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Stories about brothers were central to Romans' public and poetic myth making, to their experience of family life, and to their ideas about intimacy among men. Through the analysis of literary and legal representations of brothers, Cynthia Bannon attempts to re-create the context and contradictions that shaped Roman ideas about brothers. She draws together expressions of brotherly love and rivalry around an idealized notion of fraternity: fraternal pietas--the traditional Roman virtue that combined affection and duty in kinship. Romans believed that the relationship between brothers was especially close since their natural kinship made them nearly alter egos. Because of this special status, the fraternal relationship became a model for Romans of relationships between friends, lovers, and soldiers. The fraternal relationship first took shape at home, where inheritance laws and practices fostered cooperation among brothers in managing family property and caring for relatives. Appeals to fraternal pietas in political rhetoric drew a large audience in the forum, because brothers' devotion symbolized the mos maiorum, the traditional morality that grounded Roman politics and celebrated brothers fighting together on the battlefield. Fraternal pietas and fratricide became powerful metaphors for Romans as they grappled with the experience of recurrent civil war in the late Republic and with the changes brought by empire. Mythological figures like Romulus and Remus epitomized the fraternal symbolism that pervaded Roman society and culture. In The Brothers of Romulus, Bannon combines literary criticism with historical legal analysis for a better understanding of Roman conceptions of brotherhood.
In graphic novel format, relates the story of how twins Romulus and Remus were raised by wolves, took revenge upon their uncle, who had imprisoned their mother, and built Rome.
Stories about brothers were central to Romans' public and poetic myth making, to their experience of family life, and to their ideas about intimacy among men. Through the analysis of literary and legal representations of brothers, Cynthia Bannon attempts to re-create the context and contradictions that shaped Roman ideas about brothers. She draws together expressions of brotherly love and rivalry around an idealized notion of fraternity: fraternal pietas--the traditional Roman virtue that combined affection and duty in kinship. Romans believed that the relationship between brothers was especially close since their natural kinship made them nearly alter egos. Because of this special status, the fraternal relationship became a model for Romans of relationships between friends, lovers, and soldiers. The fraternal relationship first took shape at home, where inheritance laws and practices fostered cooperation among brothers in managing family property and caring for relatives. Appeals to fraternal pietas in political rhetoric drew a large audience in the forum, because brothers' devotion symbolized the mos maiorum, the traditional morality that grounded Roman politics and celebrated brothers fighting together on the battlefield. Fraternal pietas and fratricide became powerful metaphors for Romans as they grappled with the experience of recurrent civil war in the late Republic and with the changes brought by empire. Mythological figures like Romulus and Remus epitomized the fraternal symbolism that pervaded Roman society and culture. In The Brothers of Romulus, Bannon combines literary criticism with historical legal analysis for a better understanding of Roman conceptions of brotherhood.
Lively, entertaining and accessible, these retellings of stories from Roman mythology feature famous gods and goddesses, and familiar Italian locations. Vividly brought to life by Tony Ross's much-loved illustrations, all of these stories are taken from the successful Orchard Book of Roman Myths. Romulus and Remus/Stolen Wives: Famous story of the quarrelsome twin brothers, Romulus and Remus, who are raised by a she-wolf, and grow up to create the city of Rome. And read how Rome became peopled with women in Stolen Wives.
Malalas' purpose in writing his work is twofold: 1) to set out the course of sacred history as interpreted by the Christian chronicle tradition (covered by Books 1-9); and 2) to provide a summary account of events under the Roman emperors up to and including his own lifetime (covered by Books 10-18).
How rhetorical training influenced deeds as well as words in the Roman Empire The assassins of Julius Caesar cried out that they had killed a tyrant, and days later their colleagues in the Senate proposed rewards for this act of tyrannicide. The killers and their supporters spoke as if they were following a well-known script. They were. Their education was chiefly in rhetoric and as boys they would all have heard and given speeches on a ubiquitous set of themes—including one asserting that “he who kills a tyrant shall receive a reward from the city.” In That Tyrant, Persuasion, J. E. Lendon explores how rhetorical education in the Roman world influenced not only the words of literature but also momentous deeds: the killing of Julius Caesar, what civic buildings and monuments were built, what laws were made, and, ultimately, how the empire itself should be run. Presenting a new account of Roman rhetorical education and its surprising practical consequences, That Tyrant, Persuasion shows how rhetoric created a grandiose imaginary world for the Roman ruling elite—and how they struggled to force the real world to conform to it. Without rhetorical education, the Roman world would have been unimaginably different.
"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire of Rome, Anthony Barrett draws on new textual interpretations and the latest archaeological evidence, to tell the story of this pivotal moment in Rome's history and its lasting significance. Barrett argues that the Great Fire, which destroyed much of the city, changed the course of Roman History. The fire led to the collapse of Nero's regime, and his disorderly exit brought an end to Rome's first imperial dynasty, transforming from thereto, the way that emperors were selected. It also led to the first systematic persecution of the Christians, who were blamed for the blaze. Barrett provides the first comprehensive study of this dramatic event, which remains a fascination of the public imagination, and continues to be a persistent theme in the art and literature of popular culture today"--
Most of us are familiar with the idea of a werewolf—that someone can change, either deliberately or unwillingly, into a ravenous creature—but is there some justification for such a belief? And if so, how is it achieved—through magical potions or ointments or simply by the light of the full moon? Or is the whole thing simply a form of delusion, the product of a disturbed mind? In Werewolves, author Dr. Bob Curran examines the deep psychological perceptions about the linkage of man with the natural, bestial world. Do the roots of such a belief lie in the supernatural world, or are there other explanations? How has the discovery of feral children, living in the wild, shaped our ideas of human-beasts? And what is the future of such beliefs? The book considers genetically-based speculations regarding the possible fusion of human and animal genes in order to alleviate some human diseases and suffering. Is the idea of man into beast really so far fetched? Werewolves is an essential reference book which looks, in depth, at a fascinating subject. One word of warning though: it must never be read under the baleful rays of a full moon. You have been warned!
Winner of the 1998 Victorian Premier's Literary Award for Non-Fiction, Romulus, My Father is an iconic and deeply loved book. Romulus Gaita fled his home in his native Yugoslavia at the age of thirteen, and came to Australia with his young wife Christina and their infant son Raimond soon after the end of World War II. Tragic events were to overtake the boy's life, but Raimond Gaita has an extraordinary story to tell about growing up with his father amid the stony paddocks and flowing grasses of country Australia. Written simply and movingly, Romulus, My Father is about how a compassionate and honest man taught his son the meaning of living a decent life. It is about passion, betrayal and madness, about friendship and the joy and dignity of work, about character and fate, affliction and spirituality. No one will read this wonderful book without an enhanced sense of the possibilities of being alive. 'I know of no other book where the love between father and son has been more beautifully expressed.' Robert Manne