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This volume covers one of the most interesting period's of Dickens's life - his involvement with the young actress Ellen Ternan, separation from his wife, and his new `career' of public readings of his novels.
This final volume presents 1,151 letters, many previously unpublished or published only in part, for the years 1868 to Dickens's death from a stroke on 9 June 1870; also included is an Addenda of 235 letters belonging to earlier volumes, discovered since the publication of the first such collection in Volume 7, and a Cumulative Index of Correspondents for the entire edition. The volume begins with the final four months of Dickens's American tour of 75 readings, which had been conspicuously successful throughout, despite the appalling weather and his sufferings from "American" catarrh. The tour culminated on 18 April 1868 when the American Press held a dinner in his honour in New York. In July he rented Windsor Lodge, Peckham for Ellen Ternan, where she remained until after his death; he was to give two more English reading tours before his collapse at Preston on 22 April 1869. In early January 1869 he was elected President of the Birmingham and Midland Institute; and a dinner in his honour was given in St George's Hall, Liverpool. Between January and March 1870 he gave a series of Farewell readings in London, and on 31 March Edwin Drood, No. 1 was published, illustrated by Luke Fildes; it continued monthly until 31 August. Of the friends who died during this period, much the closest were the painter Daniel Maclise, to whom Dickens paid especial tribute at the Royal Academy Banquet of 30 April 1870; Mark Lemon, who died only 18 days before Dickens himself, and with whom he had a brief reconciliation after their bitter quarrel in 1858; and Chauncy Hare Townshend, who left him £2,000 to publish, as his Literary Executor, Religious Opinions of the Late Chauncy Hare Townshend, which appeared in November 1870.
As floods and fires rage across the planet, ever more people are embracing nonviolent action to achieve political change. Can it work? Doctor and aid worker Lynne Jones offers a compelling, ground-level account of the last five years of UK protests, exploring how and why ordinary citizens have adopted extraordinary methods to confront the climate and nature crises. Sharing her 1980s experiences opposing nuclear weapons at Greenham Common, and her journey in movements like Extinction Rebellion today, Jones reflects on public history and her personal story to unpack nonviolent protest in a world on the brink. Can we learn from past movements? How to communicate with those who disagree? What kind of disruption is most effective in Western democracies? Is property damage nonviolent? Is the law just? How important are direct interventions, boycotts and non-cooperation? What can indigenous campaigners of the Global South teach us? A lifetime of activism has taught Jones that we all have more power than we realise. It’s time to use that power—before it’s too late.
The potential of storytelling as a research tool for enhancing the understanding of knowledge creation, acquisition and conversion into innovation and innovative business activities is the methodological underpinning of this book's narrative approach. The subtitle comes from Lynceus, one of the Argonauts who accompanied Jason to Colchis in his quest to find the Golden Fleece, who was said to have excellent sight. Among the various interpretations of the meaning of the Fleece, one version highlights the importance of discovery to innovation by voyaging to 'terrae incognitae' (unknown lands). This book is a narrative of a fictional voyage to the 'terra incognita' of Innoland the island of innovation and other mental travels that make sense of events and actions which spur innovation. Stories of Innovation for the Millennial Generation is written for Millennials willing to assimilate and grow dynamic, innovation-driven capabilities which lead to the creation of high-impact startups.
Palgrave Advances in Charles Dickens Studies is a comprehensive and authoritative guide to the study of one of the most important Victorian novelists. Its editors, Robert L. Patten and John Bowen, are leading authorities on Dickens and the international team of contributors they have assembled contains some of the most exciting critics of nineteenth-century fiction writing today. The book covers the whole range of Dickens's writing and criticism about it, including biographical, theoretical and historical approaches. It is based on up-to-the-minute research and written in a lively and engaging way, and will be essential reading for all students and scholars of this canonical writer.
Frank investigates an intertextual exchange between nineteenth-century historical disciplines (philology, cosmology, geology archaeology and evolutionary biology) and the detective fictions of Poe, Dickens, and Doyle. In responding to the writings of figures like Lyell, Darwin and E.B. Taylor, detective fiction initiated a transition from scriptural literalism and a prevailing Natural Theology to a naturalistic, secular worldview. In the process, detective fiction sceptically examined both the evidence such disciplines used and their narrative rendering of the world.
The author explores working class poets and hundreds of self-styled writers as well as the newspapers and magazines which made Dundee such an important cultural center. These volumes are intended to be a concise reference work, a guide to the numerous writers, poets and playwrights who have contributed to Dundee's imaginative view of itself. It is intended as a useful affirmation of the city's voyage of discovery into the new millennium.
The Routledge Handbook of Victorian Scandals in Literature and Culture exposes, explores, and examines what Victorians once considered flagrant breaches of decorum. Infringements that were fantasized through artforms or were actually committed exceeded entertaining parlor gossip; once in print they were condemned as socially contaminative but were also consumed as delightfully sensational. Written by scholars in diverse disciplines, this volume: Demonstrates that spreading scandals seemed to have been one of the most entertaining sources of activities but were also normative efforts made by the Victorians to ensure conformity of decorum. Provides a broad spectrum of infractions that were considered scandalous to the Victorians. Identifies Victorian transgressions that made the news and that may still shock modern readers. Covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. This handbook is an invaluable resource about Victorian literature, art, and culture which challenges its readers to ponder perplexing questions about how and why some scandals were perpetrated and propagated in the nineteenth century while others were not, and what the controversies reveal about the human condition that persists beyond Victoria’s reign of propriety.