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At last! A book showcasing the Aboriginal rock art of Western Australia's Burrup Peninsula. Western Australia contains some of the oldest, most prolific, and most spectacular rock art in the world. Some of the art probably dates from about 40,000 years ago, and much dates from around the last ice age which peaked 20,000 years ago. On the Australian Heritage-listed Burrup Peninsula and surrounding islands there are an estimated one million motifs carved into the rocks. This lavishly illustrated 516-page book has more than 600 images of this amazing art.
Discriptions of selected flora and fauna, species and habitats of Burrup Peninsula
Rock engravings, habitation sites and contact history.
Rock art, Aboriginal and European history, and geology of the Dampier Archipeloga including Burrup Peninsula, Western Australia
Compilation of news clippings, paper by Australian Rock Art Research Association : Saving the Dampier rock art from industrial develoopment.
Spending time in the Pilbara region of Western Australia as part of the Aboriginal Deaths in Custody Royal Commission, Sydney lawyer Noel Olive began listening to, and then recording, the stories and experiences of the local Indigenous people. That material forms the basis of a history from an Aboriginal perspective of Aboriginal-European relations in the region, from colonial times to present day. The author previously edited a book of Aboriginal histories from the same region (Karijini Mirlimirli FACP 1997), which was well received by reviewers and is a recommended text in both the legal profession and Aboriginal Studies courses.
A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.