Download Free The Bride In The Cultural Imagination Book in PDF and EPUB Free Download. You can read online The Bride In The Cultural Imagination and write the review.

This essay collection examines the cultural and personal world of girls and women at a time when their lives, their person, their realities, and their status are about to change forever. Together, the chapters cleverly create an in-depth study of the subject, and look at several cultural forms to offer a different approach to the popularly-held views of the bride. The critical essays in this edited collection are thematically driven and include global perspectives of the portrayals of the bride in the films, stage productions and pop-culture narratives from Nigeria; Kenya; Uganda; Tanzania; Spain; Ancient Greece and Ancient Rome; Tajikistan; India; Egypt; and the South-Eastern Indian Ocean Islands. This multinational approach provides insight into the intricacies, customs, practices, and life-styles surrounding the bride in various Eastern and Western cultures.
Most Jews will feel intimately familiar with and attached to the figure of the ‘Jewish mother’, yet few have questioned representations of mothers and motherhood in Jewish culture. This volume aims to fill this gap by bringing to the fore the vast network of symbols and images which Jews have associated with mothers from the Bible to the modern period. It demonstrates the complex ways in which the Jewish mother has been used to construct and frame Jewish religion and culture.
Cultural Representation of the Second Wife: Literature, Stage, and Screen, is a multifaceted, interdisciplinary, cross-cultural work that provides insights into the realities of second wives the world over. This book allows the reader a three-dimensional view of the second wife experience. It asks: What does it mean, and what does it feel like, to be a second wife in a polygamous union or in a monogamous partnership? Is there a difference? Together, the writers in this book cleverly create an in-depth study of the subject through the productions referred to in the title, to offer a different approach to the popularly held views of the second wife. The book addresses the intricacies, customs, practices and lifestyles of the various Eastern and Western cultures and demonstrates the abilities of the Humanities to connect and interrelate with other disciplines as well as with the reader’s own world.
This anthology explores the recurring trope of the dead or absent mother in Western cultural productions. Across historical periods and genres, this dialogue has been employed to articulate and debate questions of politics and religion, social and cultural change as well as issues of power and authority within the family. Åström seeks to investigate the many functions and meanings of the dialogue by covering extensive material from the 1200s to 2014 including hagiography, romances, folktales, plays, novels, children’s literature and graphic novels, as well as film and television. This is achieved by looking at the discourse both as products of the time and culture that produced the various narratives, and as part of an on-going cultural conversation that spans the centuries, resulting in an innovative text that will be of great interest to all scholars of gender, feminist and media studies.
This is a study of the complex and changing cultural patterns in Hong Kong’s relationship with the neighbouring mainland. From interviews, TV dramas, media representations and other sources, it traces the fading of Hong Kong’s once-influential position as a role model for less developed mainland cities and explores changing perceptions as China grows in confidence and Hong Kong encounters a powerful nation culture in the mainland. Part One (‘Desiring Hong Kong’) examines the history of cross-border relations and movements from the 1970s, focusing on Hong Kong as an object of desire for people in South China. Part Two (‘Consuming South China’), moves to the turn of the century, when, despite increased communications and a ‘disappearing border’, Hong Kong is no longer a powerful role model; it nevertheless continues to be a resourceful node in the chain of global capitalism. This is a timely and provocative discussion of a topical issue, and one written in an approachable style using lively case studies. In contrast with the popular theorization that Hong Kong shows her true colour in “the politics of disappearance”, this book argues that Hong Kong returns with a politics of reappearance in a dense network of ‘fear and excitement’, differentiating and assimilating with the mainland at the same time. It will be of interest to scholars and students in cultural studies, political science, sociology and cultural geography. It will also have some general appeal to policy-makers, journalists, and the concerned public.
Rejecting Roman feminine virtue in its pure form, Christianity claimed a moral superiority in its ideals of romance, and portrayed women seeking more spiritual goals. Cooper studies how this connected with social and religious change.
