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In the Buddhist religion, the Dharma concept of the Buddha is not confined to men, but is taught to all kinds of beings, including ghosts and animals. According to a legend Avalokitesvara, the Bodhisattva of mercy, had taken among the birds the form of a cuckoo- an animal which recommends itself to the Buddhist mind by its attitude to family life. The present book constitutes an English translation of the Tibetan original. In his introduction, Dr. Conze not only sketches the background of the story, but gives extracts from another tibetan Work, originating from the Kagyudpa school of Milarepa, which describes the spiritual antecedents of the cuckoo. The book in spite of its deep content makes a plesent and easy reading. As a work of popular interest, it should be welcomed by scholars as well as by general readers interest in Buddhist literature.
A uniquely playful and incisive collection of Zen teaching stories from a beloved American master. A Modern Classic. In the tradition of the great koan collections and the records of ancient masters, Robert Aitken distills a lifetime of teaching down to its essence. Intriguing and deceptively simple, Zen Master Raven is a brilliant encapsulation of Zen in over a hundred koan-like encounters alongside many charming illustrations. Featuring curious beginners like Mallard and Mole and profound teachers like Brown Bear, Moose Roshi, and Zen Master Raven himself, this classic of contemporary Zen and will inspire seekers for generations to come.
A balanced selection from Buddhist writings, including scriptures used by the Zen School, with chapters on the Buddha, Tibetan Buddhism, Concentration and Meditation, the Buddhist Order, and Nirvana. With sources, glossary and index.
In historical terms, religions do not exist apart from the people who practise them. This is the first collection of biographical studies of figures from religions around the globe and from traditions both ancient and modern. It represents the work of an enormous international team of scholars, and although many entries involve original research, this substantial work of reference is intended to be of use to both the specialist and the general reader. Particular care has been taken to ensure a balance between religions and to include figures from the diverse branches of the different religions. Indexes and an extensive bibliography make it an invaluable working tool.
This is the first volume of a projected three-volume work on the little known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual and dramatic forms. It focuses on the Draupadi cult's own double mythology, moving from its storieis about Draupadi's 'primal temple' near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahabharata war on the North Indian plain of Kuruksetra. Throughout, Hiltebeitel intertwines 'regional' data, gathered from both oral and written sources, with the 'epic', drawn from the cult's own performative traditions as well as from classical versions of the Mahabharata in both Tamil and Sanskrit. He re-examines many issues critical to Indological studies and takes up them while breaking new ground in investigating the further rapport between the Hindu goddess and the Indian epic. Future volumes will treat the rituals of the Draupadi cult and the Mahabharata as seen through a Draupadi cult retrospective.