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Much has been written on Sir Francis Walsingham, otherwise known as Elizabeth I's Secretary of State and Spymaster, but very little detailing the life of his only child, Frances. Although she was closely associated with some of the greatest and most powerful people of that era, her presence and her contribution to the course of history is largely unknown. This books chronicles the life of Frances Walsingham, covering the last half of the reign including the defeat of the Armada and the Dutch, Spanish and Irish campaigns. As a child, she survived the massacre of St. Bartholomew's Eve, in company with Sir Philip Sidney, in her father's embassy in Paris. At the age of 13, she contracted herself to marriage with an employee of Walsingham. When this was forbidden, she was betrothed to Sidney, whom she followed when he campaigned in the Netherlands. Frances was with Sidney when he died at Arnhem after suffering fatal wounds at the battle of Zutphen. The Queen's favourite, the Earl of Essex, became Frances's next suitor and they later married. As with Sidney, this was doomed; the Earl was beheaded 11 years later following a treasonable uprising. On her third marriage, to the Irish Earl of Clanricarde, Frances converted to Catholicism as a symbol of her commitment to her husband and his faith. Together they built and left to posterity two beautiful houses which still stand today. Frances was a survivor, but must have had, besides intelligence, rare charm or beauty in order to have married, in succession, three of the most charismatic Englishmen of the 16th Century. Seven of her twelve children survived. The Brilliant Stage will appeal to those with an interest in the Elizabethan period and fans of historical fiction. Angela McLeod's writing is comparable to the style of Daphne Du Maurier. The works of both Dame Edith Sitwell and Lytton Strachey have inspired her and motivated her to write this compelling account of Frances Walsingham.
You’re six years old. Mum’s in hospital. Dad says she’s “done something stupid.” She finds it hard to be happy. So you start to make a list of everything that’s brilliant about the world. Everything that’s worth living for. 1. Ice cream. 2. Kung Fu movies. 3. Burning things. 4. Laughing so hard you shoot milk out your nose. 5. Construction cranes. 6. Me. You leave it on her pillow. You know she’s read it because she’s corrected your spelling. Soon, the list will take on a life of its own. A play about depression and the lengths we will go to for those we love.
Border crossing is a significant experience in the global era when many people cross borders, whether in cultural, geopolitical, relational, or existential terms. Border crossing can provide a great opportunity for spiritual growth, yet it is often a violent and dangerous process. Thus there is a need to explore border-crossing spirituality: to examine how various aspects of border crossing impact human life, analyze why border crossing happens, and explain how the act of border crossing provides transformation. Border crossing is an action undertaken to expand one's own boundaries, and from it emerges the borderland--a third space where one's transformation can occur. This book primarily focuses on various teachings of border crossing and the notion of "being in between." Almost every religious tradition has within it a spiritual teaching of border crossing and the importance of the borderland. This book is, by nature, cross cultural, interreligious, and interspiritual. Through the action of border crossing, transformation occurs in the borderland, and border-crossing spirituality can be crystallized as living a radical hospitality, valuing friendship, remaining in the present, and reclaiming subjectivity.
The inspiration for the NBC TV series "Rise," starring Josh Radnor, Auli'i Cravalho, and Rosie Perez — the incredible and true story of an extraordinary drama teacher who has changed the lives of thousands of students and inspired a town. By the author of The Last Temptation of Rick Pitino. Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders. Michael Sokolove, a Levittown native and former student of Volpe’s, chronicles the drama director’s last school years and follows a group of student actors as they work through riveting dramas both on and off the stage. This is a story of an economically depressed but proud town finding hope in a gifted teacher and the magic of theater.
Leonard James is on an extraordinary quest: to be a man of value. The outcast of a dysfunctional family, Leonard is perplexed and incensed by life's injustices, beginning with the untimely death of cousin Butch. Leonard vows to overcome the adversity in his life. However, he resorts to alcohol and becomes addicted after failing to free himself from his frustration and anxiety. Life events, some of which are of Leonard's own making, leave him a vagabond without direction. Disillusioned, Leonard wanders back to a simpler time and discovers what it means to be a man of value.
Some 2000 years ago Buddhism experienced a major reformation through a movement called the Mahayana, or "Great Vehicle," which dominated religious through in much of Asia for many centuries and still exerts considerable influence. The basic Mahayana texts, sermons ascribed to the Buddha and called "sutras" in Sanskrit, discussed the "perfect wisdom." The "Large Sutra on Perfect Wisdom" took shape between 50 and 2000 A.D. in southern India during one of the most momentous outbursts of religious creativity in human history.
This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction—in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century’s most vital means of exploring, reconsidering, and bringing forth theatre’s potentials.
The eighth book in the Grafton Everest series sees the hapless ex-President of the Republic of Australia, Dr Professor Grafton Everest, caught up in a web of international espionage and intrigue that he is hopelessly ill-equipped to handle. Abandoned to his own inadequate devices when his wife Janet departs on a world tour, with his home invaded by his now broke daughter and son-in-law, Grafton accepts an assignment with the United Nations to investigate electoral fraud in Russia. The reason is not only to get out of the house; an old letter from his mother, addressed to someone in the Soviet Union fifty years ago, suggests that Grafton may not be the only child that he always thought he was. Grafton’s mission to Moscow and his search for this mysterious sibling take him far from the Russian capital, deep into the icy wastes of Siberia and even deeper in a tangled conspiracy whose roots extend back to the Cold War and even as far back as the Russian Revolution.