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Facing up to a shameful history, this book celebrates the culture and courage of the first people of Africa, the Bushmen, who, over the past 200 years, have been dispossessed and almost exterminated. In Botswana - miraculously saved by the Mandela government - they are now making their last stand.
This title in the World Cultures series is as much a call to end contemporary oppression as it is a celebration of rich traditional culture. The packed chapters trace the history of the San (Bushmen), the earliest people in large parts of southern Africa, who were there 40,000 to 10,000 years ago, until they were driven into the desert, first by Bantu people and then by white settlers. Uncluttered pages filled with color photos show the San life today, as well as the incredible ancient cave rock paintings that still exist. Few San are still hunters and gatherers, but in 2006, the Botswana courts ruled that the San have a right to their ancestral land.
A detailed and compelling volume that contributes significantly to current trends in post-apartheid scholarship.
Over the years many books have been written about the San of southern Africa, who are widely known as the Bushmen and frequently viewed as one entity. This is the first international publication in which the San of today step forward to tell their own story in their own words. Covering eight language groups in South Africa, Namibia and Botswana, young San interviewers went out into their communities and collected the thoughts and feelings, knowledge and understanding, dreams and fears, of their elders and their peers. The interviews they transcribed present the spirit of their communities and highlight the traditional differences and similarities between the groups, the shared history of suffering, and their desire and enthusiasm for life and most of all, freedom. Voices of the San provides a glimpse into the hundreds of broad, open-ended discussions held amongst the San themselves. It begins with the story of this book and is then divided into four chapters covering the themes they themselves identified as reflecting their current existence. All of this is richly and beautifully illustrated with over 300 photographs, contemporary artworks and drawings. The photographs are both historic and modern; including images from the Bleek and Lloyd Collection (late 19th century), the Duggan-Cronin Collection dating from the early 20th century and the Denver Expedition of 1925, as well as internationally known photographers such as Jens Bjerre (circa 1955), JÃ1⁄4rgen Schadeberg (1959) and Paul Weinberg (1985- ), and the San organizations within the region.
A study of the influence of environment on culture and social organization among the Khoisan, a cluster of southern African peoples, comprised of the Bushmen or San "hunters," the Khoekhoe "herders", and the Damara, (also herders).
J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, uses ethnographic, archival, and archaeological lines of research to understand San-Bushman mythological stories. From this, he establishes a more nuanced theory of the role of myths in cultures worldwide.
The history of dress in the South African bush To dress is a uniquely human experience, but practices and meanings of dress vary greatly among people. In a Western cultural tradition, the practice of dressing ‘properly’ has for centuries distinguished ‘civilised’ people from ‘savages’. Through travel literature and historical ethnographic descriptions of the Bushmen of southern Africa, such perceptions and prejudices have made their mark also on the modern research tradition. Because Bushmen were widely considered to be ‘nearly naked’ the study of dress has played a limited part in academic writings on Bushman culture. In Dress as Social Relations, Vibeke Maria Viestad challenges this myth of the nearly naked Bushman and provides an interdisciplinary study of Bushman dress, as it is represented in the archives and material culture of historical Bushman communities. Maintaining a critical perspective, Viestad provides an interpretation of the significance of dress for historical Bushman people. Dress, she argues, formed an embodied practice of social relations between humans, animals and other powerful beings of the Bushman world; moreover, this complex and meaningful practice was intimately related to subsistence strategies and social identity. The historical collections under scrutiny present a wide variety of research material representing different aspects of the bodily practice of dress. Whereas the Bleek & Lloyd archive of oral myths and narratives has become renowned for its great research potential, the artefact collections of Dorothea Bleek and Louis Fourie are much less known and have not earlier been published in a richly illustrated and comprehensive way. Dress as Social Relations is aimed at scholars and students of archaeology, anthropology, material culture studies, dress studies, ethnographic studies, museology, culture historical studies and African studies, but will also be of interest to people of descendant communities.
'The Bushman' is a perennial but changing image. The transformation of that image is important. It symbolizes the perception of Bushman or San society, of the ideas and values of ethnographers who have worked with Bushman peoples, and those of other anthropologists who use this work. Anthropology and the Bushman covers early travellers and settlers, classic nineteenth and twentieth-century ethnographers, North American and Japanese ecological traditions, the approaches of African ethnographers, and recent work on advocacy and social development. It reveals the impact of Bushman studies on anthropology and on the public. The book highlights how Bushman or San ethnography has contributed to anthropological controversy, for example in the debates on the degree of incorporation of San society within the wider political economy, and on the validity of the case for 'indigenous rights' as a special kind of human rights. Examining the changing image of the Bushman, Barnard provides a new contribution to an established anthropology debate. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org
Gordon (anthropology, U. of Vermont) describes the expedition 16 Denver businessmen sponsored to make their city famous by bringing back a man and women who represented the missing link between humans and the lower animals. He presents the photographs that were nearly the only result of the effort, and interprets what they were intended to portray to their creator and his audience. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR