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Discusses the scientific and philosophical theories and ideas that have been turning points in modern civilization, highlighting the key figures and cultural perspectives behind each concept.
Describes the origins, development, and impact of inventions in communications, transportation, energy, engineering, medicine, warfare, measurement, agriculture, and industry from cuneiform to fullerenes.
There was a time when every voyage contained an element of the unknown. Today, however, the world spreads out before us carefully mapped and plotted. One must credit explorers with this transformation. Readers will devour these tales of explorers who have pushed geographic and personal boundaries, leaving virtually no corner of the globe off limits.
Discusses the most influential political and social movements and their roles in the history of modern world politics, including liberalism, conservatism, facism, and religious fundamentalism.
By their very nature, inventions change the status quo. The innovations highlighted in this book have done so in a most dramatic, memorable, or effective fashion. Through engaging narrative and accompanying images, this volume gives readers a deeper appreciation for the inventions that have made their lives easier, more aesthetically pleasing, or otherwise better.
During the fifteenth century, the Scientific Revolution signaled a major shift in the way people viewed the natural world. Today, Ren� Descartes is perhaps best known as the father of modern Western philosophy, but he also played an important role in the development of a rational approach toward scientific questions. He was a gifted mathematician and his examinations of the natural world led him to develop theories about light, the formation of the universe, and how the human mind works. This biography shows how Descartes�s rational method inspired his own discoveries and continues to resonate today.
When the Nazis came to power in January 1933, they began a program of transforming Germany from a democracy into a totalitarian state, but it was not a matter of simply enforcing compliance. The people had to be coaxed into believing in the new regime. Hearts and minds had to be won over and one of the ways the Nazis did that was to create an ideal of German nationhood in which everyone could feel proud. This was especially the case with art, which came to be used as a powerful tool of propaganda both to disseminate the myth amongst the population and indicate to the Nazi administrators the sort of cultural environment they should create. It was not an easy thing to do. While the nation was being re-created as a dynamic, modern, and powerful industrial giant, all the signals coming from Hitler indicated that his own idyllic view of the German nation was of a traditional, rural people deep-rooted in a romantic-mystical aesthetic. Hitler’s own experience as an artist in Vienna before the First World War had shown that, while technically proficient, his work was detached and impersonal. Despite being rejected by the Vienna Academy of Fine Arts he continued to see himself as artistically gifted, especially in the field of architecture. This book looks at how the artistic side of Hitler’s personality dominated Nazi aesthetics and the ways in which the Third Reich manipulated public opinion and advanced its political agenda using the power of art. Despite his early setbacks, Hitler always thought of himself first and foremost an artist. He would frequently break off discussions with diplomats and soldiers to veer off on a lecture about his ideas on art and architecture which had been formed during his time in Vienna. Nazi Propaganda Through Art and Architecture explores how Hitler’s artistic and architectural vision for Germany led to the monumental structures which we now associate with the Third Reich, alongside the rural idyl he sought to espouse, and how they came to symbolise the re-emergent power of a German nation which would dominate Europe.
This book constitutes the refereed proceedings of the 25th International Computer Symposium on New Trends in Computer Technologies and Applications, ICS 2022, which took place in Taoyuan, Taiwan, in December 2022. ICS is one of the largest joint international IT symposia held in Taiwan. Founded in 1973, it is intended to provide a forum for researchers, educators, and professionals to exchange their discoveries and practices, and to explore future trends and applications in computer technologies. The biannual symposium offers a great opportunity to share research experiences and to discuss potential new trends in the IT industry. The 58 full papers and one invited paper presented in this volume were carefully reviewed and selected from 137 submissions. The papers have been organized in the following topical sections: Invited Paper; Algorithms, Bioinformatics, and Computation Theory; Cloud Computing and Big Data; Computer Vision and Image Processing; Cryptography and Information Security; Electronics and Information Technology; Mobile Computation and Wireless Communication; Ubiquitous Cybersecurity and Forensics.
This book is an effort to foster the entrepreneurial spirit in young minds. It reviews a wide range of product ideas, opportunities and challenges associated with start-ups. In addition, it discusses popular molecular targets for biotechnology research / the biotech industry such as attenuated microbes, gene sequences, biomarkers, and the latest advance in the sector, CRISPR. These molecular targets can be modified for the production of sufficient quantities of food and fuel. Very often, researchers limit their focus to the proof of concept, and fail to successfully convert it into a finished product. To help young entrepreneurs avoid this pitfall, the book addresses various aspects like intellectual property regulations, commerce and management. The book’s contributing authors hail from various specialized sectors, and from around the globe. Taken together, the respective chapters are intended to overcome the borders between disciplines that otherwise rarely interact.
This book explores the expressionist elements found in four plays by Mahesh Elkunchwar - The Old Stone Mansion, Pond, Apocalypse and An Actor's Exits. It examines how Elkunchwar used Expressionism to depict the Indian psyche in the context of Western dramatic influences. It also highlights how Indian playwrights, like Elkunchwar, were inspired by European expressionism, contributing to the evolution of postmodern Indian drama.