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Alongside images of racing chuckwagons, cowboys on bucking broncos and Aboriginal people in full regalia, one of the most recognizable and enduring symbols of the Calgary Stampede is a trio of pretty cowgirls wearing white-hat crowns. Not surprisingly, modern-day Stampede Queens and Princesses make more than 450 public appearances per year promoting the show and the city of Calgary both at home and abroad. But the fair was nearly six decades old before it appointed a royal representative to promote its interests. In 1946 Patsy Rodgers became the Stampede's first rodeo queen. The following year, a local service club raised funds by sponsoring a contest for "Queen of the Stampede." Although it bore little resemblance to its modern counterpart, this early competition based on ticket sales was widely popular and over the next few decades raised the equivalent of one million dollars for local charities and service projects. From the beginning, the Stampede recognized the promotional potential of the royal figureheads and worked to ensure that winners were credible representatives of what quickly became a year-round public relations job. In 1966 the Stampede officially took over and modernized the contest, but it would take many decades of trial and error evolution to perfect the process of selecting and training its royalty. Against a backdrop of changing times, and drawing on contemporary sources and personal interviews, the author traces the origin and development of the Calgary Stampede Queen contest and profiles its lucky young winners over seven exciting decades. Complete with a large selection of archival photos, Calgary's Stampede Queens tells the story from this fascinating corner of The Greatest Outdoor Show on Earth.
"This hook investigates the meanings and iconography of the Stampede: an invented tradition that takes over the city of Calgary for 10 days every July. Since 1923, archetypal "Cowboys and Indians" are seen again at the chuckwagon races, on the midway, and throughout Calgary. Each essay in this collection examines a facet of the experience - from the images on advertising posters to the ritual of the annual parade. This study of the Calgary Stampede as a social phenomenon reveals the history and sociology of the city of Calgary as a component of the social construction of identity for western Canada as a whole."--BOOK JACKET.
This book offers the first-ever intersectional feminist analysis of the gendered and racialized dynamics of the contemporary Calgary Stampede. Kimberly A. Williams wants the annual Calgary Stampede to change its ways. An intrepid feminist scholar with a raucous sense of humour, Williams combines memoir, theory, history, pop culture, and current events to challenge readers to make feminist sense of how gender and race matter at Canada's oldest and largest western heritage festival. Stampede! takes readers on an adventure into Alberta's past, looking at how the Calgary Stampede came to be and tracing its evolution to the Centennial event in 2012. Using a variety of cultural materials--photography, print advertisements, news coverage, poetry, and social media--Williams asks who gets to be part of the "we" in the Stampede's 2012 slogan "We're Greatest Together." Who gets left out? And what do you have to do to get in? Williams examines some beloved traditions of the Calgary Stampede through the lens of the feminist killjoy: the parade, the First Nations Princess, the Stampede Queen and her two princesses, First Nations Village, and the chuckwagon races. She uses ads from the Centennial planner to weave a story about the Albertan petro cowboy, his family, and his community. And she asks how the Treaty 7 Nations fit into this narrative about the white settler cowboy. There's no question the Stampede is a widely loved event, but could it do more to ensure that we actually are "greatest together"? Williams thinks so, and she concludes the book with some ideas for a new way forward.
By 1912 the large-scale cowboy ranches of the Old West had been disappearing for years and the Calgary Stampede -- along with other exhibitions, like Buffalo Bill's Wild West Show -- was set-up to commemorate a fading way of life for younger generations and for those who still remembered the mythic era. The Canadian Northwest shared in that grand tradition, and the time was right for a great Canadian cowboy showcase. After a century of international acclaim, the western dream continues and to commemorate the early days of the great Calgary Stampede, a collection of post cards from its enthusiastic youthful years illustrates the look and feel of those exciting times. Taken from the vast post card collection held by the University of Alberta Libraries, these classic views capture all the excitement, from the championship cowboys, cowgirls, and horses, to the tragedies of defeat and injuries. The parades, the aboriginal camps, and all the lively hoopla are recalled in these images, with historical text to add context to those days of dust, sweat and glory.
