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The book is a reflection of the Authors childhood experiences. The Bunyip was reported to have been sighted around the Countryside of NSW but to this date has always evaded capture. No one actually refutes the creatures' existence, but no one has managed to actually capture it on film. The story is one of Social integration, both of the Aboriginal Boy and that of an Irish Immigrant family. The Chinese Man and his daughter add a touch of humour with his struggle to master the English language and his resolve to find a place in a society of scoundrels and Bullies. The book gives hope to the downtrodden and those afflicted with many of societies problems.It is a story of hope and reconciliation.
SUMMARY: When they have unexpected time off from school, the Collins children camp out in a dilapidated hut in the bush. When two boys Kidnap their dog, Binty, who lacks confidence and self-esteem blames himself and tries to rectify the sistuation secretly. Finally he shows courage in rescuing the dog.
Introduces 30 of Melbourne's magnificent 'wild places' all within an hour-and-a-half drive of the centre of Melbourne.
Ruby Langford Ginibi' s remarkable talent for storytelling grabbed the attention of both black and white Australians when she released Don' t Take Your Love to Town, which has gone on to become a bestseller and is now a seminal work of Indigenous memoir. Don' t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was fifteen. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney. Don' t Take Your Love to Town is a brilliant memoir that will open your eyes and heart to an extraordinary woman' s story.
Goldie skillfully reveals the ambivalence of white writers to indigenous culture through an examination of the stereotyping involved in the creation of the image of the "Other." The treacherous "redskin" and the "Indian maiden," embodiments of violence and sex, also evoke emotional signs of fear and temptation, of white repulsion from and attraction to the indigene and the land. Goldie suggests that white culture, deeply attracted to the impossible idea of becoming indigenous, either rejects native land claims and denies recognition of the original indigenes, or incorporates these claims into white assertions of native status. After comparing the works of Canadian author Rudy Wiebe and Australian author Patrick White, Goldie concludes by linking the results of his literary analysis to wider cultural concerns, particularly land rights. He shows that literary views of natives, both positive and negative, emphasize the same charac-teristics and he suggests that escape from this limited vision may open the door to solving the problems of native sovereignty.
Keegan, Terri and Tosh discover that the use of the Dragon’s Heart Amulet has had some interesting side effects. They set out to unearth the truth about the amulet, its history, its power and how best to destroy it. Their adventure takes them in search of the mythical bunyip, a journey fraught with danger and deception. And they find themselves wrapped up in a mystery spanning thousands of years, as they travel to outback Australia, South America and coldest Siberia...until finally they are delivered into the lion’s den.