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Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
A study of the history of filth, disease, purity and cleanliness in one of Europe's oldest and most influential cities.
In this book, an international team of experts draws upon a rich range of Latin and Greek texts to explore the roles played by individuals at ports in activities and institutions that were central to the maritime commerce of the Roman Mediterranean. In particular, they focus upon some of the interpretative issues that arise in dealing with this kind of epigraphic evidence, the archaeological contexts of the texts, social institutions and social groups in ports, legal issues relating to harbours, case studies relating to specific ports, and mercantile connections and shippers. While much attention is inevitably focused upon the richer epigraphic collections of Ostia and Ephesos, the papers draw upon inscriptions from a very wide range of ports across the Mediterranean. The volume will be invaluable for all scholars and students of Roman history.
A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.
In Western Ways, for the first time, the "foreign schools" in Rome and Athens, institutions dealing primarily with classical archaeology and art history, are discussed in historical terms as vehicles and figureheads of national scholarship. By emphasising the agency and role of individuals in relation to structures and tradition, the book shows how much may be gained by examining science and politics as two sides of the same coin. It sheds light on the scholarly organisation of foreign schools, and through them, on the organisation of classical archaeology and classical studies around the Mediterranean. With its breadth and depth of archival resources, Western Ways offers new perspectives on funding, national prestige and international collaboration in the world of scholarship, and places the foreign schools in a framework of nineteenth and twentieth century Italian and Greek history.
The first inter-disciplinary study to examine the construction and development of the world's first cathedral from its origins to 1600.
In AD 42, the Emperor Claudius initiated work on the construction of a new artificial harbour a short distance to the north of the mouth of the Tiber. The harbour facilities were enlarged at the instigation of the Emperor Trajan at the beginning of the second century AD, and Portus remained the principal port for the City of Rome into the Byzantine period. The surviving archaeological remains and comments by ancient sources make it clear that Portus lay at the heart of Rome's maritime façade. As well as being a key Mediterranean centre for passengers and for the loading, unloading, transshipment and storage of products from across the Empire, it was also designed to make an ideological statement about the supremacy of Rome in the world. Portus is, thus, of key importance to understanding Rome and her relationship to the Empire. The project that forms the subject of this book was designed to use non-destructive techniques of topographic and geophysical survey in combination with systematic surface collection to provide a new understanding of the plan of Portus. The work was undertaken between 1997 and 2002 as a collaboration between the Soprintendenza per i Beni Archeologici di Ostia, the British School at Rome, and the Universities of Southampton, Durham and Cambridge. This volume presents the full results of the survey and uses them as the basis for a re-evaluation of the whole port complex. The geophysical survey results are interpreted in the context of earlier work at the site in order to offer new perspectives on the character and development of the site.
Based on the author's thesis submitted to the University of Cambridge in 1964 with the title: Late Roman pottery in the Mediterranean.
The British School of Sculpture, c. 1760-1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.