From Jack the Ripper to Frankenstein, Halloween customs to Alexander McQueen collections, Fashioning Horror examines how terror is fashioned visually, symbolically, and materially through fashion and costume, in literature, film, and real life. With a series of case studies that range from sensationalist cinema and Slasher films to true crime and nineteenth-century literature, the volume investigates the central importance of clothing to the horror genre, and broadens our understanding of both material and popular culture. Arguing that dress is fundamental to our understanding of character and setting within horror, the chapters also reveal how the grotesque and horrific is at the center of fashion itself, with its potential for instability, disguise, and carnivalesque subversion. Packed with original research, and bringing together a range of international scholars, the book is the first to thoroughly examine the aesthetics of terror and the role of fashion in the construction of horror.
With penetrating insight Combs-Schilling illuminates the remarkable survival of one of the world's oldest monarchies, still ruling after 1200 years. The author unravels the paradox of this ancient yet progressive institution that has weathered invasion, economic collapse, and colonial assult. The pillars of stability for which political analysts typicaly search -- military strength, bureaucratic control, and commerical prosperity -- have often been absent in Morocco, sometimes for centuries. How then has the monarchy stood firm? In this remarkable book, Combs-Schilling argues that the answer is to be found in the distinctive forms of ritual practice developed during times of great crises. Unique among Islamic governments, the Moroccan monarchy became cnetral to the popular celebrations of the most sacred rituals of Islam, cloaking itself in their sanctity. Combs-schilling breaks new ground in thinking about ritual. The author explores the consequences of the replication and reinforcement of Morocco's national ceremonies in viallages and homes and the metaphorical equivalence thereby built. The author outlines how ritual metaphors simultaneously fuse the monarchy with the hallowed prophets of Islam and the mundane structures of family life. In elucidating the forcefulness of ritual embodiment the book challenges anthropological theory. It demonstrates that rituals created realities by inscribing them deeply within the individual's body and mind. Rituals use eros and physical substance to build imaginative abstractions. Performances of exquisite beauty and grace make the monarchy intrinsic to definitions of male and female, to experience of birth, intercourse, death, and to the ultimate longing to break death's bonds. Combs-Schilling creates a model for national political analysis that takes meaning as well as strategic power into account. The author applies the anthropological analysis of rituals to new arenas -- the nation-state and the world political economy -- without ever losing sight of the individual and the flow of daily life. The book clarifies a distinctive form of nationalism that expands the boundaries articulated by Anderson in Imagined Territories. Rituals rather than territory or administration came to define the Moroccan monarchy and the Moroccan nation under Western assault, and enabled them to survive. For the novice, the book provides an unusual and compelling entry into Islamic culture and history. Yet it is provocative for the expert in its reinterpretation of the strategic dimensions of Muhammad's marriages and the political potency of the rituals of Islam where power, sacrifice, and sexual identity converge. By revealing the link between national ceremony and individual identity, the author calls into question the popular view that sharply divides East and West and suggests commonalities in the structures of political-sexual power that are built into societies that operate within the cultural contexts of the world's three monotheistic faiths: Islam, Judaism, and Christianity.
"Writing Australian History on Screen reveals the depths in Australian history from convict times to the present day. The essays convey perspectives of Australian history on screen taken from an Australian viewpoint in a way that offers insights and an understanding of the unique Australian history and sense of identity"--
Once referred to by the New York Times as the “Israeli Faulkner,” A. B. Yehoshua’s fiction invites an assessment of Israel’s Jewish inheritance and the moral and political options that the country currently faces in the Middle East. The Retrospective Imagination of A. B. Yehoshua is an insightful overview of the fiction, nonfiction, and hundreds of critical responses to the work of Israel’s leading novelist. Instead of an exhaustive chronological-biographical account of Yehoshua’s artistic growth, Yael Halevi-Wise calls for a systematic appreciation of the author’s major themes and compositional patterns. Specifically, she argues for reading Yehoshua’s novels as reflections on the “condition of Israel,” constructed multifocally to engage four intersecting levels of signification: psychological, sociological, historical, and historiosophic. Each of the book’s seven chapters employs a different interpretive method to showcase how Yehoshua’s constructions of character psychology, social relations, national history, and historiosophic allusions to traditional Jewish symbols manifest themselves across his novels. The book ends with a playful dialogue in the style of Yehoshua’s masterpiece, Mr. Mani, that interrogates his definition of Jewish identity. Masterfully written, with full control of all the relevant materials, Halevi-Wise’s assessment of Yehoshua will appeal to students and scholars of modern Jewish literature and Jewish studies.