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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Ineffabilis Deus: Defining The Dogma Of The Immaculate Conception: Apostolic Constitution Of Pius IX, Issued December 8, 1854 Catholic Church. Pope (1846-1878: Pius IX), John R. Sheets, Pope Pius IX St. Paul Books & Media, 1854 Immaculate Conception
From the pen of the most renowned Catholic thinker of the nineteenth century comes this explanation of the Church's devotion to Mary. Newman examines the New Testament and the writings of the Church Fathers to show that this devotion is on a firm apostolic foundation. Then he explains the doctrinal bases of the titles given to Our Lady in the Litany of Loreto: Mystical Rose, House of Gold, Mirror of Justice, Queen of Angels, Tower of Ivory, Singular Vessel of Devotion, Queen of Martyrs, and more. Newman's deep insights into Our Lady will deepen your love for the Mother of God.
Author David Armstrong shows that the Catholic Church is the "Bible Church par excellence," and that many common Protestant doctrines are in fact not Biblical.
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For women of the Italian Renaissance, the Virgin Mary was one of the most important role models. Who Is Mary? presents devotional works written by three women better known for their secular writings: Vittoria Colonna, famed for her Petrarchan lyric verse; Chiara Matraini, one of the most original poets of her generation; and the wide-ranging, intellectually ambitious polemicist Lucrezia Marinella. At a time when the cult of the Virgin was undergoing a substantial process of redefinition, these texts cast fascinating light on the beliefs of Catholic women in the Renaissance, and also, in the cases of Matraini and Marinella, on contemporaneous women’s social behavior, prescribed for them by male writers in books on female decorum. Who Is Mary? testifies to the emotional and spiritual relationships that women had with the figure of Mary, whom they were required to emulate as the epitome of femininity. Now available for the first time in English-language translation, these writings suggest new possibilities for women in both religious and civil culture and provide a window to women’s spirituality, concerning the most important icon set before them, as wives, mothers, and Christians.