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Return to Jae Waller’s wondrous and war-torn colonial world in this captivating second installment in the Call of the Rift series “Fans will be reengaged by Waller’s war-torn worldbuilding and original characterization . . . Adventurous, heartbreaking, and undoubtedly open-ended.” — Kirkus Reviews Now in paperback! The Blackbird Battle has left all sides devastated. The wind spirit Suriel has disappeared. A hard winter is coming, and famine stalks the land. Kateiko Rin returns to her people, ready at last to rejoin her community, but the dangers of the unsettled times come raging to her doorstep. Kako is left with no choice but to battle the forces that seek to open a rift between the worlds. Leading an unlikely alliance that includes her new love Airedain and her old one Tiernan, Kako must risk all to try and stop the coming disaster. Author Jae Waller returns to her riveting alternate world of brooding rainforests in a colonial time and to her headstrong, troubled heroine in this compelling second volume of the Call of the Rift quintet.
To save a world, he must risk his own. While testing fireworks, orphan Sam shoots down a dragon and her knight. A dying emperor begs his wife, Maria, to abdicate and avoid the ensuing power struggle for their failing empire. With her mind bound to the human who shot her out of the sky, Eliana upsets her father’s plans for returning their people to their home world. Rifts, invisible gates between worlds and a source of magical energy, connect the fates of Sam, Maria and Eliana. Sam’s destiny is to seal the Rifts. Unbeknown to Maria, her dead son and heir to the empire, Sam, still lives. And if the Rifts close, Eliana and her people can’t return home. Set in a world where animals host human souls, machines weave magic and people aren’t who they claim to be, Rifts is the first book in a three-part epic fantasy series.
Now in paperback! An intricately lush and well-crafted new fantasy that deserves (and demands) a sequel.” — Kirkus Reviews, starred review “A mature choice for those who love high fantasy and magical realism.” — School Library Journal A rebellious heroine faces a colonial world coming unstitched in Jae Waller’s stunning debut fantasy “Waller’s world-building is impressive . . . While the magical and romantic elements of Waller’s story are most likely to hook teen readers, it’s the commentary on colonized cultures that really sets this novel apart from other YA fantasy tales.” — Quill & Quire Seventeen-year-old Kateiko doesn’t want to be Rin anymore — not if it means sacrificing lives to protect the dead. Her only way out is to join another tribe, a one-way trek through the coastal rainforest. Killing a colonial soldier in the woods isn’t part of the plan. Neither is spending the winter with Tiernan, an immigrant who keeps a sword with his carpentry tools. His log cabin leaks and his stories about other worlds raise more questions than they answer. Then the air spirit Suriel, long thought dormant, resurrects a war. For Kateiko, protecting other tribes in her confederacy is atonement. For Tiernan, war is a return to the military life he’s desperate to forget. Leaving Tiernan means losing the one man Kateiko trusts. Staying with him means abandoning colonists to a death sentence. In a region tainted by prejudice and on the brink of civil war, she has to decide what’s worth dying — or killing — for.
A brand new series from New York Times bestselling author Chloe Neill. Seven years ago, the Veil that separates humanity from what lies beyond was torn apart, and New Orleans was engulfed in a supernatural war. Now, those with paranormal powers have been confined in a walled community that humans call the District. Those who live there call it Devil's Isle. Claire Connolly is a good girl with a dangerous secret: she’s a Sensitive, a human endowed with magic that seeped through the Veil. Claire knows that revealing her skills would mean being confined to Devil’s Isle. Unfortunately, hiding her power has left her untrained and unfocused. Liam Quinn knows from experience that magic makes monsters of the weak, and he has no time for a Sensitive with no control of her own strength. But when he sees Claire using her powers to save a human under attack—in full view of the French Quarter—Liam decides to bring her to Devil’s Isle and the teacher she needs, even though getting her out of his way isn’t the same as keeping her out of his head. As more and more Sensitives fall prey to their magic, and unleash their hunger on the city, Claire and Liam must work together to save New Orleans, or else the city will burn…
Hello darkness, my old friend... Still recovering from an explosive family get-together, Tarot-reading mistress of the House of Swords Sara Wilde isn't ready to return to the war on magic. Then the Magician of the Arcana Council uses Sara to summon an ancient Greek deity for his own devious purposes, and Sara's suddenly up to her elbows in oversized egos and millennia-old conflicts. Conflicts that imperil the delicate balance of power between the most formidable mortals on earth and the gods who wait beyond the veil. To keep both gods and monsters where they belong, Sara is forced to put out the first call to arms of the four Houses of Magic since the fall of Atlantis, a call that brings ancient enemies into the open and reveals truths about the Council--and the Magician himself--she would have preferred not to know. Worse, a brutal resurgence of violence rocks the Las Vegas Connected community and has Sara questioning everything she knows about her closest allies, while a heightened interest from Interpol starts out as a nuisance but quickly evolves into a far more insidious threat. Sara's done her best to become a team player, but with friends like these... Better pray it's a wrong number when you get the Call of the Wilde.
Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose.
Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.
Aquila has fallen and the Rift Riders are homeless. Freshly settled in the heart of the Overworld, the kaz-naghkt are more dangerous than ever, especially when united with their pirate allies. Scattered and divided, the Riders are desperate to reclaim their home – but first they need help. After fleeing into the Greater West, Mhysra, Lyrai and their friends are sent south to the kingdom of Havia to plead for aid. But the land also borders the magical Storm Wash on the very edge of the Dragonlands, and soon the Riders have more to worry about than kaz-naghkt and unfriendly kings. Back at Aquila, Lord Yullik sits high in his tower of triumph, but little does he know of the troubles that wait in the shadows. The Dragongifted are waking – and the Overworld will never be the same again.