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Ivan N. Petrov’s The Development of the Bulgarian Literary Language: From Incunabula to First Grammars, Late Fifteenth–Early Seventeenth Century examines the history of the first printed Cyrillic books and their role in the development of the Bulgarian literary language. In the literary culture of the Southern Slavs, especially the Bulgarians, the period that began at the end of the fifteenth century and covered the sixteenth and seventeenth centuries is often seen as a foreshadowing of the pre-national era of modern times. In particular, the centuries-old manuscript tradition was gradually replaced by the Cyrillic printed book, which—after the incunabula of Krakow and Montenegro—was published in such centers as Târgoviște, Prague, Venice, Serbian monasteries, Vilnius, Moscow, Zabłudów, Lviv, Ostroh, and many others. Petrov shows how the study of old Slavic prints is closely linked to the processes that determined the emergence of modern literary languages in the Slavia Orthodoxa area, including the influence of the liturgical Church Slavonic language shared by the Orthodox Slavs, which was increasingly standardized and codified at that time. The perspective of a language historian brings new light to the complex and multidimensional issues of this important transitional period of Slavic history and culture.
Through Bulgarian and Ottoman documents, marginalia, travelers' accounts, art, and numerous secondary documents, the seventeenth century--considered by historians, as the nadir of Bulgarian national history--is examined as to the question of the Slavic society's continued existence despite centuries of foreign political, social and spiritual domination by the Ottoman Empire. The first part outlines the consequences for Bulgarian history of the Muslim Ottoman conquest. The second details the nature of the culture and the forms of expression. The third part consists of an overview of documented seventeenth century Bulgarian Orthodox expression.
Through Bulgarian and Ottoman documents, marginalia, travelers' accounts, art, and numerous secondary documents, the seventeenth century--considered by historians, as the nadir of Bulgarian national history--is examined as to the question of the Slavic society's continued existence despite centuries of foreign political, social and spiritual domination by the Ottoman Empire. The first part outlines the consequences for Bulgarian history of the Muslim Ottoman conquest. The second details the nature of the culture and the forms of expression. The third part consists of an overview of documented seventeenth century Bulgarian Orthodox expression.
This volume offers the first comprehensive collection of medieval Bulgarian sources in English translation. It includes literary works, documents, inscriptions on stone and metal, graffiti, as well as coins, seals and medallions, produced during the Middle Ages by and for Bulgarians of all walks of life.
Bulgaria became a member of the European Union in 2007, yet its history is amongst the least well known in the rest of the continent. R. J. Crampton provides here a general introduction to this country at the cross-roads of Christendom and Islam. The text and illustrations trace the rich and dramatic story from pre-history, through the days when Bulgaria was the centre of a powerful medieval empire and the five centuries of Ottoman rule, to the cultural renaissance of the nineteenth century and the political upheavals of the twentieth, upheavals which led Bulgaria into three wars. This updated edition includes the years from 1995 to 2004, a vital period in which Bulgaria endured financial meltdown, set itself seriously on the road to reform, elected its former King as prime minister, and finally secured membership of NATO and admission to the European Union.
This book traces the establishment of a master narrative of the Middle Ages in Bulgaria and its evolution to the present day, including the attempt at a Marxist counter-narrative, thereby offering a critical analysis of Bulgarian historiographical views.
The French president Charles de Gaulle spoke of a Europe “from the Atlantic to the Urals”. Europe was spatially formed with these topographic parameters from the late 10th century onwards, with the massive Christianization of its inhabitants. At that time, however, all three monotheistic religions already had a steady presence there. Could such a macro-space be thought-and-narrated from a macro-perspective, in view of its medieval past? This has already been done through common ʻdenominatorsʻ such as the Migration Period, wars, trade, spread of Christianity. Could it also be seen through a common religious-philosophical and spiritual phenomenon – the Anticipation of the End of the world among Christians, Muslims, and Jews? This book gives a positive answer to the last question.
Bulgaria is a country of extraordinary beauty, with high, wild mountains and gentle valleys, and with picturesque cities and idyllic villages. It’s bordered by Romania, Serbia Macedonia, Greece, Turkey, and the Black Sea. After many years of communist rule, Bulgaria adopted a democratic constitution and began the process of moving toward political democracy and a market economy while combating inflation, unemployment, corruption, and crime. The country joined NATO in 2004 and the EU in 2007. This third edition of Historical Dictionary of Bulgaria covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Bulgaria.
Based on thesis--Harvard University. Includes bibliographical references.
In 1988-89 the three hundredth anniversary of an important historical event, the ascension of William and Mary to the thrones of England and Scotland, was celebrated in the Netherlands, the United Kingdom, and the United States of America. The symposium on Dutch garden art held at Dumbarton Oaks in May 1988 was the only scholarly event during the anniversary year that focused wholly upon gardens. This wide-ranging collection of essays charts the history, scope, and spread of Dutch garden art during the seventeenth century. A group of scholars, mostly Dutch, surveys what has been called the "golden age" of Dutch garden design. Essays discuss the political context of William's building and gardening activities at his palace of Het Loo in the Netherlands; the development of a distinctively Dutch garden art during the seventeenth century; country house poetry; and specific estates and their gardens, such as those of Johan Maurits van Nassau-Siegen at Cleves or Sorgvliet, the estate of Hans Willem Bentinck, later the Earl of Portland. Other contributions concern typical Dutch planting and layouts, with a focus upon Jan van der Green's much-circulated Den Nederlandtsen Hovenier; the designs of Daniel Marot, the Huguenot refugee from France, who worked for William III in both the Netherlands and England; and theattitudes of the English toward Dutch gardening as it was observed in practice and mythologized through the distorting lens of national cooperation and rivalries.