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Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.
The first-ever translation of the ancient Egyptian Book of the Dead of Sobekmose—fully illustrated and explained by a leading Egyptologist, offering fascinating insights into one of the greatest civilizations of the ancient world The Book of the Dead of Sobekmose, in the collection of the Brooklyn Museum, is one of the most important surviving examples of ancient Egyptian Books of the Dead. Such “books”—actually papyrus scrolls—were composed of traditional funerary texts, including magic spells, which were thought to assist the deceased on their journeys into the afterlife. The ancient Egyptians believed in an underworld fraught with dangers that needed to be carefully navigated, from the familiar, such as snakes and scorpions, to the extraordinary: lakes of fire to cross, animal-headed demons to pass, and the ritual Weighing of the Heart, whose outcome determined whether or not the deceased would be born again into the afterlife for eternity. Virtually all of the existing published translations of material from the Book of the Dead corpus are compilations of various texts drawn from a number of sources, and many translations are available only in excerpt form. This publication is the first to offer a continuous English translation of a single, extensive, major text from beginning to end in the order in which it was composed. This new translation not only represents a great step forward in the study of these texts but also grants modern readers a direct encounter with what can seem a remote and alien, though no less fascinating, civilization.
Portrait of a Generation features more than 150 of today's most interesting and influential young artists pairing off and exchanging unique portraits of each other. This catalogue, which accompanied the exhibition held at The Hole in New York, illuminates the aesthetic and nature of the current young art scene, rendered by artists themselves in their own styles and hands, to create a juicy and illustrious yearbook, a who's who of the art world at this time. The collection features an astounding array of artists, including Assume Vivid Astro Focus, Donald Baechler, Allison Schulnik, Andre Saravia, Andrew Jeffrey Wright, Aurel Schmidt, Slater Bradley, Jo Bradley, Jim Drain, Fab Five Freddy, Chris Johanson, Barry McGee, Ben Jones, Bijou Altimirano, Dash Snow, Robert Lazzarini, Ryan McGinley, Tim Noble, Yoko Ono, Eddie Martinez, Eric Yahnker, Lola Schnabel, Raymond Pettibon, Matthew Stone, Terence Koh, Kenny Scharf, Sue Webster and others.
TED Prize winner, Oscar nominee, and one of Time's 100 most influential people of 2018, JR is a contemporary art superstar. In 2018, over one thousand New Yorkers posed for the camera and told their stories at JR's mobile photo studio and JR compiled their portraits into an astounding photographic mural—a portrait of the city—for the Brooklyn Museum. This book features both the final mural and every individual photo, as well as a selection of compelling stories and a behind-the-scenes look at how this incredible work was made. • This art piece captures the essence of an iconic city in words and images • Includes a removable poster that showcases the entire mural • Features a foreword by Darren Walker and an artist's statement • Beautiful on the coffee table or in a photo book collection Fans of Humans of New York, Jason Polan's Every Person in New York, and Banksy's Wall and Piece will love this book. This book is perfect for: • Fans of the artist JR • Anyone who loves New York City • Photographers, both established and aspiring • Lovers of contemporary art, black and white photography, and site-specific art projects
Winner of the 2018 Dedalus Foundation Exhibition Catalogue Award This book explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe "never allowed her life to be one thing and her painting another." This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanies the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic. This book accompanies the show at the Peabody-Essex Museum, Georgia O’Keeffe: Art, Image, Style.
This journey in photos and essays takes us beyond the boundaries of the Americas that traditionally define national identity.
New Perspectives is the companion volume to the acclaimed Sourcebook, both of which accompany the Brooklyn Museum's exhibition We Wanted a Revolution: Black Radical Women, 1965-1985. New Perspectives includes new essays that place the exhibition's works in historical and contemporary contexts, poems by Alice Walker, and numerous illustrations.
Essays by Jeff Fleming, Takashi Murakami and Susan Lubowsky Talbott. Foreword by Judith Richards,