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A collection of rich artifacts from one thousand years of artistic production in what is now Missouri. Art Along the Rivers marks the two-hundredth anniversary of Missouri's statehood. This exhibition catalogue presents extraordinary objects produced or collected within a 150-mile region around St. Louis, including paintings, sculptures, drawings, furniture, ceramics, metals, and textiles. As a celebration of the cultural and artistic traditions of this region, the catalog looks within--and beyond--the years of statehood to reveal how the region's geography, raw materials, and pressing social issues shaped over one thousand years of rich artistic production. Though these objects have rarely been considered in connection with one another, the catalog brings them into dialogue to establish and celebrate their shared artistic history. Art Along the Rivers serves as the first significant publication to introduce this primary artistic material to a global audience.
From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, and Emilio Cruz, to name but a few--created a moment of intense and vibrant cultural life in an abandoned industrial building on Washington Avenue, surrounded by the evisceration that typified that decade's "urban crisis." The 1960s upsurge in political art blurred the lines between political involvement and artistic production, and debates over civil rights, black nationalism, and the role of the arts in political and cultural struggles all found form in BAG. This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines the work of its major artists, and follows its musicians to Paris and on to New York, where they played a dominant role in Lower Manhattan's 1970s "loft jazz" scene. By fusing social concern and artistic innovation, the group significantly reshaped the St. Louis and, by extension, the American arts landscape.
Paintings on Stone examines a fascinating tradition long overlooked by art historians-stone surfaces used to create stunning portraits, mythological scenes, and sacred images. Written by an international team of scholars, the catalogue reveals the significance of these paintings, their complex meanings, and their technical virtuosity. Using a technique perfected by Sebastiano del Piombo (1485-1547), 16th-century Italian artists created compositions using stone surfaces in place of panel or canvas. The practice of using stone supports continued to engage European artists and patrons well into the 18th century. This volume reveals the beauty of these works and examines the complexity of using materials such as slate, marble, alabaster, lapis lazuli, and amethyst. Illustrated with more than one hundred examples with essays on topics ranging from importing stone to its relationship to alchemy, Paintings on Stone will become the essential reference on this little-studied practice.Accompanies a major exhibition at the Saint Louis Art Museum from October 25, 2020 to January 17, 2021
The essential resource from Martha Stewart, with expert advice and lessons on gardening and making the most of your spectacular blooms Martha Stewart's lifelong love of flowers began at a young age, as she dug in and planted alongside her father in their family garden, growing healthy, beautiful blooms, every year. The indispensable lessons she learned then--and those she has since picked up from master gardeners--form the best practices she applies to her voluminous flower gardens today. For the first time, she compiles the wisdom of a lifetime spent gardening into a practical yet inspired book. Learn how and when to plant, nurture, and at the perfect time, cut from your garden. With lush blooms in hand, discover how to build stunning arrangements. Accompanied by beautiful photographs of displays in Martha's home, bursting with ideas, and covering every step from seed to vase, Martha's Flowers is a must-have handbook for flower gardeners and enthusiasts of all skill levels.
With more counties than most other states, Missouri posed a unique challenge for Billyo O'Donnell. Setting out to create an outdoor painting on location - en plein air - for each of Missouri's 114 counties plus the city of St. Louis, this award-winning artist devoted years of travel and logged more than 150,000 miles to capture the many textures of a multifaceted state.

Painting Missouri is an extraordinarily rich collection of scenes and seasons along the highways and byways of the Show-Me State. Turn these pages to find a farmer driving a combine in a Ray County cornfield or the Benedictine convent in Nodaway County or mist rising from snow at sunrise in Prairie State Park. Here are scenes both familiar and intimate: farmhouse and barns, Lover's Leap in Hannibal, and the view of St. Louis from the roof of the Cathedral Basilica. O'Donnell even captured Pierce City before a tornado destroyed the town in 2003 - and painted Canton from a vista that another twister had newly opened.

Karen Glines provides essential historical information about the counties, from interesting facts about their foundings and names to the stories behind their courthouses. Drawing on extensive research in many local historical societies, Glines shares what she learned about the early histories and present concerns of the state's diverse regions, including local anecdotes, Civil War stories, and insights into the roles of Native Americans in regional history. Additional comments by O'Donnell relate some of his experiences while creating the paintings. Paintings and essays combine to create a masterful volume that immerses the reader in the passion that both artist and writer feel for the state's beauty.

"In Missouri," observes O'Donnell, "I have found all that an artist needs, and beyond this, I have found an even deeper connection to place." For all who pick up Painting Missouri, that connection will surely resound.

Artist Marilynne Bradley has spent half a century immortalizing and updating treasures of St. Louis landmarks in the vibrant pigments of watercolor. This collection of local scenes beautifully captured in paint documents the pleasures of the good life in St. Louis: the applause of a good play, the sounds of music, the satisfaction of a gourmet meal, the cheers of a crowd at a sporting event, and the beauty of St. Louis' unique architecture. Writer Jennifer Grotpeter captures the essence of the image in animated memories and offers the reader a connection with the culture of St. Louis.
This book chronicles the evolution of architecture in the St. Louis area between 1948 and 1973, with insightful essays by established architectural scholars on the significant aspects of modern architecture in St. Louis and of the Washington University School of Architecture in the flowering of mid-century American modernism. Archival photographs and drawings illustrate the authors' historical analyses, and statements about the school written by distinguished alumni and faculty, including Fumihiko Maki, a former faculty member, illuminate a rich pocket of little-known American creativity.
Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.