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This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
This is the fourth in the comprehensive and authoritative series, Germany and the Second World War. It deals with the attack on the Soviet Union, the turning-point of the war. The detailed analysis is underpinned by an extensive apparatus of maps, diagrams, and tables.
The book “Similar but Different. Bell Beakers in Europe” deals with a cultural phenomenon, known as the Bell Beaker culture, that during the 3rd millennium B.C. was present throughout Western and Central Europe. This development played an important role in the formation of the Bronze Age at the turn of the 3rd and the 2nd millennium BC. This book consists of 10 chapters – in each a specific issue is discussed connected with Bell Beakers. The chapters are divided into three parts concerning consecutively: general problems, issues of the so-called common ware and the character of the Bell Beakers in particular places in Europe. The reader can become acquainted with interpretations of the whole phenomenon, based on inter-regional similarities – the works of H. Case, M. Vander Linden, L. Salanova, and R. Furestier. The second part consist of the chapters by Ch. Strahm, M. Besse and V. Leonini that focus on the matter of the so-called common ware: some ceramic vessels, which are not part of the ‘beaker set’, but accompany it in many regions. That is one of the Bell Beakers’ analytical problems, which is still argued about. The three last chapters show the specific features of some regional centers, where Bell Beakers developed, the attention was focused on the Bell Beakers’ localities’. These are the works of A Gibson (Britain), O. Lemercier (Mediterranean France) and L. Sarti (central Italy). The book shows the basic features of the Bell Beaker culture in Europe. These however are still a challenge for researchers, because the phenomenon had two faces. On the one hand it is characterized by a set of material culture which is occurring in many places Western and Central Europe. On the other hand, in specific areas, these features were relatively easily influenced by the local environment, they got some sort of regional particularities. That is the essence of the Bell Beakers, hence the title of this book: ‘similar but different’. This book is a reprint, the first edition was published in 2004 by the Adam Mickiewicz University, Poznań.
Imagine you play a musical instrument so rare no one knows it exists... Inspiration comes through people, not from people. It comes from another place and does not belong to you. It is meant to be shared with everyone. The Bell Man is the autobiography of Frank DellaPenna, the creator of one of the most unique musical acts ever witnessed: Cast in Bronze - combining the magical sound of a rarely seen medieval instrument of bells called a carillon with other instruments for the first time in history. He reveals secrets of his past, and walks you through his life's journey that ultimately led him to his destiny. This book will inspire anyone who has a dream...
All across the humanities fields there is a new interest in materials and materiality. This is the first book to capture and study the “material turn” in the humanities from all its varied perspectives. Cultural Histories of the Material World brings together top scholars from all these different fields—from Art History, Anthropology, Archaeology, Classics, Folklore, History, History of Science, Literature, Philosophy—to offer their vision of what cultural history of the material world looks like and attempt to show how attention to materiality can contribute to a more precise historical understanding of specific times, places, ways, and means. The result is a spectacular kaleidoscope of future possibilities and new perspectives.
Traces the use and symbolism of bells through the ages from the bronze bells of Babylon to modern electric doorbells.