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This is the first modern biography of the Brothers Grimm, first published in 1970. It is a study of them in their background of late eighteenth-century and nineteenth-century Germany, and shows the position they held in their society as founders of Germanic philology, as members of the 'Göttingen Seven', and inside the circle of the German Romantics. Jacob and Wilhelm Grimm were pioneers in the recording of authentic traditional stories. Gradual revisions gave these tales the form in which they have come down to us. Even if more recently the custom has been to leave stories as they were told, the astonishing currency of the Grimms' collection is due largely to the brothers' editorial work. The Grimms' lasting fame, as Michaelis-Jena points out, may well rest on the fact that by their insistence on 'genuine and true recording' they turned the amateur antiquarian into the professional folklorist. Ruth Michaelis-Jena has worked for many years on the Brothers Grimm, and has had access to little known material at various libraries and museums in Germany.
In the first comprehensive English-language portrait of Jacob and Wilhelm Grimm as political thinkers and actors, Jakob Norberg reveals how history's two most famous folklorists envisioned the role of literary and linguistic scholars in defining national identity. Convinced of the political relevance of their folk tale collections and grammatical studies, the Brothers Grimm argued that they could help disentangle language groups from one another, redraw the boundaries of states in Europe, and counsel kings and princes on the proper extent and character of their rule. They sought not only to recover and revive a neglected native culture for a contemporary audience, but also to facilitate a more harmonious and enduring relationship between the traditional political elite and an emerging national collective. Through close historical analysis, Norberg reconstructs how the Grimms wished to mediate between sovereigns and peoples, politics and culture. This title is also available as Open Access on Cambridge Core.
Do you think it is possible to not confess your sins if you are about to be burnt at stake? Most probably not, right? Well the girl in our story is so stubborn that you might rethink it. She lived in Heaven and Virgin Mary asked her to go on a trip through the thirteen doors of Heaven where only the last one was not to be opened. Now you would not be surprised if we told you that the girl opened it. What followed after that? Will she confess her wrongs? Is there something or someone who can make her repent. You can read "Our Lady’s Child" to find out. Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 200 fairytales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
Imagine this. You take a bite from the king’s dish which is a white snake. Then suddenly you start understanding the language of animals. And this gets you out of numerous problems. Does it sound believable? Well it should because this is what the servant in our story experienced. However what are those troubles that he found himself in? Could he really understand all animals and how did this help him? If a servant takes a bite from the king’s dish, you would expect punishment to follow. Did it? Or the servant got a reward? If you want to know how and why, you can read "The White Snake". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 200 fairytales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
The famous fairy tales of the Brothers Grimm - stories like Snow White , Red Riding Hood , and Rumplestiltskin - are know to millions of people around the world and are deeply embedded in the collective psyche. In this charming account, writer and scholar Valerie Paradiz reveals the true story of how the fairy tales came to be. Jacob and Wilhelm Grimm, collectors and editors of more than 200 folk stories, were major German intellects of the nineteenth century, contemporaries of Goethe and Schiller. But as Paradiz reveals here, the romantic image of the two brothers traveling the countryside, transcribing tales told to them by peasants, is a far cry from the truth. In fact, more than half the fairy tales the Grimm brothers collected were actually contributed by their educated female friends from the bourgeois and aristocratic classes. While German folkloric scholars-all of them male-fancied themselves the keepers of the cultural flame, it was a handful of women who ensured that millions would know the stories of Sleeping Beauty and Cinderella by heart. Set against the backdrop of the chaotic Napoleonic wars and the years of high German romanticism, Clever Maids chronicles one of the most fascinating literary collaborations in European history and brilliantly captures the intellectual spirit of the men and women of the age. Even more, it illuminates the ways in which the Grimm tales, with their mythic portrayals of courage, sacrifice, and betrayal, still speak so powerfully to us today.
A collection of twenty-two fairy tales by the Nobel Prize-winning novelist, most translated into English for the first time, show the influence of German Romanticism, psychoanalysis, and Eastern religion on his development as an author.
Folklore: The Basics is an engaging guide to the practice and interpretation of folklore. Taking examples from around the world, it explores the role of folklore in expressing fundamental human needs, desires, and anxieties that often are often not revealed through other means. Providing a clear framework for approaching the study of folklore, it introduces the reader to methodologies for identifying, documenting, interpreting and applying key information about folklore and its relevance to modern life. From the Brothers Grimm to Internet Memes, it addresses such topics as: What is folklore? How do we study it? Why does folklore matter? How does folklore relate to elite culture? Is folklore changing in a digital age? With case studies, suggestions for reading and a glossary of key terminology, Folklore: The Basics supports readers in becoming familiar with folkloric traditions and interpret cultural expression. It is an essential read for anyone approaching the study of folklore for the first time.
Riding a rooster and playing magical music on his fiddle, a young man, who ishalf hedgehog, half human, wins the hand of a beautiful princess.
In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.
For Tales of the Brothers Grimm, 36 celebrated and lesser-known of the unsanitized fairy tales collected by the illustrious brothers were carefully chosen by artist Natalie Frank, reinterpreted in 75 gouache and chalk pastel drawings, and cast in a Surrealist dreamscape. This volume, designed by Marian Bantjes, is the largest collection of Grimms' Fairy Tales ever illustrated by a fine artist. Frank's irreverent palette, sophisticated use of color and inventive depiction of these dark narratives capture the original stories with a contemporary and unflinching eye. Each of the tales opens with a hand-drawn title page and is framed by a unique border; small drawings punctuate each story in the tradition of classic fairy-tale editions. The foremost Grimm scholar, Jack Zipes, introduces the book.