family into political exile in London. Soon orphaned, she finds solace and companionship within the Muslim community. Then Najwa meets Tamer, the intense, lonely younger brother of her employer. They find a common bond in faith and slowly, silently, begin to fall in love. Written with directness and force, Minaret is a lyric and insightful novel about Islam and an alluring glimpse into a culture Westerners are only just beginning to understand. “Lit up by a highly unusual sensibility and world view, so rarefied and uncompromising that it is likely to throw the reader out of kilter . . . Her delicacy of touch is to be complimented.” —Chandrahas Choudhury, San Francisco Chronicle