Download Free The Burden Of Modernity Book in PDF and EPUB Free Download. You can read online The Burden Of Modernity and write the review.

Literary Revisionism places Bloom, his ally Geoffrey Hartman, and their contemporary literary situation in a borad historical and theoretical context by exploring the provenance of the revisionist stance in the origins of the New Testament canon, in the works of the Sensibility Poets and the great Romantics, and in the emergence of our own secular modernity. The results is an uncanny sense of the wholeness of the tradition, ironically coupled with an awareness that we are cut off from the past by the very insistence with which we employ criticism to maintain the fiction of an isolate modernity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Literary Revisionism places Bloom, his ally Geoffrey Hartman, and their contemporary literary situation in a borad historical and theoretical context by exploring the provenance of the revisionist stance in the origins of the New Testament canon, in the works of the Sensibility Poets and the great Romantics, and in the emergence of our own secular modernity. The results is an uncanny sense of the wholeness of the tradition, ironically coupled with an awareness that we are cut off from the past by the very insistence with which we employ criticism to maintain the fiction of an isolate modernity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Focusing on the significance of travel in Joseph Conrad, E.M. Forster, D.H. Lawrence, Henry James, and Edith Wharton, Robert Burden shows how travel enabled a new consciousness of mobility and borders during the modernist period. For these authors, Burden suggests, travel becomes a narrative paradigm and dominant trope by which they explore questions of identity and otherness related to deep-seated concerns with the crisis of national cultural identity. He pays particular attention to the important distinction between travel and tourism, at the same time that he attends to the slippage between seeing and sightseeing, between the local character and the stereotype, between art and kitsch, and between older and newer ways of storytelling in the representational crisis of modernism. Burden argues that the greater awareness of cultural difference that characterizes both the travel writing and fiction of these expatriate writers became a defining feature of literary modernism, resulting in a consciousness of cultural difference that challenged the ethnographic project of empire.
This book offers a provocative interpretation of cultural discourse in Spanish America. Alonso argues that Spanish American cultural production constituted itself through commitment to what he calls the "narrative of futurity," that is, the uncompromising adoption of modernity. This commitment fueled a rhetorical crisis that followed the embracing of discourses regarded as "modern" in historical and economic circumstance that are themselves the negation of modernity. Through fresh readings of texts by Sarmiento, Mansilla, Quiroga, Vargos Llosa, Garcia Marquez, and others, Alonso tracks this textual dynamic in works from the nineteenth century to the present.
Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies in particular three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time. According to Rosa, both the structural and cultural aspects of our institutions and practices are marked by the "shrinking of the present," a decreasing time period during which expectations based on past experience reliably match future results and events. When this phenomenon combines with technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to each other and the world fluid and problematic. It is as if we are standing on "slipping slopes," a steep social terrain that is itself in motion and in turn demands faster lives and technology. As Rosa deftly shows, this self-reinforcing feedback loop fundamentally determines the character of modern life.
A leading interpreter of modernity argues that our culture of limitless self-fulfillment is making millions mentally ill. Training her analytic eye on manic depression and schizophrenia, Liah Greenfeld, in the culminating volume of her trilogy on nationalism, traces these dysfunctions to society’s overburdening demands for self-realization.
Modernity’s Mist explores an understudied aspect of Romanticism: its future-oriented poetics. Whereas Romanticism is well known for its relation to the past, Emily Rohrbach situates Romantic epistemological uncertainties in relation to historiographical debates that opened up a radically unpredictable and fast- approaching future. As the rise of periodization made the project of defining the “spirit of the age” increasingly urgent, the changing sense of futurity rendered the historical dimensions of the present deeply elusive. While historicist critics often are interested in what Romantic writers and their readers would have known, Rohrbach draws attention to moments when these writers felt they could not know the historical dimensions of their own age. Illuminating the poetic strategies Keats, Austen, Byron, and Hazlitt used to convey that sense of mystery, Rohrbach describes a poetic grammar of future anteriority—of uncertainty concerning what will have been. Romantic writers, she shows, do not simply reflect the history of their time; their works make imaginable a new way of thinking the historical present when faced with the temporalities of modernity.
This book brings together the work of the late Anders Petersen, presenting his exciting and innovative transdisciplinary paradigm that offers insights into anxiety, depression and grief, and the connection between these conditions and the failings of contemporary civilization that give rise to them. With attention to the ways in which neoliberal hegemony and its imperatives of ‘performance’, ‘evaluation’, ‘self-realisation’, ‘resilience’ and ‘flexibility’ lead to self-criticism on the part of those who do not measure up to the prevailing criteria, resulting in ailments of mental health, it challenges the paradigmatic diagnosis of such conditions in terms of individual diseases or neurological malfunctions, to be treated by medication and training in order to return the individual to work and life ‘as normal’. An examination of the wrong-headed approach to what Petersen analysed as contemporary social pathologies, Enduring Modernity: Depression, Anxiety and Grief in the Age of Voicelessness will appeal to scholars of sociology and social theory, seeking new understandings aimed at emancipation from social suffering.
This accessible and comprehensive overview of the main issues on the modernity-postmodernity controversy is the first clear-sighted book on the subject. It surveys modern social theory, from Kant to Weber with economy and masterly precision. And evaluates the work of the Frankfurt School, Arendy, Strauss, Luhmann, Habermas, Heller, Castoriadis and Touraine, before moving on to consider the approaches of the leading writers on postmodenrity: Lyotard, Vattimo, Derrida, Foucault and Jameson. The result is a new way of conceptualizing the modernity-postmodernity debate, and an exciting new approach to the roots of contemporary social theory.