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A lavishly illustrated history and critical appraisal of The Builders Association, an award-winning intermedia performance company, with detailed accounts of its major productions. This book begins with the building of a house, and the building of a company while building the house. It expands to look at the ideas found in various rooms, some of which expanded into virtual space while they still were grounded in the lives of the artists in the house. —from the preface by Marianne Weems The Builders Association, an award-winning intermedia performance company founded in 1994, develops its work in extended collaborations with artists and designers, working through performance, video, architecture, sound, and text to integrate live performance with other media. Its work is not only cross-media but cross-genre—fiction and nonfiction, unorthodox retellings of classic tales and multimedia stagings of contemporary events. This book offers a generously illustrated history and critical appraisal of The Builders Association, written by Shannon Jackson, a leading theater scholar, and Marianne Weems, the founder and artistic director of the company. It also includes critical meditations from such artists and scholars as Elizabeth Diller, Pico Iyer, Saskia Sassen, Kate Valk, and many others. Technological wizardry in the theater has a long history, going back to the deus ex machina of ancient Greek drama. The Builders Association makes its technological dependence visible, putting backstage technologies center stage and presenting architectural assemblies of screens and bodies. Jackson and Weems explore a series of major productions—from MASTER BUILDER (Ibsen by way of Gordon Matta-Clark) to SUPERVISION (an exploration of dataveillance) to HOUSE/DIVIDED (the foreclosure crisis juxtaposed with the Joads of Steinbeck's The Grapes of Wrath). Each work is described through a series of steps, including “R&D,” “Operating Systems,” “Storyboard,” and “Rehearsal/Assembly.” The Builders Association not only traces the evolution of an intermedial aesthetic practice but also tells a story about how a group makes the risky decision to make art in the first place.
The new Part L2B, will require a 25% improvement on the 2006 standards for every new home. An aggregate approach for improvements of new non-domestic buildings will deliver an improvement of 25% overall, rather than for each individual building. This is due to the fact that there is a greater variety amongst non-domestic buildings and some will be much easier than others to make efficient. The changes to Part L will increase the minimum levels of energy efficiency for building fabric and services, so that CO2 targets cannot be achieved through renewables alone. This reflects the principles of reducing overall demand for energy. The measures will also be relevant when people elect to carry out work to existing buildings including extensions and conversions, fabric renovations, replacement windows and boilers. This Approved Document L2B (2010) comes into force October 2010 in support of the Building Regulations 2000. The Approved Documents provide technical guidance on ways of complying with the Building Regulations. They are continuously revised in line with new legislations
A lavishly illustrated history and critical appraisal of The Builders Association, an award-winning intermedia performance company, with detailed accounts of its major productions. This book begins with the building of a house, and the building of a company while building the house. It expands to look at the ideas found in various rooms, some of which expanded into virtual space while they still were grounded in the lives of the artists in the house. —from the preface by Marianne Weems The Builders Association, an award-winning intermedia performance company founded in 1994, develops its work in extended collaborations with artists and designers, working through performance, video, architecture, sound, and text to integrate live performance with other media. Its work is not only cross-media but cross-genre—fiction and nonfiction, unorthodox retellings of classic tales and multimedia stagings of contemporary events. This book offers a generously illustrated history and critical appraisal of The Builders Association, written by Shannon Jackson, a leading theater scholar, and Marianne Weems, the founder and artistic director of the company. It also includes critical meditations from such artists and scholars as Elizabeth Diller, Pico Iyer, Saskia Sassen, Kate Valk, and many others. Technological wizardry in the theater has a long history, going back to the deus ex machina of ancient Greek drama. The Builders Association makes its technological dependence visible, putting backstage technologies center stage and presenting architectural assemblies of screens and bodies. Jackson and Weems explore a series of major productions—from MASTER BUILDER (Ibsen by way of Gordon Matta-Clark) to SUPERVISION (an exploration of dataveillance) to HOUSE/DIVIDED (the foreclosure crisis juxtaposed with the Joads of Steinbeck's The Grapes of Wrath). Each work is described through a series of steps, including “R&D,” “Operating Systems,” “Storyboard,” and “Rehearsal/Assembly.” The Builders Association not only traces the evolution of an intermedial aesthetic practice but also tells a story about how a group makes the risky decision to make art in the first place.
This text mediates between visual and performance studies, incorporating political, aesthetic and social discourses. This book uses case studies and contemporary methodologies to give insight into experimental art-making.
Rosenswig proposes that we understand Early Formative Mesoamerica as an archipelago of complex societies.
This eighth edition of the most popular and trusted guide to the building regulations is the most comprehensive revision yet. It reflects all the latest amendments to Building Regulations, Planning Permission and the Approved Documents A,B,C, H, K, P, Regulation 7 incorporating all amendments up to December 2013 (including the changes to Leaflets L1A and L2A regarding the conservation of heat and energy in new buildings which came into effect April 2014). This new edition also contains details of the new national planning guidance system and initiatives to speed up the planning process such as the new on line planning application process. It contains an updated list of fees for planning consents and provides guidance on the changes to permitted development rights in Agricultural, Business and Residential buildings which came into force on 1 October 2013. Giving practical information throughout on how to work with (and within) the regulations, this book enables compliance in the simplest and most cost-effective manner possible. The no-nonsense approach of Building Regulations in Brief cuts through the confusion and explains the meaning of the regulations; consequently it has become a favourite for anyone involved in the building industry as well as those planning to have work carried out in their home.
History of the North Arkansas Baptist Association: Volume 2 is a chronicling of mission history of the churches and their members, reaching out from their own Jerusalem, located in four counties in northwest Arkansas, to the uttermost part of the world. It follows churches and individuals as they go on mission to meet physical and spiritual needs unmet by a world that is blind to their cries. It contains the life history of fifty-six-plus congregations as they grow in number and spirit, reaching their individuals with the claims of discipleship under Jesus Christ. Pastors, too, are highlighted in the histories of their pilgrimages in the faith. The history is a must-read for every believer, both to give encouragement regarding the past mission advance and to challenge would-be missionaries and the churches that support them.
A companion to American Theatre Ensembles Volume 1, this volume charts the development and achievements of theatre companies working after 1995, bringing together the diffuse generation of ensembles working within a context of media saturation and epistemological and social fragmentation. Ensembles examined include Rude Mechs, The Builders Association, Pig Iron, Radiohole, The Civilians and 600 Highwaymen. Introductory chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. Contributors examine matters such as influence, funding, production and legacies, as well as the forms of collective devising and creation, while presenting close readings of the companies' most prominent works. The volume features detailed case studies of the 6 companies from the period and cover: * A history of development and methods * Key productions and projects * Critical reception * A chronology of significant productions US ensemble companies since 1995 have revolutionized the form and content of contemporary performance, influencing experimental as well as mainstream practice. This volume provides the first encompassing study of this vital development in contemporary American theatre by mapping its evolution and key developments.
Building pathology provides an interdisciplinary approach to the study of defects and performance in order to develop appropriate remedial and management solutions. It considers how the structure and materials of a building relate to its environment, its occupants and the way the building is used, so as to develop a better understanding of building failures. This book provides a well illustrated introduction to the discipline of building pathology, bridging the gap between current approaches to the surveying of buildings and the detailed study of defect diagnosis, prognosis and remediation. It features a number of case studies and a detailed set of references and further reading. This second edition has been updated to reflect changes in legislation, guidance and construction, and provides new case studies that demonstrate the breadth and depth of the subject.