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Examining the period's remarkable stylistic diversity, this is an illustrated guide to the architecture of the reigns of the first four Georges (1714-1830).
The second edition of Steven Ellis's formidable work represents not only a survey, but also a critique of traditional perspectives on the making of modern Ireland. It explores Ireland both as a frontier society divided between English and Gaelic worlds, and also as a problem of government within the wider Tudor state. This edition includes two major new chapters: the first extending the coverage back a generation, to assess the impact on English Ireland of the crisis of lordship that accompanied the Lancastrian collapse in France and England; and the second greatly extending the material on the Gaelic response to Tudor expansion.
This richly illustrated and valuable resource reaches back five centuries to document the evolution and ingenuity of house design in the British Isles. The architecture of Britain's houses displays a dizzying variety of styles and details. Brimming with 600 full-colour photographs, House annotates hundreds of examples from every conceivable angle: from gables and pediments to chimneys and roofs; from bow windows and casements to fanlights and door furniture. Armed with a career's worth of experience and research, Philippa Lewis takes readers up and down the country to feature examples of typically British building, including cottages, manor houses, castles, bungalows, and flats. She also looks at houses built from a wide variety of materials, including stone, glass, wood, brick, and even corrugated iron, in different settings such as rural, suburban, seaside, and urban. Lively texts help identify specific details and place them in their historical context, as well as offering compelling examples of how innovative conversions of structures such as watermills, gatehouses, and churches reflect and sustain their environment. Readers interested in architectural history and design, and anyone looking to understand the nooks and crannies of their own home, will find this unique guide the most eye-opening and comprehensive of its kind. AUTHOR: Philippa Lewis is the author of Everything You Can Do in the Garden without Actually Gardening and co-author of A Dictionary of Ornament. She lives in Somerset, England. 650 colour images REDUCED FROM $70.00
"Everyone should have two copies - one for the car and one for the house to plan journeys. . . a reminder to think more about the places you pass and less about your route, because every British journey is through rich history." (Edward Stourton) From much-loved historian Neil Oliver, comes this beautifully written, kaleidoscopic history of a place with a story like no other. The British Isles, this archipelago of islands, is to Neil Oliver the best place in the world. From north to south, east to west it cradles astonishing beauty. The human story here is a million years old, and counting. But the tolerant, easygoing peace we enjoy has been hard won. We have made and known the best and worst of times. We have been hero and villain and all else in between, and we have learned some lessons. The Story of the British Isles in 100 Places is Neil’s very personal account of what makes these islands so special, told through the places that have witnessed the unfolding of our history. Beginning with footprints made in the sand by humankind’s earliest ancestors, he takes us via Romans and Vikings, the flowering of religion, through civil war, industrial revolution and two world wars. From windswept headlands to battlefields, ancient trees to magnificent cathedrals, each of his destinations is a place where, somehow, the spirit of the past seems to linger.
Hugh Kearney's classic account of the history of the British Isles from pre-Roman times to the present is distinguished by its treatment of English history as part of a wider 'history of four nations'. Not only focusing on England, it attempts to deal with the histories of Wales, Ireland and Scotland in their own terms, whilst recognising that they too have political, religious and cultural divides. This new edition endeavours to recognise and examine contemporary multi-ethnic Britain and its implications for 'four-nations' history, making it an invaluable case study for European nationhood of the past and present. Thoroughly updated throughout to take into account recent social, political and cultural changes within Britain and examine the rise of multi-ethnic Britain, this revised edition also contains a completely new set of illustrations, including sixteen maps.
The complete World War II bomb census maps—unique graphic representations of one of the pivotal events of the century The aerial bombardment of London during the Second World War is one of the most significant events in the city’s modern history. Between 1939 and 1945, London and its environs experienced destruction on a huge and deadly scale, with air raids and rocket attacks reducing entire buildings and streets to rubble. The London County Council Bomb Damage Maps—meticulously hand-colored to document the extent of the damage being wrought on the city and surrounding areas—represent a key record of the destruction wrought by the Blitz, the impact of which can still be seen in the capital’s urban and social landscapes. Featuring new, high-quality reproductions of the 110 maps, this publication marks the first occasion on which these truly remarkable documents have been made available to a general audience. An introduction by Laurence Ward, Principal Archivist at the London Metropolitan Archives, explores the maps in the context of the terrible events that made them necessary. Reproductions of the maps themselves are complemented by a series of photographs of the damage done to the City of London, taken with a sympathetic yet unflinching eye by police constables Arthur Cross and Fred Tibbs; additional archival photographs; and tables of statistics. This landmark publication represents an invaluable graphic representation of one of the most dramatic and affecting episodes in the history of London.
"John Cosin (1595-1672) was a leading cleric in seventeenth-century England who rode the changing tides of preference under James I and Charles I, exile during the Interregnum, becoming Bishop of Durham at the Restoration. Inspired by the architecture of Dr. Caius at his undergraduate college in Cambridge, Cosin was encouraged to value the architecture of the English Church by his patron Richard Neile. Under Bishop Neile, Cosin became a prebend of Durham Cathedral and Rector of Brancepeth in the Bishopric of Durham during the 1620s, as well as Master of Peterhouse and Vice Chancellor at Cambridge University during the 1630s. Cosin spent the years 1643 to 1659 in exile in Paris before returning to become Bishop of Durham in 1660 till his death in 1672. Cosin was actively involved in church architecture, fulfilling the "beauty of holiness" agenda of the English Arminian clergy, from the 1620s through to the 1670s."--
Artforms grew out of a desire to introduce art through an engaging visual experience. It is written and designed to help readers build an informed foundation for individual understanding and enjoyment of art. By introducing art theory, practice, and history in a single volume, this book aims to draw readers nto a new or expanded awareness of the visual arts.