The Aldens head up north for the Calgary Stampede—a cowboy celebration of Canada's frontier spirit! But when a valuable piece of jewelry from the festival's history vanishes, the children are on the case. Can the Boxcar Children find the thief before the big show?
"The true love story of Florence and Guy Weadick and the beginning of the Calgary Stampede"--Cover.
The wild blood-on-the-mat saga of the rise and fall of the infamous Stampede Wrestling company.
From his days spent on the open range of Montana, Russell was drawn to depicting the life and history of the American West. In 1912 and again in 1919, the charismatic Wild West showman and rodeo promoter Guy Weadick sought out Russell as a major exhibitor and headliner to help promote the fledgling "Stampede" rodeo in Calgary, Alberta. The weeklong run of events and exhibits was designed to commemorate the values and people of the Old West, then rapidly changing from a way of life in North America to the stuff of memory, legend, and sport. By celebrating old-timers, pioneers, ranching, cowboying, and indigenous traditions, the Stampede delivered the "West that had passed"--a theme central to Russell's work as an artist--to popular audiences across Canada. The special 1919 Calgary event was branded the Victory Stampede in honor of the troops returning home from the Great War overseas and in celebration of the signing of the Treaty of Versailles. Return to Calgary: Charles M. Russell and the 1919 Victory Stampede richly illustrates all twenty-four paintings and eight bronzes included in the historic 1919 special exhibition of Russell's work at Victoria Park in Calgary.
Life is tough, but so are cowgirls. This is the true story of Flores LaDue (1883-1951), ideal for ages 7-9. A world champion trick roper and First Lady of the Calgary Stampede, Flores helped put Western Canada on the world map. A rider, roper and rodeo queen, her story will inspire kids to work hard, blaze their own trails, and rope the life of their dreams. Part of the award-winning Howdy Books series. Features a special collaboration with First Nations artist Keegan Starlight on pages with Indigenous art. This 44-page full-colour illustrated biography also includes a timeline, archive photos, author notes and cookie recipe. It fits perfectly with the Grade Four curriculum but is suitable for Grades Two to Five. An excellent choice for International Women's Day on March 8, Stampede Week, and Women's History Month in October. To book a Virtual or In-Person school visit by author Ayesha Clough, and/or a draw-along with illustrator Hugh Rookwood, please email [email protected]. BIPOC author and illustrators.
Trudeau appeared to enjoy the encounter. He stood his ground while escaping projectiles, including a tomato In this insightful and lively history, Liberal insider Darryl Raymaker recalls the attempt to broker "a marriage from hell" between the federal Liberal Party and Alberta's Social Credit government in the late 1960s. Raymaker uses his deep connections and backroom knowledge to trace the tangled political relationships that developed when charismatic statesman Pierre Trudeau confronted the forces of oil and agriculture in Canada's west. Part memoir, part chronicle, Trudeau's Tango provides a window into Canadian history, politics, economics, and the zeitgeist of the late 1960s. Foreword by Lloyd Axworthy. Trudeau appeared to enjoy the encounter. He stood his ground while escaping projectiles, including a tomato After the briefest of honeymoons in 1968, Pierre Trudeau's government clashed with Alberta's conservative interests, generating antagonism that persists to this day. Trudeau's Tango, an insightful personal history, traces the tangled political relationships that developed when the charismatic statesman confronted the forces of oil and agriculture in Canada's West. Liberal insider Darryl Raymaker recounts an attempt to broker "a marriage from hell" between the federal Liberal Party and Alberta's Social Credit government. The failure of this union is one of the reasons why the Liberals continue to struggle for favour in Alberta. Part memoir, part chronicle, Trudeau's Tango is a timely book on a provocative matter, perfect for anyone interested in Canadian history, politics, economics, or the Canadian zeitgeist of the late 1960s.