Download Free The British Raj Novels Book in PDF and EPUB Free Download. You can read online The British Raj Novels and write the review.

The popular image of the British Raj-an era of efficient but officious governors, sycophantic local functionaries, doting amahs, blisteringly hot days and torrid nights-chronicled by Forster and Kipling is a glamorous, nostalgic, but entirely fictitious. In this dramatic revisionist history, Jon Wilson upends the carefully sanitized image of unity, order, and success to reveal an empire rooted far more in violence than in virtue, far more in chaos than in control. Through the lives of administrators, soldiers, and subjects-both British and Indian-The Chaos of Empire traces Britain's imperial rule from the East India Company's first transactions in the 1600s to Indian Independence in 1947. The Raj was the most public demonstration of a state's ability to project power far from home, and its perceived success was used to justify interventions around the world in the years that followed. But the Raj's institutions-from law courts to railway lines-were designed to protect British power without benefiting the people they ruled. This self-serving and careless governance resulted in an impoverished people and a stifled society, not a glorious Indian empire. Jon Wilson's new portrait of a much-mythologized era finally and convincingly proves that the story of benign British triumph was a carefully concocted fiction, here thoroughly and totally debunked.
An immersive portrait of the lives of the British in India, from the seventeenth century to Independence Who of the British went to India, and why? We know about Kipling and Forster, Orwell and Scott, but what of the youthful forestry official, the enterprising boxwallah, the fervid missionary? What motivated them to travel halfway around the globe, what lives did they lead when they got there, and what did they think about it all? Full of spirited, illuminating anecdotes drawn from long-forgotten memoirs, correspondence, and government documents, The British in India weaves a rich tapestry of the everyday experiences of the Britons who found themselves in “the jewel in the crown” of the British Empire. David Gilmour captures the substance and texture of their work, home, and social lives, and illustrates how these transformed across the several centuries of British presence and rule in the subcontinent, from the East India Company’s first trading station in 1615 to the twilight of the Raj and Partition and Independence in 1947. He takes us through remote hill stations, bustling coastal ports, opulent palaces, regimented cantonments, and dense jungles, revealing the country as seen through British eyes, and wittily reveling in all the particular concerns and contradictions that were a consequence of that limited perspective. The British in India is a breathtaking accomplishment, a vivid and balanced history written with brio, elegance, and erudition.
From the critically acclaimed author of "The Rise and Fall of the British Empire" comes an unapologetic revisionist history of British rule in India. James recounts the twists and turns of imperialism and independence with a wealth of new material. 8-page photo insert.
Inglorious Empire' tells the real story of the British in India from the arrival of the East India Company to the end of the Raj, revealing how Britain's rise was built upon its plunder of India. In the eighteenth century, India's share of the world economy was as large as Europe's. By 1947, after two centuries of British rule, it had decreased six-fold. Beyond conquest and deception, the Empire blew rebels from cannon, massacred unarmed protesters, entrenched institutionalised racism, and caused millions to die from starvation. British imperialism justified itself as enlightened despotism for the benefit of the governed, but Shashi Tharoor takes on and demolishes this position, demonstrating how every supposed imperial "gift" - from the railways to the rule of law -was designed in Britain's interests alone. He goes on to show how Britain's Industrial Revolution was founded on India's deindustrialisation, and the destruction of its textile industry.
A SUNDAY TIMES, THE TIMES, SPECTATOR, NEW STATESMAN, TLS BOOK OF THE YEAR The British in this book lived in India from shortly after the reign of Elizabeth I until well into the reign of Elizabeth II. Who were they? What drove these men and women to risk their lives on long voyages down the Atlantic and across the Indian Ocean or later via the Suez Canal? And when they got to India, what did they do and how did they live? This book explores the lives of the many different sorts of Briton who went to India: viceroys and offcials, soldiers and missionaries, planters and foresters, merchants, engineers, teachers and doctors. It evokes the three and a half centuries of their ambitions and experiences, together with the lives of their families, recording the diversity of their work and their leisure, and the complexity of their relationships with the peoples of India. It also describes the lives of many who did not fit in with the usual image of the Raj: the tramps and rascals, the men who 'went native', the women who scorned the role of the traditional memsahib. David Gilmour has spent decades researching in archives, studying the papers of many people who have never been written about before, to create a magnificent tapestry of British life in India. It is exceptional work of scholarly recovery portrays individuals with understanding and humour, and makes an original and engaging contribution to a long and important period of British and Indian history.
