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An intense linguistic struggle is unfolding in Louisiana between Cajuns trying to preserve their language on the one hand and the American experience overwhelming it on the other. This study guide provides 21 chapters of practice for anyone who wants to learn or improve his/her Cajun French. This book also includes four short stories and a play in English and Cajun French as well as an expanded English to Cajun French vocabulary section. If you want to learn or improve your knowledge of Cajun French, this book will help. The Cajun Home Companion Vol. 2 is based on the same approach as in the first volume which has already helped many to reach their goal of speaking Cajun French. The 20th century was disastrous for Cajun French in Louisiana. However, with the dawning of the 21st century, a new vigor has arisen to preserve all things Cajun whether it is music, culinary practices or the language. I hope that if you have Cajun French speaking family members, you learn enough of the language from them now to help continue this invaluable cultural tradition. The Cajun Home Companion Vol. 2 will help you do just that.
The Cajun Home Companion: Learn to Speak Cajun French And Other Essentials Every Cajun Should Know by Joseph and Scott Savoy A linguistic tragedy has unfolded in Louisiana as the first and second generations of non-French speaking Cajuns become Americanized. The ability to speak French, which in Louisiana had for centuries been handed down orally, is no longer part of Cajun cultural experience. Unlike their ancestors, who for hundreds of years spoke only French, most modern day Cajuns have lost their birth-right ... they have lost their ability to speak Cajun French. The 20th century has seen the systematic dismantling of the Cajun language, leaving many Cajuns with a longing for that lost part of their culture. If you have ever wanted to learn how to speak the language of your Cajun grandparents and their grandparents before them, this book was written for you. Through this simple guide, you will be speaking French from the very first lesson. And as your Cajun French vocabulary grows, you will learn to communicate more effectively. Both authors are excited about this work and in the ongoing Cajun Renaissance which began in the end of the 20th Century and is still gaining momentum. The Cajun Home Companion, with forward by Linda LeBert-Corbello, PhD, gives practical speaking exercises and also includes descriptions of cultural and historical events pivotal in forming the Cajun persona.
Presents 3,800 terms in English and Cajun French and includes a historical overview of Cajun French, frequently asked questions about the language, a pronunciation guide, basic grammar, and essential phrases.
Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last 15-20 years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology. Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.
The Cajun people have a long history of having to leave their homes: first in France, then later in Canada, and even in America, families were broken apart by exile and were scattered across the continent. They were pushed farther and farther south, finally into the swamps and marshes of southern Louisiana. Here, deep in the bayous and backwaters, they have created a home for themselves that is unlike any other place on earth. In beautifully composed photographs and lucid text, Bial illuminates the spirit, resiliency, and warmth of the Cajun people.
Contributions by Lisa Abney, Patricia Anderson, Albert Camp, Katie Carmichael, Christina Schoux Casey, Nathalie Dajko, Jeffery U. Darensbourg, Dorian Dorado, Connie Eble, Daniel W. Hieber, David Kaufman, Geoffrey Kimball, Thomas A. Klingler, Bertney Langley, Linda Langley, Shane Lief, Tamara Lindner, Judith M. Maxwell, Rafael Orozco, Allison Truitt, Shana Walton, and Robin White Louisiana is often presented as a bastion of French culture and language in an otherwise English environment. The continued presence of French in south Louisiana and the struggle against the language's demise have given the state an aura of exoticism and at the same time have strained serious focus on that language. Historically, however, the state has always boasted a multicultural, polyglot population. From the scores of indigenous languages used at the time of European contact to the importation of African and European languages during the colonial period to the modern invasion of English and the arrival of new immigrant populations, Louisiana has had and continues to enjoy a rich linguistic palate. Language in Louisiana: Community and Culture brings together for the first time work by scholars and community activists, all experts on the cutting edge of research. In sixteen chapters, the authors present the state of languages and of linguistic research on topics such as indigenous language documentation and revival; variation in, attitudes toward, and educational opportunities in Louisiana’s French varieties; current research on rural and urban dialects of English, both in south Louisiana and in the long-neglected northern parishes; and the struggles more recent immigrants face to use their heritage languages and deal with language-based regulations in public venues. This volume will be of value to both scholars and general readers interested in a comprehensive view of Louisiana’s linguistic landscape.
With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”
In 1946, Harry Choates, a Cajun fiddle virtuoso, changed the course of American musical history when his recording of the so-called Cajun national anthem "Jole Blon" reached number four on the national Billboard charts. Cajun music became part of the American consciousness for the first time thanks to the unprecedented success of this issue, as the French tune crossed cultural, ethnic, racial, and socio-economic boundaries. Country music stars Moon Mullican, Roy Acuff, Bob Wills, and Hank Snow rushed into the studio to record their own interpretations of the waltz-followed years later by Waylon Jennings and Bruce Springsteen. The cross-cultural musical legacy of this plaintive waltz also paved the way for Hank Williams Sr.'s Cajun-influenced hit "Jamabalaya." Choates' "Jole Blon" represents the culmination of a centuries-old dialogue between the Cajun community and the rest of America. Joining into this dialogue is the most thoroughly researched and broadly conceived history of Cajun music yet published, Cajun Breakdown. Furthermore, the book examines the social and cultural roots of Cajun music's development through 1950 by raising broad questions about the ethnic experience in America and nature of indigenous American music. Since its inception, the Cajun community constantly refashioned influences from the American musical landscape despite the pressures of marginalization, denigration, and poverty. European and North American French songs, minstrel tunes, blues, jazz, hillbilly, Tin Pan Alley melodies, and western swing all became part of the Cajun musical equation. The idiom's synthetic nature suggests an extensive and intensive dialogue with popular culture, extinguishing the myth that Cajuns were an isolated folk group astray in the American South. Ryan André Brasseaux's work constitutes a bold and innovative exploration of a forgotten chapter in America's musical odyssey.