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Traces the history of Cleveland's WMMS radio station from 1973 to 1986, exploring how the station helped recreate rockradio and the city of Cleveland by showcasing new, influential musicians and inspiring listeners.
Music fans who grew up with Rock and Roll in Cleveland remember a golden age. We were young, so was the music, and the sense of freedom and excitement the Rock and Roll scene delivered was electric. There were so many great clubs, like the Agora, where every big band seemed to break in the 1970s. The trendsetting radio stations, from A.M.'s WIXY to F.M.'s groundbreaking "Home of the Buzzard," WMMS. And all those memorable shows. The free Coffee Break Concerts--remember Sprinsteen just when he hit it big? The gigantic World Series of Rock. Nights on the lawn at Blossom (including local favorites the Michael Stanley Band and their record-setting sellout streak). This book collects the favorite memories of Clevelanders who made the scene: fans, musicians, DJs, reporters, club owners, and more. Includes rare photographs and other memorabilia such as concert posters, bumper stickers, pins, and ticket stubs.
This volume captures the radio scene during the 1970s and 1980s, chronicling how a small FM rock station, WMMS, became the top-rated station in Northeast Ohio and made Cleveland one of the most important radio markets in the world. It includes interviews with radio legends.
What is the world that Nine Inch Nails made, and what was the world that made Nine Inch Nails? These are the questions at the heart of this study of the band's 1989 debut, Pretty Hate Machine. The album began as after-hours demos by mercenary new wave keyboardist Trent Reznor, and was disciplined into sparse industrial dance by a handful of the UK's best industrial producers. Carr traces how the album became beloved in the underground, found its mass at Lollapalooza, and its market at the newly opened mall store Hot Topic. For fans, Nine Inch Nails was a vehicle for questioning God, society, the family, sex, and the body. In ten raw, heartbreaking oral histories woven through the book, fans living in the post-industrial Midwest discuss the successes and failures of the American dream as they are articulated in Nine Inch Nails' music. Daphne Carr illuminates Pretty Hate Machine as at once singular and as representative of how popular music can impact history and change lives.
Describes the author's childhood education in the Cleveland projects in the 1960s and 1970s, where she learned to appreciate literature at a young age despite growing up amid race riots and murder.
Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter’s ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst which graced the cover of the London Calling LP was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, teetering between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.
Fran Belkin's collection of t-shirts wound up in boxes in the attic, until one day she realized these mementos chronicling over thirty years of Cleveland rock and roll history could illustrate the incredible story of a most unusual family business: Belkin Productions.The shirts and swag paint a picture of the times, the music, the bands and the concert promotion company her husband Jules and his brother Mike built into a powerhouse on the national music scene. In Rock This Town!, Fran's collection is artfully woven together with vintage snapshots, concert photography and intimate stories shared by the Belkin Productions crew who lived them. This book is for those of us who were out front, standing drenched in a World Series of Rock downpour, singing along to every word of our favorite song, Bic lighters in the air, screaming for another encore. This is a love letter to every fan of rock and roll.
This book presents a case study of popular music heritage to address why, and how, Cleveland, Ohio has claimed to be the "birthplace of rock 'n' roll" and became the home of the Rock and Roll Hall of Fame. It explores the role of radio DJs, record stores, concerts and myths in shaping the relations between people, places, and the past.
As a "suburban boy suffering for art," and growing up in Southern NJ, trying to follow The Michael Stanley Band was a more difficult challenge than one would imagine. This book tells my story on becoming a fan of "the most famous rock band you have never heard of." Though MSB was an incredibly popular attraction in the North East Ohio and their home base of Cleveland, they were virtual non-existent in my area of the country. This book is for anyone who enjoys the music of The Michael Stanley Band and now Michael Stanley as a "solo" musician, in addition to anyone with a "bucket-list," or anyone who can relate to "chasing a personal journey." Also available in Kindle format
Cleveland broadcasting legend John Lanigan got a rise out of radio listeners every weekday morning for more than 40 years. Now, he shares personal stories about breaking into the business, the early days of talk radio, interviewing politicians and porn stars, crazy publicity stunts, unusual remote broadcasts, hosting "Prize Movie" on TV, and more.