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This final volume presents 1,151 letters, many previously unpublished or published only in part, for the years 1868 to Dickens's death from a stroke on 9 June 1870; also included is an Addenda of 235 letters belonging to earlier volumes, discovered since the publication of the first such collection in Volume 7, and a Cumulative Index of Correspondents for the entire edition. The volume begins with the final four months of Dickens's American tour of 75 readings, which had been conspicuously successful throughout, despite the appalling weather and his sufferings from "American" catarrh. The tour culminated on 18 April 1868 when the American Press held a dinner in his honour in New York. In July he rented Windsor Lodge, Peckham for Ellen Ternan, where she remained until after his death; he was to give two more English reading tours before his collapse at Preston on 22 April 1869. In early January 1869 he was elected President of the Birmingham and Midland Institute; and a dinner in his honour was given in St George's Hall, Liverpool. Between January and March 1870 he gave a series of Farewell readings in London, and on 31 March Edwin Drood, No. 1 was published, illustrated by Luke Fildes; it continued monthly until 31 August. Of the friends who died during this period, much the closest were the painter Daniel Maclise, to whom Dickens paid especial tribute at the Royal Academy Banquet of 30 April 1870; Mark Lemon, who died only 18 days before Dickens himself, and with whom he had a brief reconciliation after their bitter quarrel in 1858; and Chauncy Hare Townshend, who left him £2,000 to publish, as his Literary Executor, Religious Opinions of the Late Chauncy Hare Townshend, which appeared in November 1870.
This volume presents 918 letters, 435 previously unpublished. Our Mutual Friend, Dickens's main work in this period, comes out monthly from 30 April 1864 to 31 October 1865. The three highly successful All the Year Round Christmas numbers, "Somebody's Luggage", "Mrs. Lirriper's Lodgings" and "Mrs. Lirriper's Legacy", take up much of his energies. Public readings continue, though less frequently; and Gad's Hill, where he entertains many of his friends, plays an increasingly major part in his life. But there is no other period in which he visits France so often, generally alone. The deliberately mystifying language he uses about these visits suggests he was seeing Ellen Ternan there, but there is no evidence to prove it.
This superb collection of classic Victorian literature features the most notable works of Charles Dickens, including Oliver Twist (1839), A Christmas Carol (1843), A Tale of Two Cities (1859), and Great Expectations (1861). Considered the greatest novelist of the Victorian era, Dickens was especially known for his unusual characters, incisive social commentary, and carefully constructed plots. Over the last two centuries, his popular fiction has continued to inspire adaptations in nearly artistic genre, and now it is available--complete and unabridged--in this gorgeous edition. The stylish edition also features a historical timeline and comprehensive introduction, enlightening the reader on the author’s life and works. The Knickerbocker Classics bring together the essential works of classic authors from around the world in stunning editions to be collected and enjoyed.
Criminals as Animals from Shakespeare to Lombroso demonstrates how animal metaphors have been used to denigrate persons identified as criminal in literature, law, and science. Its three-part history traces the popularization of the 'criminal beast' metaphor in late sixteenth-century England, the troubling of the trope during the long eighteenth century, and the late nineteenth-century discovery of criminal atavism. With chapters on rogue pamphlets, Shakespeare, Webster, Jonson, Defoe and Swift, Godwin, Dickens, and Lombroso, the book illustrates how ideologically inscribed metaphors foster transfers between law, penal practices, and literature. Criminals as Animals concludes that criminal-animal metaphors continue to negatively influence the treatment of prisoners, suspected terrorists, and the poor even today.
We intend this Collection of Letters to be a Supplement to the "Life of Charles Dickens," by John Forster. That work, perfect and exhaustive as a biography, is only incomplete as regards correspondence; the scheme of the book having made it impossible to include in its space any letters, or hardly any, besides those addressed to Mr. Forster.