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Revered by Chinese connoisseurs and literati since the Tang dynasty (618-907) or earlier, scholars' rocks have been little known in the West. As refined indoor kin of the more widely recognized Chinese garden stones, these rocks intended for studio display combine the charm of microcosm with sheer abstract beauty; whether regarded as fantastical miniature landscapes or as nonrepresentational sculpture, they invite and reward contemplation. The book accompanies an exhibition organized by Robert D. Mowry, curator of Chinese art, Arthur M. Sackler Museum, Harvard University Art Museums. Essays provide rich insights into the rocks' history and social context, as well as their web of poetic, religious, and philosophical associations. Along with an abundance of research on Chinese records, the book offers ground-breaking scientific analyses in an effort to establish materials and provenance of the rocks, and of their accompanying stands, which are often regarded as minor works of art in their own right. Color plates of the eighty rocks in the exhibition are accompanied by full descriptions and extensive background materials. Maps, tables, graphs, and comparative figures further enhance this striking foundation study.
Irene Poon's book pays tribute to 25 Asian American artists she has known and photographed during her own distinguished career. She has compiled a book about the pioneers she found to emulate when she began creating images of the world around her, both within and beyond her own San Francisco Chinatown. Selected art works and photographic portraits provide an insightful introduction to the Asian American artists active from the 1930s through the 1960s. Many of these artists continue to be productive in the 21st century. Poon's sensitive portraits of senior Asian American artists from California, Hawaii, Washington State, and New York City has great significance for Asian Pacific American studies and the history of art in America. Among the artists included are George Tsutakawa, Mineacute; Okubo, Johsel Namkung, and Jade Snow Wong.
This publication catalogue focuses on twelve masterpieces of Chinese landscape and figure paintings. An essay by Wen C. Fong presents an in-depth stylistic analysis and contextual history of the famed Riverbank; a detailed physical analysis is also included. An extended essay by Maxwell K. Hearn examines all twelve major paintings in the book, which range in date from the tenth to the early eighteenth century. -- Metropolitan Museum of Art website.