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A contemporary fantasy YA debut from Rochelle Hassan about monsters, magic, and wicked fae, perfect for fans of The Darkest Part of the Forest and The Hazel Wood. As the only hedgewitch in Blackthorn, Massachusetts—an uncommonly magical place—Aziza El-Amin has bargained with wood nymphs, rescued palm-sized fairies from house cats, banished flesh-eating shadows from the local park. But when a dark entity awakens in the forest outside of town, eroding the invisible boundary between the human world and fairyland, run-of-the-mill fae mischief turns into outright aggression, and the danger—to herself and others—becomes too great for her to handle alone. Leo Merritt is no stranger to magical catastrophes. On his sixteenth birthday, a dormant curse kicked in and ripped away all his memories of his true love. A miserable year has passed since then. He's road-tripped up and down the East Coast looking for a way to get his memories back and hit one dead end after another. He doesn't even know his true love's name, but he feels the absence in his life, and it's haunting. Desperate for answers, he makes a pact with Aziza: he’ll provide much-needed backup on her nightly patrols, and in exchange, she’ll help him break the curse. When the creature in the woods sets its sights on them, their survival depends on the aid of a mysterious young necromancer they’re not certain they can trust. But they’ll have to work together to eradicate the new threat and take back their hometown... even if it forces them to uncover deeply buried secrets and make devastating sacrifices.
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.
Adventurers, explorers, kings, gods, and goddesses come to life in this riveting story of the first great epic—lost to the world for 2,000 years, and rediscovered in the nineteenth century Composed by a poet and priest in Middle Babylonia around 1200 bce, The Epic of Gilgamesh foreshadowed later stories that would become as fundamental as any in human history, The Odyssey and the Bible. But in 600 bce, the clay tablets that bore the story were lost—buried beneath ashes and ruins when the library of the wild king Ashurbanipal was sacked in a raid. The Buried Book begins with the rediscovery of the epic and its deciphering in 1872 by George Smith, a brilliant self-taught linguist who created a sensation when he discovered Gilgamesh among the thousands of tablets in the British Museum's collection. From there the story goes backward in time, all the way to Gilgamesh himself. Damrosch reveals the story as a literary bridge between East and West: a document lost in Babylonia, discovered by an Iraqi, decoded by an Englishman, and appropriated in novels by both Philip Roth and Saddam Hussein. This is an illuminating, fast-paced tale of history as it was written, stolen, lost, and—after 2,000 years, countless battles, fevered digs, conspiracies, and revelations—finally found.
This sweeping middle grade fantasy debut by Rochelle Hassan follows Roda and Ignis, who embark on an adventure filled with magic and mystery—perfect for fans of Howl’s Moving Castle by Diana Wynne Jones. Roda isn’t afraid of the monsters that roam the wilds of the Aerlands. She’s safe in her small town, which is surrounded by a wall of freezing, enchanted mist that keeps the beasts away. So when Roda rescues an injured crow on the instruction of her secret pen pal, Anonymous—whose letters arrive without warning and correctly predict the future—she’s surprised to learn she’s brought one of the so-called monsters home. Because her crow is really a shape-shifting boy named Ignis. Ignis doesn’t remember where he was going before he crashed. But Anonymous brought him and Roda together for a reason—and the only way to find out what Anonymous wants is to follow the trail of baffling clues in Roda’s letters. Their perilous journey leads them into the mist and beyond, to a mysterious place called Nowhere. But Ignis has secrets, and the farther they get, the more Roda doubts she can trust him. As a nefarious force closes in, they’ll have to put aside their differences and work together. For they might be each other’s only defense against an enemy who threatens their past, present, and future. A JUNIOR LIBRARY GUILD GOLD STANDARD SELECTION!
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.
THE FIRST NOVEL IN THE NEW YORK TIMES BESTSELLING ELDER RACES SERIES! Half-human and half-wyr, Pia Giovanni spent her life keeping a low profile among the wyrkind and avoiding the continuing conflict between them and their Dark Fae enemies. But after being blackmailed into stealing a coin from the hoard of a dragon, Pia finds herself targeted by one of the most powerful—and passionate—of the Elder races. As the most feared and respected of the wyrkind, Dragos Cuelebre cannot believe someone had the audacity to steal from him, much less succeed. And when he catches the thief, Dragos spares her life, claiming her as his own to further explore the desire they’ve ignited in each other. Pia knows she must repay Dragos for her trespass, but refuses to become his slave—although she cannot deny wanting him, body and soul...
On January 20, 2003, at 10:45 a.m., a massive avalanche in the Selkirk Range of British Columbia struck three members of two guided backcountry skiing groups and buried them. After a frantic hour of digging by those still standing, an unthinkable outcome became reality: seven people were dead. The tragedy made international news, splashing photos of the seven dead Canadian and US skiers on television screens and newspaper pages. The official analysis was that guide error was not a contributing factor in the accident. This interpretation was insufficient for some of the victims’ families, the public and some members of the guiding community. Buried is the assistant guide’s story. It renders an answerable truth about what happened by delving deep into the human factors that played into putting people in harm’s way as well as the peace that comes from accountability and the personal growth that results from understanding.
A National Book Critics Circle Award Finalist "Extraordinary...Sensitive and perceptive, Mr. Hessler is a superb literary archaeologist, one who handles what he sees with a bit of wonder that he gets to watch the history of this grand city unfold, one day at a time.” —Wall Street Journal From the acclaimed author of River Town and Oracle Bones, an intimate excavation of life in one of the world's oldest civilizations at a time of convulsive change Drawn by a fascination with Egypt's rich history and culture, Peter Hessler moved with his wife and twin daughters to Cairo in 2011. He wanted to learn Arabic, explore Cairo's neighborhoods, and visit the legendary archaeological digs of Upper Egypt. After his years of covering China for The New Yorker, friends warned him Egypt would be a much quieter place. But not long before he arrived, the Egyptian Arab Spring had begun, and now the country was in chaos. In the midst of the revolution, Hessler often traveled to digs at Amarna and Abydos, where locals live beside the tombs of kings and courtiers, a landscape that they call simply al-Madfuna: "the Buried." He and his wife set out to master Arabic, striking up a friendship with their instructor, a cynical political sophisticate. They also befriended Peter's translator, a gay man struggling to find happiness in Egypt's homophobic culture. A different kind of friendship was formed with the neighborhood garbage collector, an illiterate but highly perceptive man named Sayyid, whose access to the trash of Cairo would be its own kind of archaeological excavation. Hessler also met a family of Chinese small-business owners in the lingerie trade; their view of the country proved a bracing counterpoint to the West's conventional wisdom. Through the lives of these and other ordinary people in a time of tragedy and heartache, and through connections between contemporary Egypt and its ancient past, Hessler creates an astonishing portrait of a country and its people. What emerges is a book of uncompromising intelligence and humanity--the story of a land in which a weak state has collapsed but its underlying society remains in many ways painfully the same. A worthy successor to works like Rebecca West's Black Lamb and Grey Falcon and Bruce Chatwin's The Songlines, The Buried bids fair to be recognized as one of the great books of our time.
More than simply a vital collection development tool, this book can help librarians help young adults grow into the kind of independent readers and thinkers who will flourish at college.