This book is about a brief resum of the major critical responses received by Scott and proves the fact that he still needs a wider critical attention to have a deeper insight of his novels. At the moment, his Raj quartet is the only work that has received extensive critical attention. The generally accepted verdict that the Raj quartet is Scotts greatest achievement is confirmed by the fact that it has aroused considerable interest among critics since its publication. Its position of acknowledged greatness, therefore, certainly demands a reference to various critical responses to it. John Mellors, for instance, considers it important because by evoking the final episode in the long and passionate affaire between British and India, it contains something of all the issues Scott wants to raise: justice, responsibility, political expediency, law and order, sex and race, pride and prejudice, love and loyalty.
Combining insights from imperial studies and transnational book history, this provocative collection opens new vistas on both fields through ten accessible essays, each devoted to a single book. Contributors revisit well-known works associated with the British empire, including Charlotte Brontë's Jane Eyre, Thomas Macaulay's History of England, Charles Pearson's National Life and Character, and Robert Baden-Powell's Scouting for Boys. They explore anticolonial texts in which authors such as C. L. R. James and Mohandas K. Gandhi chipped away at the foundations of imperial authority, and they introduce books that may be less familiar to students of empire. Taken together, the essays reveal the dynamics of what the editors call an "imperial commons," a lively, empire-wide print culture. They show that neither empire nor book were stable, self-evident constructs. Each helped to legitimize the other. Contributors. Tony Ballantyne, Elleke Boehmer, Catherine Hall, Isabel Hofmeyr, Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha, Tridip Suhrud, André du Toit
A Companion to the British and Irish Novel 1945-2000 serves as an extended introduction and reference guide to the British and Irish novel between the close of World War II and the turn of the millennium. Covers a wide range of authors from Samuel Beckett to Salman Rushdie Provides readings of key novels, including Graham Greene’s ‘Heart of the Matter’, Jean Rhys’s ‘Wide Sargasso Sea’ and Kazuo Ishiguro’s ‘The Remains of the Day’ Considers particular subgenres, such as the feminist novel and the postcolonial novel Discusses overarching cultural, political and literary trends, such as screen adaptations and the literary prize phenomenon Gives readers a sense of the richness and diversity of the novel during this period and of the vitality with which it continues to be discussed
Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the conversion of the eighteenth-century imperial speaker into the nineteenth-century “romance” hero through a number of proto-novelistic responses to the problem of Imperial history, including Edmund Burke in the Annual Register and the celebrated court case of James Annesley, among others. The author argues that popular Romantic novels such as Scott’s Waverley and Cooper’s The Pioneers convert the problem of narrating the political geographies of eighteenth-century Empire into a discourse of history, placing the historical realities of negotiating Imperial authority at the heart of a nineteenth-century project that fictionalized the possibilities and limits of political historical agency in the modern nation state.
Mulk Raj Anand, The Doyen Of Indian English Fiction, Whose Writing Career Spanned Nearly Four Decades, Has Carved Out A Permanent Niche In The Literary World. Anand S Writings Are Marked By His Fine Perception Of The Indian Ethos, The Sinister Forces That Operate In The Indian Society, His Humanitarian Outlook And Profound Sympathy For The Down-Trodden And The Underprivileged. His Novels Are Thus Faithful Transcripts Of And Serious Comments On The Contemporary Social Reality.The Twelve Insightful Essays That Constitute This Volume Not Only Shed New Light On The Old Classics Like Untouchable, Coolie, Two Leaves And A Bud, And The Old Woman And The Cow, But Also Deals With Issues Like Despair And Delight In The Novels Of Mulk Raj Anand, The Identity Crisis, Anand S Creative Exploitation Of The Linguistic Resources Of The English Language, His Narrative Technique, His Humanism, His Treatment Of Individuals As Social Constructs, The Symbiotic Relationship Between Art And Culture Studies, And Other Unexplored Facets Of Anand'S Writings. The Detailed Bibliography At The End Serves As A Useful Research Tool For The Scholars Studying Anand.The Students Of Indian English Literature Would Find This Book Immensely Useful, And Also Those Who Keep Interest In The Writings Of Anand Would Find The Essays Quite Thought-Provoking And Illuminating.